Why I Heart Eminem by The Drifter

(Images by The Drifter)

“But don’t you place the blame on me / As you pour yourself another drink, yeah.”

– Eminem

I heart Ems because he talks about, explores, and explains what it’s like to be from Michigan, which means, of course, what it’s like to be from the American Midwest: “flyover country.”

It’s kind of like America’s greatest rock critic (by far), Lester Bangs, who always loved to wear his “Detroit Sucks” T-shirt while living in, and loving living in, the Detroit area, which is known as both Motown and Rock City among other monikers. I can’t believe he was only three miles down the road co-creating Creem Magazine while I was living there as a rebellious little kid. And yet, such is (weirdly for me as a person) true.

There is a simple four-part formula for understanding the essence of Eminem as an American artist, I say!

I speak here of his best, most mature, and most fully developed work, not every single thing he’s ever done. He is a very profuse, honest, sometimes dark, and prolific artist, and if I wanted to slam him, I could choose lots of things to slam. He’s also a very self-aware and self-critical artist – anything anyone can say about him, he’s already said about himself a million times before (much like the poet Charles Bukowski).

The four-part formula goes like this.

One: What it’s like to be from the state of Michigan.

Two: What it’s like to be from the American Midwest (“flyover country”).

Three: What it’s like to be an OUTSIDER.

Four: How the figure of The Outsider, in his work, becomes a symbol of the modern Human in general, plain and simple, and also not simple at all.

Someone once asked him if he believes in God; he said, “I don’t go to church, but I do pray.”

Such an answer shows how he is a kind of modern-day Everyman who modern-day Everywomen can also relate to.

Every place in America, and I mean every place in America, has great heroes and heroines who lived there in the past or are living there right now. By “heroine” and “hero,” I simply mean someone who can be looked up to in some kind of way; someone who proves that humans are, somehow, worth it; and can act as a representative figure somehow (which is also much more of a burden than it might sound like at first blush).

Because if we don’t question the fact of human nobility sometimes, we are blind and mad. And if we don’t ultimately believe that humans have that noble strain within them, we become someone like the current president of the USA, who believes that everything, and that means everything, comes down to nothing more than a monetary transaction, one way or another. Think well of other people – without being blind – and eventually you start to think well of yourself, too.

Eminem’s gated KMart mansion is fifteen miles away from where I lived for the first ten years of my life.

My parents were young and our neighborhood was modest and I often find myself back there in my dreams or in the smell of rain or snow or grass or in the warmth of the sunshine, all of which I learned there first.

We lived in the area where Eminem’s film 8 Mile is set.

Five of Eminem’s greatest songs are from his 2013 album The Marshall Mathers LP 2.

When this album came out, I was separated from my wife and broken up with my truly-beloved, soul-mate girlfriend (who I took up with only after my wife kicked me out and I also kicked myself out even more, which she tended to forget (about the girlfriend) a little too often, since we never lost regular contact while taking care of the kids, in front of whom we always retained a friendly family demeanor in between the poison barbs we regularly aimed at each other; see the quote from Eminem himself at the top of this essay for an example). Two people I deeply love were battling cancer (they got over it, but I didn’t know if they would, at the time; and one of them was her). And my mother had recently passed on. And I was losing my job, a process that took, on and off, two years. Unlike the cancer/s, I knew how this one would pan out from the start, but I never stopped fighting (even though lost in a fog-of-war confusion most of the time, at the time) until it was over (when I immediately plunged into a periodic three-year depression that almost killed me lots of different and exciting ways).

The Marshall Mathers LP 2, and especially the five songs I’m about to list, provided me with great, deep consolation, comfort, and inspiration at the time. For some reason, the album cover has one of my favorite numbers hidden in plain sight upon it: 946.

My two kids, who are forty years younger than me almost to the day, also love/d these songs, then and now, as do most of their friends.

This album was/is one of the rare times when great art and the American mainstream actually come together these days. Lana Del Rey, at her best, is another example of this; as is Taylor Swift (at her best); as is Lady Gaga – at her best.

“The Monster” (co-vocals by Rihanna). ALSO SEE THE MUSIC VIDEO WHERE RIHANNA WEARS BLACK LIPSTICK AND EXTRA-LONG FINGERNAILS!

“Legacy” (co-vocals by Polina).

“Headlights” (co-vocals by Nate Ruess).

“Stronger Than I Was.”

“Bad Guy” (the sequel to Ems’ great song “Stan”).

Remember the spirit of the 1960s (even if you weren’t alive at the time) and play it loud!

These songs are not really rap or hip hop per se; they are more like rap rock, like when he sampled Black Sabbath or Nick Cave on earlier songs; and even more like something one-of-a-kind in a genre of their own, a genre of Eminem’s own invention. Like all great art (including all great essays), these songs don’t really fit into any pre-conceived categories: at all.

But these five songs are so great, they can, very rightly, be compared to the best of The Beatles; Bob Dylan; Nina Simone; The Clash (London Calling); Nirvana. Yes, it’s true: Eminem, at his best, is that good.

Another thing many folks don’t know about Eminem: he took better care of his little brother than their parents did; and he took better care of his three daughters than their mother/s did (two are adopted, from his ex-wife with another man and from his ex-sister-in-law).

Unlike everyone else, he stuck around.

Exciting End Note/s:

I can also recommend Eminem’s powerful 2010 album RECOVERY.

Especially these songs: “Cold Wind Blows,” “Love the Way You Lie,” “Not Afraid,” “Going Through Changes” (one of the songs where he samples Black Sabbath, brilliantly), “Space Bound.”

This essay was written in a single burst while sitting in the car outside Frank Lloyd Wright’s Home and Studio in Oak Park, Illinois, USA, on May 12, 2026, which is right around the corner from Ernest Hemingway’s boyhood home. I do not use, and have never used, and will never use either grammar or spell check, believing my brain should be the one to do the work instead of any sort of a computer for a multitude of reasons some of which I can’t even explain. I believe that any typos or mistakes (if there are any) are deliberately made by something else. Therefore I let them stand if I catch them after a certain point (after my brain says “Finished”).

SEE THE QUILLEMENDER OF MY CO-EDITOR LEILA ALLISON!

(Borges rightly says that the real writer is never afraid to write a bad page.)

I saw seven GIGANTIC wild rabbits in Wright’s yard while writing this!

They were running around chasing each other because they know that it’s SPRING.

The “Mad” Woman by The Drifter

(All images by The Drifter)

“So you may say, / Greek flower; Greek ecstasy / reclaims forever /

one who died / following intricate song’s / lost measure.” – H.D.

Today’s discussion of medical issues is from a layman’s point of view since I am a Doctor of Philosophy and not a medical doctor. But the medical facts have been garnered and gathered from folks who are medical doctors – in person, not just through reading. So this column offers the best of both worlds: the medical facts filtered through a philosophical perspective, with a touch of Edgar Allan Poe and Franz Kafka, except that THIS IS REALITY.

The “Mad” Woman

You walk back into your tiny apartment after another trip around the block. The second you enter your one main room, you realize that something is amiss. Someone has been in here again during your 30-minute absence. Not only have they been in here again, they have rearranged some of your items. The difference in placement is very subtle. A hair brush you thought had been over here is now over there. Your coffee cup has been moved three inches away from the place you left it. And the television remote control device is now sitting on the opposite end of the end table from the one you left it upon when you left your apartment thirty minutes ago. Because the people, or beings, who enter your apartment and rearrange your stuff when you are gone are very subtle, very secretive, and very sly. You do not know why they are targeting you and rearranging your stuff; but “they” have been doing this for years. You slowly move around the apartment putting everything back in its right place. Then you notice that the dart board on your wall has also been rearranged. It has been moved exactly three inches to the left. You suddenly realize that the dart board is not a dart board: it is an eye. It is a GIGANTIC EYE through which THEY are watching you. THEY also follow you around on the streets sometimes. You have been incarcerated more than once for accosting these spies on the street. You approach them unannounced and unawares, demanding to know why they are following you, whose orders they are following, and why they don’t feel guilty about being spies. The authorities sometimes show up when you take these interrogation tactics too far. Sometimes that’s when the straight jackets come out and the incarceration thing happens again. You are aware that all of this seems “crazy” to them. But you are being followed, tracked, and surveilled within your apartment. Not just the dartboard but also the bathroom mirror is an EYE watching you. Watching you and reporting your activities to THEM. That’s why sometimes you don’t move for hours. You just sit there alone in your chair in your apartment utterly unmoving, not even daring to get up and go to the bathroom. Some day you will figure out who is doing all of this, why they are doing it, and what the universal ramifications are. You’re pretty sure that most of the spies are human. Others are definitely demons who look like humans. A few are humans you’ve been long familiar with, like your sneaky and wily landlord. That landlord of yours who always acts so friendly on the surface then turns around when you’re not looking and reports all of your activities to the authorities. The ultimate authorities are not human. They are not God, either. Rather they are some kind of currently unknown (to humans) creatures who live on a Planet called the North Star that is not in our galaxy and not even in our universe. One day you will know the reason for all of this, and it will elevate you. In the meantime, you can’t get a job because your life is constantly taken up with dealing with them, fleeing from them, thinking about them, analyzing them, dreaming about them, hiding under the covers from them in the tiny bedroom. (Under the covers is the only place they can’t see you, although they can still sometimes say things to you, like, “You stupid fucking bitch” over and over again.) Maybe some of them are friendly though (you are hoping this is true). Maybe everyone and everything in the world is not your enemy. Maybe. Maybe. Maybe! If you weren’t on medication, things would really start to get bad. You remember that you haven’t taken your medication in a few days, not since the last time you saw your therapist. You go to the medicine cabinet. To retrieve your medication. It should come as no surprise that your medication has disappeared because THEY have stolen it. Later you will locate the medication bottles in a different area of your apartment and realize that the jerks who are following you around and messing with you have moved your medication again. You dump all the many multicolored pills all over the floor and slowly and methodically begin to count them again, over and over and over again…counting the pills in this way also keeps the voices in your head quiet as night comes on, at least for the most part…

Welcome to the wonderful world of full-blown schizophrenia. The low moods and crazy highs of bipolar disorder look like a cake walk compared to this. Bipolar disorder is an episodic disorder where the patient is rarely, if ever, psychotic, i.e. totally out of touch with reality. There are a few medications that work really well in helping to control the occasional, extreme moods of bipolar disorder along with all of its daily intensities, mini-nervous-breakdowns, hilariously dangerous outbreaks, and sometimes-constant hyper-irritability. There are no medications that are great, or even very, very good, at controlling schizophrenia, although some med’s can help control the delusions and hallucinations a little. There is not much chance that any of this will change, at least not in the next couple of centuries…

The Native Americans, like the ancient Greeks, believed that “crazy” people were in touch with the gods in a special way that made them special people. They weren’t just sad, pointless cases with no reason, no goals, no ambitions, no purpose. Instead, their unusual condition was seen as a thing that was bringing messages to the rest of us. Not clear messages, ambiguous messages. But messages nevertheless. In the modern, secular, capitalistic, warlike, atheistic (or fundamentalist religionist), consumerist, commercialized, monetized, advertised, atomized, and alienated world, your value is the price tag on your head. Special people are not special, they are worthless, pointless junk to be discarded if possible. The medical professionals who do more than anyone else to try and help these people also often do more than anyone else to stigmatize, traumatize, and stereotype these people. There are literally millions of severely mentally ill people in the USA alone, and that doesn’t count the rest of the world. It’s a known fact that schizophrenics in the USA and UK, for instance, usually hear voices that are harshly criticizing them; while schizophrenics in places like Africa or India usually report (instead) hearing the voice of God.

These people really are messengers. It’s us who are not listening.

The next time you see someone standing on the street corner yelling at and kicking a telephone pole as if it were alive, or staring into the sky with a terrified look on their face as if an angry Martian were gazing down at them and scolding them, see if you can get inside their head before you pass on.

The Drifter

Martin Luther and Lenny Bruce by Dale Williams Barrigar

The Colonel

Martin Luther was a man who had one of his most profound religious revelations of his entire life while in the middle of a painful bowel movement. And he found this fact, in retrospect, to be so extraordinary, and so hilarious, that he never hesitated to tell this little tale to almost anyone who would listen when the mood struck him; and he especially enjoyed telling the tale in mixed company. He especially told the tale after putting a bunch of ale into himself. He was a man who enjoyed copious quantities of beer like most in his day. His sense of humor was so ribald, wild and infectious that he sometimes kept the folks around him in stitches for an entire evening. Then again, back then there was no television. And yet, we can still see that Martin Luther’s powers of humor were extraordinary and subversive. Just like Lenny Bruce.

Back then, messing around with THE LAW, which meant the Catholic Church, was not just something that could get you excommunicated, or even just exiled from the community. Dante, when he was banished from his hometown, was told: if we ever see your face around here again, mister, we will jump you and burn you alive publicly at the stake. It was a good enough reason for Dante to never see Florence, which he deeply loved, again. Back then, messing around with the law, i.e. The Church, meant that you might have your arms and legs cut off while you still lived. Then for good measure they would take your intestines out of your body and show them to you in case you were wondering what they looked like. And only then would they chop your head off and place it on a pike so they could put it on the corner to warn other ne’er-do-wells such as yourself. Martin Luther faced down the Catholic Church and condemned them in fiery and public terms for being a corrupt institution that cared nothing for anything at all except money, money, money. The way to win your eternal forgiveness back then was to make a little donation to the Catholic Church, who would then contact God on your behalf and make sure you were okay now with The Big Guy. They had forgotten what their great hero, Jesus, said about a rich man, heaven, a camel, and the eye of a needle. Luther spent an awful lot of time in hiding, and he escaped torture and execution because his wily nature and the truth of his position won out in the end.

In 2018 or ’19, Elina, Mary Ellen, and I saw Bob Dylan live on the campus of the University of Illinois Chicago at the small stadium there which was right across from the building where I had my office at the school for fifteen years. We were in the third row and the only thing we ever actually saw of Dylan himself was his wild and messy hair bobbing around above his electric piano, because of where we were in the crowd, because of how his piano was set up to block him, and because he hid behind his instrument the entire time with his head mostly bent down low and never once directly addressed the crowd, at all, except in song.

When he began to sing his song “Lenny Bruce,” from his 1981 Christian album Shot of Love, a sudden hush went over the entire audience, and it was obvious that more than just me in the crowd knew that this was a special and unusual moment. “Lenny Bruce” is one of Dylan’s least-known, truly great songs. The surprise performance he gave of it that night was almost heavenly, or at least as heavenly as it gets on this side of the Great Divide. Anyone who thinks Bob Dylan can’t sing was not there that evening, or is mentally sleeping.

“They said that he was sick / ’cause he didn’t play by the rules / He just showed the wise men of his day / to be nothing more than fools / They stamped him, and they labeled him / like they do with pants and shirts / He fought a war on a battlefield / where every victory hurts / Lenny Bruce was bad / He was the brother you never had.”

Dale Williams Barrigar (All images by DWB)

Cat Woman by Dale Williams Barrigar

(All images by DWB)

Loving lady at the end

of the block, you were once an

urban cougar with a single silky black

feline.

But time passed, as it must.

It is a lot of them that haunt you now, I see.

The lizard-eyed landlord tried

to evict you many times.

Then they came, and did evict

you eventually, for this.

The cats were scattered, or rounded up

and taken away, somewhere, some when.

Shakespearian Cat Woman you fought them,

and tried to escape them,

you died for them, you plied them with

fine liquor, wine, and gold eye shadow, and you

heavily sighed.

But when they took the cats away,

did you know,

did you know then that this

was only the ethereal end

of one more love?

And do you now, do you ever remember

me, at all?

And how?

Dale Williams Barrigar

Doing It Anyway by the Drifter

(All Images by The Drifter)

“It is difficult / to get the news from poems / yet men die miserably every day / for lack / of what is found there.”

– William Carlos Williams

“Look at / what passes for the new. / You will not find it there but in /

despised poems.” – William Carlos Williams

The above lines appear so simple that any literate child could have written them in her or his off moments.

At the same time, it took me twenty years of periodically re-reading and returning to these lines before I was able to understand them in their deeper levels, or in what Ralph Ellison called “the higher frequencies.”

I always knew there was something there, but just what it was always seemed to elude me.

It was this mystery, this enigma, this most simple yet deepest of riddles, which kept me returning to these lines, as with so many other great lines of poetry.

When you know what it is but also know you don’t really know what it is (and Socrates said the most important thing to know is what you don’t know), the mind-heart-body-spirit must engage with the work in a way that is beyond mere mental exercise, but also is mental exercise of the highest kind.

By the word “high,” I mean that it makes you feel high.

The word “kind” in another guise is another thing poetry is, even when it’s savagely satirical.

The honest and plain truth is that poetry says what nothing else can say, whether that something else be politics, science, philosophy, or even religion, which is why poetry is a religion to many.

It is a religion to an uncountable, indefinable, and scattered multitude, now and always.

It is what made us human (“in the beginning was the Word”) and it will be the last thing to go when and if we ever become no longer human.

There is nothing to believe; but somehow poetry makes you believe it anyway.

Key Notation: A novel like MOBY DICK or JANE EYRE or a Nathaniel Hawthorne or Carson McCullers short story are also, very much so, “poetry.” Wallace Stevens said that we should go around collecting poetry from the epiphanic moments in our lives and put those moments into words only afterwards; and so on one level, there is no greater argument for the holiness of poetry in and of itself than this.

The Drifter

The Wild Turkey Family by Christopher J Ananias

(Editors’ note. We are collectively gobsmacked by this collection of photos snapped by Christopher J Ananias, and we are equally pleased with the text. Enjoy–the Eds.)

They came running. Maybe this will never happen again? Giant, once they were upon us. Their size was intimidating, but something made me want to pet them on top of the head. I feared for their tameness.

The Light Bringer was amazed. I asked the Light Bringer what she thought, and she said, “They’re huge… Kinda scary.”

“Yeah, I wish we had some food, Light Bringer.” A sadness gripped me. I so wanted to make the magnificent birds happy.

The Light Bringer looked around inside the car, but the cupboard was bare. They surrounded our vehicle. The Light Bringer said, “Move now, c’mon now, Honey. Please move.”

By Christopher J Ananias and The Light Bringer

Silence, Exile, and Cunning: a Credo, a Screed, a Missive, a Memoir by Dr. Dale Williams Barrigar

(Images provided by the Good Doctor DWB)

“Let my country die for me.” – James Joyce

“The supreme question about a work of art is out of how deep a life does it spring.” – James Joyce

“Shut your eyes and see.” – James Joyce

(Note: We conclude another fine week by our Editor DWB. And for the time being he will be appearing in months to come with full weeks. The offer is open to many of our friends who have published previously with us. So, something to consider–Leila)

This un-mundane but minuscule screed possesses a very specific target audience. It is aimed directly at anyone who has ever lived, is now living, or will ever live who has even the tiniest bit of interest in the Irish author James Joyce, or in creative writing itself as purely an art form.

The greater your interest in HIM (and he is his work) or the greater your interest in creative writing as art, the greater your interest in this missive will be. There is much so-called “creative writing” that is much closer to formulaic hack writing than it is to what we (I) mean when we say “art.” This kind of commercialized-hack-writing-as-creative-writing tends to win things like the Pulitzer Prize, the Booker Prize and even the Nobel Prize – to prove this all you need to do is look backward at the list/s of writers and works which have historically won these so-called prizes; Joyce himself, the greatest fiction writer in English of the twentieth century (by far), never won any major prizes and was never even nominated for the Nobel Prize in Literature. Joyce is the greatest fiction writer in English of the twentieth century, which bears repeating. More than this, forced to make a list of the top half-dozen writers of the English language so far in any genre, that list would be: William Shakespeare; Geoffrey Chaucer; John Milton; William Wordsworth; James Joyce; and Jonathan Swift; in that order. Maybe Emily Dickinson, Emily Bronte, Edgar Allan Poe (just ask them in France), Walt Whitman, John Keats, John Donne or William Blake could replace someone in this list. (All such lists are really just a speculative game, of course, except for the first four, which are really a historical fact.)

Spiritual events are the biggest events in our lives. In many ways, somehow unrequited romantic love (including but not limited to the death of the loved one as in Poe) is an unbeatable spiritual event – and by that I especially mean small cap’s romantic love when it is propelled by capital R-and-L Romantic Love, i.e. the kind of love that was also preached and practiced by the British Romantics such as Blake, Wordsworth, Coleridge, Keats, Byron, and the Shelleys, all of whom had their profound influences on James Joyce (he once dubbed himself a modern-day synthesis of Daniel Defoe of Robinson Crusoe fame, and William Blake).

Joyce has been and is one of the biggest spiritual events in my own life so far on a personal level. As such, this screed that is also a missive is also a memoir of a little over 1,300 words, which is around the average length of one of Paul’s letters or many of Hemingway’s best stories.

I started reading Joyce when I was around fifteen years old in the American Midwest. In many ways, I was finished reading Joyce by the time I was around twenty or so, even though I’ve continued to reread him to a greater or lesser extent in every year of the last thirty-nine years. So I absorbed, and even memorized, much of Joyce still during the time/s when my youth made me very, very impressionable.

All young people who have the gift or the penchant for reading or who have a questing soul at all should read and reread some of James Joyce when they are young if they are lucky, specifically the first four stories in his collection Dubliners, which blow The Catcher in the Rye out of the water but are in the same vein and should be read first or beside it, along with Hemingway’s Nick Adams stories. If these four Joyce pieces accidentally missed you when you were “young,” but you are still young inside, go to these stories now and your haunting youth will be magically returned to you in all its best, and worst, aspects. The complete realism of these brief yet all-encompassing tales is comforting even as their idealism inspires, or makes the breath quicken.

The rest of this writing will present in brief yet pungent and cogent form what are my own personal favorite things in James Joyce as of right now. His work is endless to meditation so some items shall be, I am sure, accidentally omitted but what is presented here can also be seen as an outline of his most important work from the heart and soul of one loving reader’s perspective.

DUBLINERS.

The first four stories: “The Sisters,” “An Encounter,” “Araby,” and “Eveline.”

“The Boarding House” from the middle of the collection and “The Dead” from the end, and especially the end of “The Dead,” and especially the very last paragraph of this long story or short novella.

“The Dead”: the dramatic, life-altering moments between the MC and his wife in their hotel room around Christmastime will never leave you. The last paragraph of “The Dead” is, hands down, one of the greatest paragraphs ever written in the English language, a fact that has been acknowledged by many long before me and will continue to be acknowledged by many long after “yours truly” has departed this mortal sphere (praise God may it not be for a while, thy will be done). I personally have read this paragraph not hundreds but thousands of times. It is like a sad song I replay over and over when alone in the car, but better.

A PORTRAIT OF THE ARTIST AS A YOUNG MAN.

The title of this book alone has had a massive impact on my entire life at every level I can possibly imagine, an impact so vast it feels beyond Jungian in its depth, oldness, oddness, and neverendingness.

The sea girl on the seaside like a sea bird and Stephen’s limerence-like fascination with the girl, the bird, and the sea. The beautiful longing of it all.

The experimental and experiential opening of this novel which actually captures all of infancy, babyhood, and toddlerhood in less than one page from the kid’s perspective.

The friend with friend notations and conversations that end the book.

The phrase “silence, exile, and cunning” which became one of my own personal credos when I was a teenager and remains so until today, and will be tomorrow and tomorrow and tomorrow after that, too. Among other things, the rebellious spirit of the original rock and roll is contained within this phrase. One of the greatest influences on Bob Dylan ever is and was James Joyce, by Dylan’s own admission.

There is SO MUCH in these literal and metaphorical four words when put together like this that you can literally build an entire life on and around it.

It is more than an impenetrable fence but it is also an impenetrable fence, the only kind that can allow for true growth of the spirit and the personality, the only real possession we can ever possess here on Planet Earth.

ULYSSES.

The title itself, alone, along with all it implies.

The “friends” episode in the sea tower at the beginning of the book.

Leopold Bloom’s eternal peregrinations.

Stephen and Bloom drunk together in the whorehouse and elsewhere, wandering around.

MOLLY BLOOM, especially her end (“Yes”) in more ways than one.

Marilyn Monroe wanted to make a movie where she played Molly.

FINNEGANS WAKE.

The title itself.

Finnegans – plural. Wake – verb.

Resurrection, reincarnation, and/or all of the above.

The Irish drinking song where the title comes from: a drunk guy in Chicago falls off a ladder, dies, then springs to life again at his own funeral, leaping out of his own casket and SMILING at all his friends and enemies.

Her name: Anna Livia Plurabelle. And the rivers of life.

His name: H.C.E. (Here Comes Everybody.)

Shem the Penman.

The alpha and the omega: the beginning and the end.

On the Algorithm by The Drifter

(All images by The Drifter)

Instead of only blaming the inventors, propagators and perpetrators of these products, we should turn the blame around once in a while and place it squarely on the individual consumer/s of said products as well. No one is placing a gun against anyone’s head in this matter. Take it from one who once had a gun placed against his head on a Chicago sidewalk. And a switchblade placed right below his eye in a Kansas City tavern. And a frying pan swung (hard) in the direction of his head in the kitchen. (The author of this opinion piece is good at ducking, fleeing, and flying (out the back door), as well as staring people down – or talking them out of it when necessary.)

Ruthless billionaire businessmen ye shall always have with you. In 2026 USA, one has the option to ignore them, or at least not to utilize their products beyond what’s necessary, selective, or right, depending on the situation.

They have figured out a way to feed the people exactly what the people wish to eat. And the people go to the hand of the master and lap up the usual b.s. because it is the usual b.s. they long and crave for. If universal wisdom, truth, love and beauty were popular and profitable, the business people would sell that instead.

There are some people who are not in control of their minds and thus have gone out of their minds by feeding their minds on nothing but The Algorithm.

As for the rest of us, we have the option to opt out and choose better materials at any time.

It is a matter of cultivating your one and only soul. If you let someone else feed your soul with nothing but junk, you will end up with a nothing, junk soul created by someone else, which will mean that you have abdicated your personality, the only real possession you possess in this vale of tears. This egregious and pathetic non-condition will not serve you, or others, well when the shit hits the fan, as it’s sure to do again and again in this world that is both spiritual battleground and mortal coil.

The Algorithm is not a gun against anyone’s head. You can choose NOT TO CLICK ON IT and not even to look at it at all, for that matter. Any addict who’s ever gotten over anything can tell you that you don’t have to do it if you don’t want to. Nietzsche said, “There are so many things in this world I never want to know.” He knew a little and ignored the rest. He also said, “Whatever doesn’t kill me makes me stronger,” right before going permanently insane.

A great picture is infinitely more valuable than a bad book (and can be read almost in the same way as reading a good book (and as the book of nature can also be read)).

Sincerely,

The Drifter

Nine Things Boo Be Do that Freak Me Out

(All images by the Drifter)

Number nine, number nine, number nine, number nine…” – The Beatles

When I say “freak me out,” I mean in a good way.

(To the elite few of you who want to review who Boo is, see photos.)

ONE: Sometimes constantly watches me from across the room of the book-strewn apartment as if to make sure I’m all right (until he dozes off, which happens just as frequently).

TWO: Catches wild squirrels in his mouth between his fangs, doesn’t chomp down upon them, drops them down onto the ground and sets them free, then watches them flee (run away) without going after them.

THREE: Leaps into my lap when he gets scared.

FOUR: Hides behind me when he gets scared if I’m standing up.

FIVE: Puts himself between me and whoever it is when someone is approaching us at night along the sidewalks or in the alleyways of the Chicagoland area we roam through (or wherever we roam through). If it’s more than one person approaching, becomes even more fearlessly vigilant.

SIX: Follow verbal commands when they, paradoxically, are not even spoken aloud by me. (In other words: READ MY MIND.)

SEVEN: Refuse to follow commands just as often, and act like he thinks it’s funny, and in his own way, I do believe he thinks it’s funny.

EIGHT: Run so fast that he literally morphs into a black-and-white blur that looks like it’s flying across the ground. Fastest dog I’ve ever seen and I’ve seen many.

NINE: Stare into the distance while intuiting the Spirit World.

(Leading one to the astonishing conclusion that if dogs could talk, we wouldn’t even be able to believe what they would tell us…)

(Bonus point: can climb fences and trees when he wants to bad enough…)

The Drifter and Boo