Report from a Battlefield by The Drifter

…Then the Drifter said:

The Drifter is phoning it in this weekend, or at least shooting from the hip, because the kids (the twins) have pneumonia. And he himself feels like he might be coming down with pneumonia. Or it might be the effects of a lifelong insomnia problem. I remember wandering around exploring our little house in the Detroit suburb of Madison Heights alone in the middle of the night before my brother was born. I was four when he was born. I remember, like it was yesterday, the day they brought him home from the hospital. Like it was yesterday with a large gray veil thrown over it, that is. Sometimes I wonder what are all the things I don’t remember. I know what I remember. What I don’t know is what I forgot. Meanwhile, what I forgot doesn’t mean it hasn’t affected me. It might have been a traumatic thing that has affected my whole life more deeply than anything else that I do remember. I also know that memory has a way of casting a beautiful sheen over some things they could not possibly have had to that full of an extent while they were happening. This hectic week has also reminded me that you need a zen-like control of the mind in order to do any good writing at all, except maybe fragments you can save for later.

Regarding the pneumonia, the effort of providing (or trying to provide) constant emotional support while also talking everyone down and also talking them up all the time (“it will be okay, you can get through this,” etcetera), while simultaneously dealing with crowded doctors’ waiting rooms, harried medical staff, looming insurance debacles, half-assed pharmacy escapades, endless traffic jams, social anxiety disorder caused by bipolar disorder, and near-migraine headaches can be a thing that will lead to nervous breakdowns, just like it has done in the past. My well-medicated brain that has a dead patch in it from having a stroke can handle a lot but it too has its breaking point. The first sign is usually emotional, followed by physical, collapse. Lest it sound like I’m complaining I admit that all of the above is a journey too and these are also some of the most meaningful events in life. Watching your children suffer and panic and cough up blood up close teaches you something, even if you don’t know what it is at the time, and even when they are otherwise healthy kids who you know are probably gonna be okay.

The kids’ mother, my ex-wife, teaches sixth grade math fulltime at a public elementary school. Nearly half of her seventy or so students either have no father at all (that they know of or know) or have a father who’s in prison. It doesn’t make for the most controlled eleven- and twelve-year-old male behavior imaginable. The job has too many students and too many hoops to jump through almost constantly but teaching jobs around here aren’t easy to come by even under the horrible conditions. She takes over with the twins after work when they’re sick and I get to fly away like a bird, but until she’s available, the job of double caregiver is all mine. What I get out of it is a great relationship with great kids. The danger is a bunch of small nervous breakdowns that can lead to a big one. But I get to look myself straight in the eye in the mirror and say, honestly, that I’ve never abandoned them. The sense of freedom this causes through a lack of guilty feelings from doing otherwise is one more freedom in a world where we all want freedom. Freedom comes from what isn’t there as much as from what is. It’s hard to concentrate on anything else when the bombs and the bullets are flying in your direction.

I had started on a column this week before the pneumonia thing began and I here append a 287-word fragment of the rough draft as evidence. I believe it is worthy of perusing or I wouldn’t append it:

This is for all unsung spiritual warriors everywhere who know whereof I speak.

Those who do not know whereof I speak are of course free to read this anyway but it’s unlikely you’d get the same kick out of it as those in the know.

Whether this happened to you yesterday or forty years ago matters not one tiny jot.

What does matter is that the reader of this understand the concept of life as a war and certain individual chapters of it as battles and battlefields.

Understanding this concept does not mean that the symbol and metaphor indicated is real, if it were real it wouldn’t be symbol and metaphor, even though symbols and metaphors are real.

Real war is a horrendous ordeal for all involved, except the ones who get off on it, and there are many who get off on it, probably far more than is generally acknowledged.

The concept of life as a spiritual war means that the strains and stresses of living it on a daily basis can take the same kind of toll that a real war can take in the long run.

On any given day living my normal life in Chicagoland all these things might happen, sometimes within the same hour.

I might be almost run over or slammed into by an errant, enraged driver who then yells at and curses me for almost getting in his or her way even though I’m following the rules of the road and she or he is not.

I might be accosted on the street by a beggar in such a horrific, bedraggled and tragic condition of decomposition and desperation that my eyes, and my heart, can barely stand it.

I might

UNFINISHED.

Don’t Always Take Their Advice: A 1990s Memory; or The Drifter Confesses

(Images provided by the Drifter; view carefully!)

“Yes: writing has done much harm to writers.” – Oscar Wilde

“I had a girl / Now she’s gone / She left town / Town burned down / Nothing left / But the sound / Of the front door closing / forever.” – Warren Zevon

And then sitting on the porch The Drifter opined to the two who were there with him:

I was given some of the worst advice about writing I’ve ever received in some of the “best” writing programs in the entire Midwest. The American Midwest, roughly defined, has over three hundred degree-granting writing programs currently, both undergraduate and graduate, in Spring 2026. It was similar back then. The Midwestern Gothic is a fuel for many muses, both half-hearted and fiery. One in five Americans are defined as Midwesterners which means we are a looked-down-upon minority even though we’ve produced many of the greatest American writers, like Twain and Hemingway, Hart Crane, Saul Bellow, Robert Bly, James Wright, and Lorine Niedecker. And messy “Honest” Abe Lincoln, the pipe-smoking mercury pill addict who spent most of his time on the road with his horse because he found his manic-depressive wife intolerable on a daily basis.

I received the worst advice I’ve ever received from the most famous novelist I ever worked with. He tried to steal both my women at different times and at the same time at two different parties; drank all my liquor while saluting me; destroyed my manuscripts by spilling wine on them and burning them with cigarettes (“accidentally”); and said he was helping me. He told me not to take five pages describing a character walking across the street. He said not to describe eyes. And he provided a whole mishmash of other rotten advice that ruined an entire novel of mine. I didn’t know any better at the time. I never knew how long it would take me to really find my own voice, either. This writer, still living and producing at 72 right now, had created two minor New York Times best-sellers (one novel and one nonfiction book) back then and worked as a script writer in Hollywood for a few years. He was well-connected to such well-known literary writers as Jim Harrison, Harry Crews, Barry Lopez, Larry Brown, Barry Hannah, William Gay, and Thomas McGuane, to name a few: or so he claimed. He never came close to scoring on either one of my aristocratic underclass Ladies, as unfamous and oft’-intoxicated as I happened to be, which made me half-different from him. Both of these drama queen heartbreakers had their own side activities so they couldn’t blame me, thought I, though they both tried to anyway. This kind of histrionic performance took up a lot of time. Drinking and smoking beloved cigarettes while driving my little car was one of my favorite activities along with the music I played and I was constantly looking out for the police in a relaxed way, whether it was fighting and loud music at night, the purchase of not-exactly-legal substances or drinking and driving, which I always did in a condition of chilled-out, laser-like focus which could not be dented by alcohol consumption. My occupation was Professional Pizza Delivery Person. I left my shifts with fistfuls of cash. They couldn’t track you by cell phone back then. Of the twenty or so drivers at the store, twenty or so were males. About half were either Hindu or Muslim. There were many long discussions about religion around the ovens with cigarettes being shared and sometimes marijuana. One of the job’s key features was the potential to get either jumped, mugged, or robbed or all three at once so I was always looking out for the thieves and gangbangers as well as the police. It was another era of course and I do not recommend it but it worked for me at the time, “it” meaning the drinking and driving and running around. I didn’t go to the gym but I got tons of exercise, often too much. I had bottles hidden everywhere I lived and didn’t live, in couch cushions, in basements, in backs of cupboards, in desk drawers, behind bookshelves, under the bed, in the bushes, behind the garage, and beneath the car seats, to name a few. Keeping up my own supply of both liquor and cigarettes often took constant struggle and effort but scoring these items produced the looked-for joy every single time, cigarettes included. Got my mojo back, friend! Every cigarette I ever lit whether it was accompanied by strong, hot, black coffee, hard liquor, or air, was a love affair. It was a time when motels were cheap, diner food was good, and cheap, books, cigarettes, and alcohol were affordable and there was more than one good novelist being regularly published.

What was good about the writing programs, for me, was an unparalleled camaraderie that touched the heights of the beat writers in America and stayed there. Wichita, Kansas, and Chicago, Illinois, were lit on fire by us and we burned down both towns. And then, behind us, the towns burned down. And that developing alcoholism that would shape my life for good and ill. And all you beautiful women (enough said here) who broke my heart gradually and then suddenly. And great libraries. Somehow I never stopped reading, never. Hours daily before the bars and sometimes in the bars. And two or three days a week, all night and all day, reading. Falling asleep on the floor with one’s head in the book. And it was good again to see your friends after such self-educating seclusion. There were also trips to New York City. One time the plane almost went down. Another time we arrived in a different car than we left in, which would be a novella-length tale if all the important details were included. In NYC, I usually stayed with a friend in a cockroach-infested tenement across from Tompkins Square Park that had a guy who looked like Lou Reed sitting on the stoop 24/7, bottle in hand and sunglasses hiding the truth even at night. And I was young. Not too young, not very young, but young enough that I look back there now with longing. Not a torturous longing, more like a sweet longing that sometimes turns painful. Aging is for the birds and birds are poets. Our complicated, interconnected, lonely, over-evolved, over-commercialized, over-advertised, alienating, and fractured society where nothing of importance appears and nothing stays for a day or an hour happens to produce late-blooming artistic geniuses in out-of-the-way places. Walt Whitman, following Ralph Waldo Emerson, wanted the American writer to spread and not be only an exclusive East Coast thing. They have done so.

My talent in fiction-writing was cramming a character’s head with thoughts and their heart with feelings and eschewing the formal outward trappings of a mechanical plot device even though there was plenty of drama going on beneath the surface, or so I believed. Writing in no genre, in other words, straight from life, just like I took the Jack Daniel’s straight as well (or the lines of cocaine). I learned it first and foremost from James Joyce, who took it from Laurence Sterne and Francois Rabelais, among others, who I later also learned from, and Bob Dylan was also a massive and messy (in the best senses) influence on my style, of both life and writing. I was advised not to do it, then told not to do it, then asked not to do it by a couple of big-name folks in New York City, both an agent and a publisher. But I couldn’t not do it. “Write the other way I cannot,” said Melville, meaning he couldn’t write the formulaic, crap, restricted, hack way. Not will not. Cannot. And then will not, too. It may stem from an overactive critical imagination, an imagination which is only increased by drug use, if you target and restrict that use. There is a difference between deliberate, targeted usage and the sloppiness and self-pity of abuse. And a million gradations to be explored in writing at another time. When I was a teenager Pete Townshend was often my idea of what a writer was, along with Dostoevsky and always Shakespeare (still) as well as King David of Bible fame (his psalms, and his psychological slaying of the monster Goliath). Right now (at this moment and often at other moments) I believe the dead writer I resemble most is TED BERRIGAN, especially Ted in his fourteen-line poem masterpiece, “Whitman in Black.”

I’m old enough now to know that the slick party-going folks who run the book industry desire formulaic, commercialized, seen-before, dressed-up-as-if-new, recognizable products – cheap products. Products they can sell. You usually can’t sell what no one has ever seen before but it’s the only way to produce something original, too. The Irish weekly paper that commissioned James Joyce (for a pittance) to write the series of stories for what later became Dubliners stopped publishing his stories because they received too many complaints from all the faint-hearted readers. Good Christians, so-called. It took him ten years to find a publisher after the book was finished. It is a candidate for the greatest short story collection in the English language of all time, or it just is that. Other candidates include In Our Time by Ernest Hemingway and A Good Man is Hard to Find by Flannery O’Connor but of these three for me Dubliners rules though the other two are so close. One of the bars we used to drink in in Chicago was called THE JAMES JOYCE. We rode the train and burned it down. Another one was called: NINE MUSES. Also THE FIELD HOUSE, BIG SKY and ALBERT’S PLACE. And dozens, literally, of other bars. More books than bars but many, many bars. While in NYC, we drank at the WHITE HORSE TAVERN because of Dylan Thomas.

I also wrote dozens of short stories while in the writing programs. Every single one was a piece of juvenilia. I banged them out on the computer while smoking and drinking either liquor or coffee or both and at least half of them were over fifty pages long. I’d show up late at the writing workshop smelling like smoke and liquor and with fifteen copies of a fifty-page story ready to hand everybody with a grin on my face. And sometimes I’m so quiet they think I’m autistic. It’s artistic, Mister. And Ma’am.

No one wanted to read it. I didn’t care. Which isn’t quite true. But isn’t untrue, either.

When I was 46 years old I became a poet. The story of how that happened cannot be told. Yet. It is only of interest, I suppose, if you’re interested in the writing life as participant or observer. All you who are already studying your own process. Jesus said, Only those can understand who already know. The rest are the proverbial swine you’re not supposed to throw your pearls in front of, harsh as it sounds. There are thousands upon thousands of well-known and/or well-paid writers (which is very often not the same thing at all) who don’t know, and by “don’t know” I mean don’t know what’s important. Or care. Some day The Drifter will write a further analysis of why their crap is crap. Mostly, half the time, I was just happy to have survived, I think…

(TO BE CONTINUED. This sort of thing could go on for years. The official title for this specific series is THE DRIFTER CONFESSIONS.)

WRITING ADVICE: Make it a lifelong (right up until the end) goal instead of a short-term payout and it will never leave you. Reading and writing are two sides of the same golden literary coin, far more precious than literal jewels. According to Harold Bloom, the literary is the personal and the Personal IS Literary. Even for those who don’t know it. It is manifestly NOT an elitist thing: while also being only for the few with the strongest hearts.

The Drifter

Silence, Exile, and Cunning: a Credo, a Screed, a Missive, a Memoir by Dr. Dale Williams Barrigar

(Images provided by the Good Doctor DWB)

“Let my country die for me.” – James Joyce

“The supreme question about a work of art is out of how deep a life does it spring.” – James Joyce

“Shut your eyes and see.” – James Joyce

(Note: We conclude another fine week by our Editor DWB. And for the time being he will be appearing in months to come with full weeks. The offer is open to many of our friends who have published previously with us. So, something to consider–Leila)

This un-mundane but minuscule screed possesses a very specific target audience. It is aimed directly at anyone who has ever lived, is now living, or will ever live who has even the tiniest bit of interest in the Irish author James Joyce, or in creative writing itself as purely an art form.

The greater your interest in HIM (and he is his work) or the greater your interest in creative writing as art, the greater your interest in this missive will be. There is much so-called “creative writing” that is much closer to formulaic hack writing than it is to what we (I) mean when we say “art.” This kind of commercialized-hack-writing-as-creative-writing tends to win things like the Pulitzer Prize, the Booker Prize and even the Nobel Prize – to prove this all you need to do is look backward at the list/s of writers and works which have historically won these so-called prizes; Joyce himself, the greatest fiction writer in English of the twentieth century (by far), never won any major prizes and was never even nominated for the Nobel Prize in Literature. Joyce is the greatest fiction writer in English of the twentieth century, which bears repeating. More than this, forced to make a list of the top half-dozen writers of the English language so far in any genre, that list would be: William Shakespeare; Geoffrey Chaucer; John Milton; William Wordsworth; James Joyce; and Jonathan Swift; in that order. Maybe Emily Dickinson, Emily Bronte, Edgar Allan Poe (just ask them in France), Walt Whitman, John Keats, John Donne or William Blake could replace someone in this list. (All such lists are really just a speculative game, of course, except for the first four, which are really a historical fact.)

Spiritual events are the biggest events in our lives. In many ways, somehow unrequited romantic love (including but not limited to the death of the loved one as in Poe) is an unbeatable spiritual event – and by that I especially mean small cap’s romantic love when it is propelled by capital R-and-L Romantic Love, i.e. the kind of love that was also preached and practiced by the British Romantics such as Blake, Wordsworth, Coleridge, Keats, Byron, and the Shelleys, all of whom had their profound influences on James Joyce (he once dubbed himself a modern-day synthesis of Daniel Defoe of Robinson Crusoe fame, and William Blake).

Joyce has been and is one of the biggest spiritual events in my own life so far on a personal level. As such, this screed that is also a missive is also a memoir of a little over 1,300 words, which is around the average length of one of Paul’s letters or many of Hemingway’s best stories.

I started reading Joyce when I was around fifteen years old in the American Midwest. In many ways, I was finished reading Joyce by the time I was around twenty or so, even though I’ve continued to reread him to a greater or lesser extent in every year of the last thirty-nine years. So I absorbed, and even memorized, much of Joyce still during the time/s when my youth made me very, very impressionable.

All young people who have the gift or the penchant for reading or who have a questing soul at all should read and reread some of James Joyce when they are young if they are lucky, specifically the first four stories in his collection Dubliners, which blow The Catcher in the Rye out of the water but are in the same vein and should be read first or beside it, along with Hemingway’s Nick Adams stories. If these four Joyce pieces accidentally missed you when you were “young,” but you are still young inside, go to these stories now and your haunting youth will be magically returned to you in all its best, and worst, aspects. The complete realism of these brief yet all-encompassing tales is comforting even as their idealism inspires, or makes the breath quicken.

The rest of this writing will present in brief yet pungent and cogent form what are my own personal favorite things in James Joyce as of right now. His work is endless to meditation so some items shall be, I am sure, accidentally omitted but what is presented here can also be seen as an outline of his most important work from the heart and soul of one loving reader’s perspective.

DUBLINERS.

The first four stories: “The Sisters,” “An Encounter,” “Araby,” and “Eveline.”

“The Boarding House” from the middle of the collection and “The Dead” from the end, and especially the end of “The Dead,” and especially the very last paragraph of this long story or short novella.

“The Dead”: the dramatic, life-altering moments between the MC and his wife in their hotel room around Christmastime will never leave you. The last paragraph of “The Dead” is, hands down, one of the greatest paragraphs ever written in the English language, a fact that has been acknowledged by many long before me and will continue to be acknowledged by many long after “yours truly” has departed this mortal sphere (praise God may it not be for a while, thy will be done). I personally have read this paragraph not hundreds but thousands of times. It is like a sad song I replay over and over when alone in the car, but better.

A PORTRAIT OF THE ARTIST AS A YOUNG MAN.

The title of this book alone has had a massive impact on my entire life at every level I can possibly imagine, an impact so vast it feels beyond Jungian in its depth, oldness, oddness, and neverendingness.

The sea girl on the seaside like a sea bird and Stephen’s limerence-like fascination with the girl, the bird, and the sea. The beautiful longing of it all.

The experimental and experiential opening of this novel which actually captures all of infancy, babyhood, and toddlerhood in less than one page from the kid’s perspective.

The friend with friend notations and conversations that end the book.

The phrase “silence, exile, and cunning” which became one of my own personal credos when I was a teenager and remains so until today, and will be tomorrow and tomorrow and tomorrow after that, too. Among other things, the rebellious spirit of the original rock and roll is contained within this phrase. One of the greatest influences on Bob Dylan ever is and was James Joyce, by Dylan’s own admission.

There is SO MUCH in these literal and metaphorical four words when put together like this that you can literally build an entire life on and around it.

It is more than an impenetrable fence but it is also an impenetrable fence, the only kind that can allow for true growth of the spirit and the personality, the only real possession we can ever possess here on Planet Earth.

ULYSSES.

The title itself, alone, along with all it implies.

The “friends” episode in the sea tower at the beginning of the book.

Leopold Bloom’s eternal peregrinations.

Stephen and Bloom drunk together in the whorehouse and elsewhere, wandering around.

MOLLY BLOOM, especially her end (“Yes”) in more ways than one.

Marilyn Monroe wanted to make a movie where she played Molly.

FINNEGANS WAKE.

The title itself.

Finnegans – plural. Wake – verb.

Resurrection, reincarnation, and/or all of the above.

The Irish drinking song where the title comes from: a drunk guy in Chicago falls off a ladder, dies, then springs to life again at his own funeral, leaping out of his own casket and SMILING at all his friends and enemies.

Her name: Anna Livia Plurabelle. And the rivers of life.

His name: H.C.E. (Here Comes Everybody.)

Shem the Penman.

The alpha and the omega: the beginning and the end.

James Joyce Quotation Collage by Dale Williams Barrigar

Greetings!

This is, above all, NOT some random collection of quotations randomly tossed together by some enigmatic and bored outsider from the American Midwest who’s (once again) too high on microdoses of magic mushrooms, edible marijuana, and too much green tea and Gabapentin. Instead, this is a very, very, very, very, very, very, very carefully curated, selected, shaped, arranged, and FORMED collage of quotations that can stand as its own separate work of art on many many many many levels, just as the collages of Picasso and Braque could do the same. I do not limit nor count my borrowings, said Montaigne, I weigh them.

As such, this tissue of words can be utilized primarily in one of two ways, or (preferably) in both-at-once ways. If you, the Reader, can think of other ways to use these (this), please feel free to freely do so at whatever levels or in whatever ways your mind or nerves can handle.

A: It can be used as an exceedingly useful summary of the entire life’s work of the Irish author James Joyce (and James Joyce himself WAS his work at a level that perhaps surpasses (almost) anyone else).

B: It can be used as a piece of twenty-first century wisdom writing (like an advice column for seekers) all in its own right.

James Joyce is one of the funniest writers who ever lived which is to say he’s one of the greatest comic writers who ever inhabited Planet Earth, as the brilliant genius Anthony Burgess never tired of pointing out to anyone who’d listen to him (and it was usually far fewer than you might imagine, even after a certain novel of his was made into an exceedingly famous motion picture which had almost nothing to do with the original novel at all).

Joyce also possessed (as do so many true comedians) incredible wisdom about life.

Read on 2 find out.

(FYI: this is also a companion piece to my forthcoming written work “Silence, Exile, and Cunning: a Credo, a Screed, a Missive, a Memoir.” I call it a “written work” because it doesn’t have a genre except perhaps for the ones enumerated in the title. It shall come forth tomorrow.)

“Shut your eyes and see.”

“Let my country die for me.”

“Love loves to love love.”

“First we feel. Then we fall.”

“As I walked along in the sun I remembered old Cotter’s words and tried to remember what had happened afterwards in the dream.”

“We walked along the North Strand Road till we came to the Vitriol Works and then turned to the right along the Wharf Road.”

“Meeting her a third time by accident he found courage to make an appointment. She came.”

“The sad quiet greyblue glow of the dying day came through the window and the open door, covering over and allaying quietly a sudden instinct of remorse in Stephen’s heart.”

“Think you’re escaping and run into yourself. Longest way round is the shortest way home.”

“The object of the artist is the creation of the beautiful. What the beautiful is is another question.”

“The heaventree of stars hung with humid nightblue fruit.”

“It is as painful perhaps to be awakened from a vision as to be born.”

“You can still die when the sun is shining.”

“I will not serve that in which I no longer believe and I will try to express myself in some mode of life or art as freely as I can.”

“The whole face is of an ascetic, inspired, whole souled, wonderfully passionate man. It is Christ, as the Man of Sorrows, his raiment red as of them that tread in the winepress. It is literally Behold the Man.”

“Old father, old artificer, stand me now and ever in good stead.”

Dale Williams Barrigar

(Image provided by DWB)

How It Ends: An Attempt by Dr. Dale Williams Barrigar

“The thrill is gone away from me.” – B.B. King

If it lasts long enough, every “relationship” (as in romantic relationship) comes to the point where Ignored or Insulted (or both) become the primary mode/s.

One of the parties feels let down. This disappointment leads to feelings of resentment all ‘round. What was once adorable is now monstrous to both sides. The mind turns to revenge fantasies, the love fades like a coal. It is what B.B. meant when he said, “The thrill is gone.” And he did not say it in a happy or half-hearted way.

It is impossible for any one person on this Planet to fulfill the expectations of any other person on this Planet in any lastingly fulfilling way. Such is a childish dream. A radical compromise is reached with one dominating or the whole thing explodes into bits rather quickly. As surely as that evening sun goes down.

The happiest people are ALWAYS the ones who spend the most time alone, even if someone else is in the next room. These are also the unhappiest people. It means they are the most alive.

Contrary to popular opinion, it can be exceedingly easy to be alone in a crowd.

Dr. Dale Williams Barrigar

(Image by DWB)

The Rime of the Globalised Mariner. In Six Parts (with bonus track from a chorus of Greek Shippers) by Michael Bloor

First Published in Sociology, 47(1): 30-50, 2013 doi: 10.1177/00380385112448568

(Editor Note: Due to some slop dished out by WP, we have decided to show a better looking version of this fine article, which first appeared on New Years Day–LS)

Part One

(Another Edit note: The parenthetical material in darker font corresponds with the material above it; “call and response” is the theatrical term.)

It is a global Mariner,

And he stoppeth one of three.

‘By thy long grey beard and glittering eye,

Now wherefore stopp’st thou me?

(A globalised Mariner

meeteth three gallants

outside a shopping centre

and detaineth one.)

‘The centre’s doors are opened wide,

And Bourdieu got it right:

Consumption lends distinction.

So get you out my sight.’

(The Consumer protesteth

against detention outside

the shopping mall.)

He holds him with his glittering eye –

No Big Issue 1 sale is sought,

But fifty yards from B&Q

The would-be Consumer’s caught.

(The Consumer is spell-

bound by the mariner and

constrained to hear his tale.)

So spake the doleful mariner,

Transfixing with his e’e,

In fluent, graphic English –

The language of the sea.

(Proficiency in English is a

requirement of a seafaring

career.)

‘I had no wish to work on ships –

Filipinos know it’s hard –

Mouths were many, jobs were scarce,

From birth my life was marr’d.

(The Mariner telleth of early

hardships and how he and

his parents were cheated by

the maritime colleges and

the crewing agents.)

‘From green island homes we travel,

As mariner, nurse, or maid,

And remit 3 to our loved ones

The pittance we get paid.

‘Father scraped up money

For training college fees –

A scam of the local senator,

Whose throat I’d gladly seize.

(Filipino maritime training

institutions are often

controlled by persons with

powerful political

connections.)

‘The college had no equipment,

Just endless, pointless drill,

No qualifications either –

The news made my father ill.

(The academic training

often follows a military

model and is of poor

quality. And it does not

qualify cadets for

certificates of seafarer

competency without

additional practical

experience – ‘sea time’.

Most colleges fail to

arrange ‘sea time’ for their

cadets.)

‘Course passes gained no certificates,

Without some time at sea.

There was no ship to serve on,

But the senator had his fee.

‘Father paid a crewing agent:

Yet another fee required,

But at least I’d get a berth,

And that’s what we desired.

(Many ship operators out-

source crew recruitment

and employment to

specialist crewing agencies

with offices in the major

labour supply countries.

Cadets graduating from

maritime colleges must

pass a basic safety training

course before they can go

to sea. The courses are

usually conducted at

specialist training

institutions with requisite

equipment such as

lifeboats. State regulatory

agencies inspect the

training institutions to

ensure the requisite

equipment is present, but

not that it is used.)

‘The agent sent me to train then

At a dismal-looking place

More fees and little learned,

Sad repetition of my case.

‘A lifeboat stood on davits,

By a creek filled-up with mud.

“For audit purposes only”,

That pristine lifeboat stood.

‘There’s so many schools for training –

Why’d the agent send me there?

The training was quite useless –

Why didn’t that agent care?

‘It seemed he got a “rebate”

(kickback to you and me)

For every trainee sent there,

A percentage of their fee.

(Corrupt crewing agents NOTE WORK FROM PRINT TO FINISH

distort the seafarer training market)

‘They issued my certificates,

But their paper had a price:

My father’s hard-earned money,

Stolen once, then twice.

‘Ever since it’s been the same:

When I come home from sea,

The agent wants another course,

And I must pay the fee’.

Specialist short courses

must be taken to allow

employment in particular

trades, such as tankers.

Usually, the seafarer must

pay the course fee.

[Enter Chorus of Greek Shippers]

‘O woe to us, and to our ships,

But what are we to do?

The wages they are paying now,

Won’t draw a young Greek crew.

‘So we take these global mariners,

Who’re really up for it,

But they can’t begin to work a ship:

Their training’s frankly s**t!

(Ship operators moan that

international standards of

seafarer training are not

being properly enforced.)

‘Someone, somewhere, should sort it out,

We’ve really had enough:

Inspect and close the colleges,

It’s time for getting tough!’

PART II

Consumer groaned to Mariner:

‘So you each believe the same!

But if all think your training’s s**t

Then, truly, who’s to blame?’

‘Our union said, there is a law –

A real law, no invention –

That lays down training standards,

An international convention.

(The Mariner relateth that

there are international

standards on seafarer

training.)

‘Government should enforce it,

End the bribing and the feigning,

Close-down the useless paper-mills

And give us decent training’.

(But these international

standards rely on national

enforcement.)

‘Yes, yes’, the Chorus chorused,

‘Our ships need well-trained crew.’

‘So what went wrong?’ Consumer asked,

But the Mariner hardly knew.

‘There are no simple answers,’

Voice grated, knife on rock,

‘The true path’s no open highway,

Good governance no wind-up clock.’

A gaunt figure stepped among them:

He gave each a piercing look.

His boots were worn, his cloak was stained,

And he bore a calf-bound book.

‘Who art thou?’ they cried in wonder,

‘And what thing’s your burden there?’

‘I’m the Inspector,’ spake the stranger,

‘And the Law’s my burden fair.’

(An Inspector calls.)

The Chorus shrank and muttered,

The Mariner downed his e’e.

‘I’ve heard tell of you,’ he whispered,

‘As have all who sail the sea.

‘You come aboard, unheralded,

You seek out the rusting hulks:

You cow the cruel masters,

Ships’ agents get the sulks.’

Consumer viewed Inspector,

Eyes lit with wild surmise:

‘It’s up to you to punish,

Right wrongs, and nail their lies?’

‘In truth, that is my duty –

The goal for all my kind –

But the journey is a long one,

And the road’s not paved, nor signed.

‘Those who inspect the colleges

In each poor country of the Earth:

They’re government employees

And are not paid their worth.

‘The owner is a man of power,

The inspector – he is not,

The one dines in his castle,

The other in his cot.

‘The inspector has a check-list,

To work through, line by line.

If a lifeboat’s at the college,

Then it gets a tick – that’s fine.

‘We know it can’t be launched:

It’s to be ticked, naught more.

Poor men must heed the letter,

Not the substance, of the law.’

(The Inspector concurreth

with the mere lip-service

maritime colleges pay to

international training

regulations, but believeth

that the local inspectors are

powerless to obtain fuller

compliance.)

The mariner had silent stood,

Hands clenched and visage pale,

Eyeing the Inspector,

As he ground out his tale.

‘I thank you’, cried the mariner,

‘Now I know the bitter worst:

No remedy in law books –

My mates and I are cursed.’

The Greeks had been quite nervous

While yet the Inspector spoke,

But confidently dealt with

The Mariner and such-like folk:

‘Don’t blame the law, nor malice,

Nor trade that’s getting slack,

Global economic forces

Stapped these burdens to your back

‘Colleges could train you better –

With lifeboats working too –

But higher costs would close ‘em down,

Then where’d we find a crew?’

(The ship operators see

poor-quality training as an

economic consequence of

the seafarers’ need for

cheap training.)

The Inspector laughed most harshly,

And turned to face the Greeks:

‘He who looks for truth

Must beware of that he seeks.

‘Good training’s too expensive:

The poor can’t pay the fee.

You state the matter clearly,

And I cannot but agree.

‘Yet I can well remember

When companies paid the fees,

Time-Past – they paid for training,

Invested in their employees.

(The Inspector recalleth that

40 years ago, it was

commonplace for ship

operators to pay for

seafarer training through

cadetships and

apprenticeships.)

‘You complain of training standards,

Cackling like geese

You want action to be taken,

But you don’t pay a penny piece.

‘It seems to me, hypocrisy,

When the poor turn-out their pockets,

To criticize their training,

While adding up your profits.’

PART III

The Chorus blushed and shuffled,

But still they stood their ground.

They’d got their MBAs,

They knew their case was sound:

‘You’re talking of the past,

Dim, distant days of yore,

We don’t train our seafarers –

We don’t employ ‘em any more!’

Consumer quizzed the Chorus:

‘You don’t employ your crew??’ –

‘Our labour’s all outsourced,

‘The late-modern thing to do.

(The Chorus confirmeth the

Mariner’s tale that crewing

agencies, not ship

operators, employ

seafarers. Agencies then

contract with operators to

supply crews with the

requisite qualifications.)

‘If a shipper paid for training,

He’d have an extra cost,

He’d be under-cut by others –

His business would be lost.

‘Pay for training? Better wages??

Remember shipping’s quite anarchic:

We’d love to be more generous

But you cannot buck the market.’

The Inspector gave a mirthless smile:

‘The market’s always cited

As a sovereign power and reason

Why wrongs cannot be righted.

‘But the remedy is simple here:

The flag-State of every nation

Shall charge a levy on each ship,

Paid at each ship’s registration.

(The Inspector proposeth a

training levy to be paid

when each ship is

registered by the flag-State.

See Afterword.)

‘The levy would pay all training costs,

A burden shared without distortion.

It would pay for good inspections too –

No need for doubts or caution.’

The Mariner did slowly nod:

‘The scheme would work – I see –

My last ship flew Mongolia’s flag,

For a three-thousand-dollar fee.’

Although Mongolia is 850

miles from the sea, the

Mongolian People’s

Revolutionary Party

granted a license in 2003,

to a Mr Chong Kov Sen, a

Singaporean businessman,

to operate the Mongolian

Ship Registry. Mr Chong

previously operated the

Cambodia Registry under

license until 2002, when

the license was withdrawn

following international

protests at Cambodia’s

failure to police its ships. In

2008, 73 ships were flying

the Mongolian flag.

‘Mongolia?’ quizzed our Consumer,

‘That’s surely rather queer?’

‘Not really’, saith the Inspector,

‘Some think a proper flag too dear.

‘Each ship is like a piece

Of far-off, sovereign soil –

Its flag denotes allegiance,

Republican or royal.

‘The flag-State has a duty,

Be the country rich or poor,

To check each ship is ship-shape –

As laid down in the law.

‘But flags can be commodities,

And flags can be for rent,

To businessmen and lawyers,

Who’re out on profit bent.

‘When ships are policed badly,

Their seafarers should beware.

Policing ships for profit

Is a mighty strange affair.

‘Some run their business well,

Some run it as a racket,

With only one objective:

To make themselves a packet.

An OECD report states that

‘a significant percentage of

total vessel operating costs

could be saved by sub-

standard operations’

(OECD 1996: 27).

‘Now, compliance is expensive,

So compliance is a sham

When the flag a shipper flies

Really doesn’t give a damn.

‘A shipper heeds his costs,

A shipper looks to save,

But if he flies a cut-price flag,

Consequences can be grave.

‘Ships that fly a proper flag,

And meet their obligations,

Incur much extra cost

To comply with regulations.

(Thomas Gresham, a

sixteenth-century

Chancellor of the

Exchequer, found it was

impossible to improve the

quality of the English

coinage, by simply issuing

good quality coins. People

hoarded the good coinage.

So it was necessary to also

withdraw the clipped and

debased coins from

circulation. Hence

Gresham’s Law: ‘Bad

money drives out good’.)

‘If they wanted well-found ships,

And skilled, contented crews,

They should have thought to ask us,

Or given us some clues.

‘Truth is: they don’t want “good,”

Or freight rates getting steep.

We skimp, they save –

Truth is: they’re wanting “cheap.”

The Inspector sighed in turn,

‘Some charterers do care,

Oil majors first and foremost,

Others – rather rare.

The Oil Companies

International Marine Forum

(OCIMF) has set up and

funded its own private

inspectorate, SIRE, to

ensure the seaworthiness of

tankers under charter.

Those tankers deemed

satisfactory on inspection

can expect more business

and better terms from the

oil majors, eager to avoid

the bad publicity of marine

pollution incidents.)

‘Oil majors don’t like bad headlines

When tankers hit the rocks

And oil pollutes the beaches

Because the ships are crocks.

‘The public doesn’t like to see

Seabirds black with oil;

Alas, for all the tanker crews,

The public doesn’t care at all.

‘So the tankers get inspected

With much resource and care,

But the crews of all the rest

Make do with me…and prayer.’

PART IV

The Mariner then spoke up:

‘Christian, Buddhist, Hindu, Turk,

Many pray who sail the seas,

But their prayers concern their work.

‘We do not fear a foundering –

Hull pierced, stove in, or rent.

Such a thing may happen,

But it’s a very rare event.

‘Pirates may seize the ship,

And hold us on foreign soil,

But what we fear most is different:

It’s the endless, grinding toil.

‘Each and every ship we join,

Seems there’s fewer crew,

An officer gone, a rating gone,

But there’s still their jobs to do.

(Increasingly, ship operators

have been seeking to save

crewing costs by reducing

the number of watch-

keeping officers. Where

second officers have been

dispensed with, then

watches must alternate

between the master and the

first officer (mate),

although each of them has

many other duties to

perform. An OECD

(2001a) report instances a

saving of $37,000 pa by

under-manning a 20-year-

old 30,000 dwt bulk carrier

by two crew.)

‘The master now must take a watch,

Though there’s paperwork aplenty.

So many crew have disappeared,

The vessel’s almost empty.

‘The master’s nodding on the bridge,

His tired eyes are red.

He’s still to call Head Office,

Before he gets to bed.

‘The mate then takes a watch,

Though it’s two days since he slept –

Problems with the cargo –

But his watch must still be kept

‘The master’s nodding on the bridge,

His tired eyes are red.

He’s still to call Head Office,

Before he gets to bed.

‘The mate then takes a watch,

Though it’s two days since he slept –

Problems with the cargo –

But his watch must be kept

‘Turnabout, the two must watch,

There is no other way,

Six hours on, six off,

Twelve hours in every day.

‘In sickness and in health,

Each watch they duly take,

Dog-tired, red-eyed, grey-faced,

Four months, four months, without a break.

‘No gentle couch our cabin:

The ship is pitching in the waves,

There’s engine noise, vibration,

Yet we sleep the sleep of babes.

‘Too soon, too soon we’re wakened,

We scarcely catch our breath.

An ignoble thing, this tiredness –

As if we slowly bleed to death.’

Part V

As ever when the Mariner spoke,

The Greeks did swell with pride:

‘There is no law that’s broken there,

There’s nothing for us to hide.’

‘You surely lie,’ Consumer cried,

‘I know little of the sea,

But to have a master standing watch –

That’s folly, plain to me.’

The grim inspector then did speak:

‘In truth, they break no law.

The law itself is here at fault –

Therein we find the flaw.

‘The law on Minimum Manning

Lays down for every ship

The crew that must be carried

On each and every trip.

‘What is the minimum manning?

This is what we’re taught:

It’s the smallest competent crew

To bring a stricken vessel safe to port.

(In fact the maximum

number of daily hours of

work for watch-keepers is

specified by the IMO as 14

hours, and the maximum

number of weekly hours is

91.)

‘To make that stricken vessel safe,

Huge effort they’ll expend,

Yet must they slave thus daily?

Til their contract’s at an end?’

Consumer scratched his head:

‘If some members of the crew

Exceed twelve hours each day,

Surely that’s illegal too?’

‘We falsify our working hours’,

Replied the old seadog,

‘To keep the owners happy,

Each day, we flog the log.’

(Falsification of working

hours is so widespread in

the industry that it has

entered everyday slang as

‘flogging the log.’)

‘Then change the minimum manning law –

No more idle chatter –

Require crews to be larger,

It seems a simple matter.’

(Consumer doth not

understand why the flag-

States at IMO do not

change the international

legislation to provide

adequate crewing numbers,

allowing shorter hours.)

The mariner sighed and shrugged.

The Inspector took-up the tale:

‘Flag-States must vote the change,

Or else the measure fails.

‘Flag-States that exist for profit,

And take the operators’ gold,

They can’t increase the crewing costs –

They’ve reputations to uphold.

‘The flag with the greatest tonnage

Flies o’er the Panama Isthmus,

When Panama votes for change,

Then turkeys’ll vote for Christmas.’

Part VI

[All in chorus: …]

‘So come all you kind consumers,

Who the honey’d wine have sipped,

Take pity on the mariner,

Beware how your goods are shipped.

(It is suggested that public

concern for seafarers’

welfare might act in the

same way as public concern

about marine pollution and

be transmitted down the

supply chain from

charterers to ship operators.

Operators who could

‘brand’ their vessels as well

crewed could then

command premium freight

rates.)

‘The crews are outsourced workers,

A study in dejection –

Casualised, long hours, poor training –

And the law is no protection.

‘If charterers thought the public cared

How seafarers are mistreated,

They’d pass the message down the line:

“Our consumers are quite heated.

“It’s bad for our public image,

Like seabirds and pollution,

So get your act together,

And find a true solution.

“We’ll pay your higher freight rates,

If you’ll deploy more crew.

Or we’ll contract your opposition –

See if they know what to do.”

‘So the shippers get the higher rates,

Increase the crews and cut the hours,

Strike the flag of Panama,

And so, at last, they smell of flowers.

‘One day it really just might happen,

A fairy tale come true,

It’s even very possible,

They’d employ and train the crew!’

For an ‘Afterword’ describing in detail the political economy of the global shipping industry, issues of seafarer training, industry regulation and enforcement, please refer to the original publication in the journal ‘Sociology’.

Michael Bloor

On the Algorithm by The Drifter

(All images by The Drifter)

Instead of only blaming the inventors, propagators and perpetrators of these products, we should turn the blame around once in a while and place it squarely on the individual consumer/s of said products as well. No one is placing a gun against anyone’s head in this matter. Take it from one who once had a gun placed against his head on a Chicago sidewalk. And a switchblade placed right below his eye in a Kansas City tavern. And a frying pan swung (hard) in the direction of his head in the kitchen. (The author of this opinion piece is good at ducking, fleeing, and flying (out the back door), as well as staring people down – or talking them out of it when necessary.)

Ruthless billionaire businessmen ye shall always have with you. In 2026 USA, one has the option to ignore them, or at least not to utilize their products beyond what’s necessary, selective, or right, depending on the situation.

They have figured out a way to feed the people exactly what the people wish to eat. And the people go to the hand of the master and lap up the usual b.s. because it is the usual b.s. they long and crave for. If universal wisdom, truth, love and beauty were popular and profitable, the business people would sell that instead.

There are some people who are not in control of their minds and thus have gone out of their minds by feeding their minds on nothing but The Algorithm.

As for the rest of us, we have the option to opt out and choose better materials at any time.

It is a matter of cultivating your one and only soul. If you let someone else feed your soul with nothing but junk, you will end up with a nothing, junk soul created by someone else, which will mean that you have abdicated your personality, the only real possession you possess in this vale of tears. This egregious and pathetic non-condition will not serve you, or others, well when the shit hits the fan, as it’s sure to do again and again in this world that is both spiritual battleground and mortal coil.

The Algorithm is not a gun against anyone’s head. You can choose NOT TO CLICK ON IT and not even to look at it at all, for that matter. Any addict who’s ever gotten over anything can tell you that you don’t have to do it if you don’t want to. Nietzsche said, “There are so many things in this world I never want to know.” He knew a little and ignored the rest. He also said, “Whatever doesn’t kill me makes me stronger,” right before going permanently insane.

A great picture is infinitely more valuable than a bad book (and can be read almost in the same way as reading a good book (and as the book of nature can also be read)).

Sincerely,

The Drifter

Nine Things Boo Be Do that Freak Me Out

(All images by the Drifter)

Number nine, number nine, number nine, number nine…” – The Beatles

When I say “freak me out,” I mean in a good way.

(To the elite few of you who want to review who Boo is, see photos.)

ONE: Sometimes constantly watches me from across the room of the book-strewn apartment as if to make sure I’m all right (until he dozes off, which happens just as frequently).

TWO: Catches wild squirrels in his mouth between his fangs, doesn’t chomp down upon them, drops them down onto the ground and sets them free, then watches them flee (run away) without going after them.

THREE: Leaps into my lap when he gets scared.

FOUR: Hides behind me when he gets scared if I’m standing up.

FIVE: Puts himself between me and whoever it is when someone is approaching us at night along the sidewalks or in the alleyways of the Chicagoland area we roam through (or wherever we roam through). If it’s more than one person approaching, becomes even more fearlessly vigilant.

SIX: Follow verbal commands when they, paradoxically, are not even spoken aloud by me. (In other words: READ MY MIND.)

SEVEN: Refuse to follow commands just as often, and act like he thinks it’s funny, and in his own way, I do believe he thinks it’s funny.

EIGHT: Run so fast that he literally morphs into a black-and-white blur that looks like it’s flying across the ground. Fastest dog I’ve ever seen and I’ve seen many.

NINE: Stare into the distance while intuiting the Spirit World.

(Leading one to the astonishing conclusion that if dogs could talk, we wouldn’t even be able to believe what they would tell us…)

(Bonus point: can climb fences and trees when he wants to bad enough…)

The Drifter and Boo

Al Through the Looking Glass by Geraint Jonathan

Miami sunshine put Big Al’s garb to shame. It blazed yellow, much like Al, but, unlike Al, it was the source of life on the planet. Al was human, as he himself would have been the first to admit. “There’s many things I am,” he said, “but a seething ball of molten fucking gasses ain’t one of them!” Miami’s finest laughed. Al was known for the size of his heart, and often spoke about it. It sometimes made for confused but lively exchanges with those more fortunate than himself. In ‘matters of the heart’ there was, after all, Al’s deep love of opera and there was also that which lay in the middle of the chest cavity between two lungs. Monogrammed silk might be said to cover both in Al’s case. As was his wont, Al made much of the confusion, hoping thereby to lighten matters that might otherwise furrow the brows of the young. If nothing else, the yellow of Al’s Miami experience would be a crucial factor in forming much of what he later came to call his “disposition”. For whatever his foibles, this much is certain: Al sought to shine on all, whether they wanted shining on or not. He would be the man dressed as the sun: a vision in yellow serge, with matching hat, silk tie and shirt, just the kind of solar presence a windy city on earth might require. That was Al all over. It was the opera in him.

Two Quotations that Can Save the Day The Drifter

(All images by The Drifter)

“Happy are you when men insult you, and persecute you, and tell all kinds of evil lies against you because you are my followers. Be glad and happy, because a great reward is kept for you in heaven. This is how men persecuted the prophets who lived before you.”

This week The Drifter will write little in order to let two quotations carry the day (four if you count the photos but the D will only write directly about the two quotations included in the text, one above, one below.)

When outrage and despair at the state of the world begin to get you down, to gnaw at, or devour, your mind, heart, and/or soul, these two quotations can bring tranquility and peace in their wake.

But that’s only if you let them work on you. And by work on you, I mean that you have to let these quotations hit you hard. And in order for that to happen, requirement number one is that you must have an open mind, and heart. Secondly, you must be willing to work at it. You have to let the quotations find you where you really are. It used to be called studying. Now when we say “studying” we usually only mean rote learning, i.e. going to “school” and memorizing the dubious “facts” they attempt to jam down your throat. I have two twins who graduated from high school last year, and I myself have taught for a total of at least twenty-three years at many different kinds of colleges and universities all across the rough-and-tumble Midwest, also including a three-year stint at a Catholic elementary school called Saint Leonard Parish School in Berwyn, Illinois, USA, with a ninety-nine percent Mexican student population (Leonard is the patron saint of prisoners, addicts, horses, and depressed people, which is perfect for me, and I also used to listen to Leonard Cohen on my way to and from work every day) (Leonard is also the patron saint of a woman with child or children, i.e. preggo), and I can say with an utter certainty that institutionalized education in the USA no longer encourages critical thinking and imaginative exploration in the way it once did (if it ever did). SELF EDUCATION is just as utterly crucial as it ever was, y’all. Everything is available; now you gotta use it.

The first quote is from Jesus’ Sermon on the Mount, as recorded by Matthew, the Evangelist. “Evangelist” means someone who brings good news to those who desperately need it. Good news that is not easy to swallow, or follow, either, but is also NOT AN ILLUSION. As Jim Morrison said, you need to break on through to the other side before this News will make you leap out of your seat and begin dancing (metaphorically at least).

The second quotation is an entire sonnet by the English radical poet, Percy Bysshe Shelley, who was a kind of Jim Morrison before Jim Morrison (although much less famous than his friend Lord Byron while they lived). Shelley was born into a cush life and he could have stayed there forever had he wanted to, or had he been born that way. Instead, he threw sand in the face of his whole society almost immediately upon opening his eyes and he fought tooth and nail for the downtrodden and the outcast his entire life, and against hypocrisy (he could smell hypocrisy while still in the cradle) – and he died young (29) because he was worn out young in the struggle. Shelley called for and helped invent the modern form of nonviolent resistance. He inspired Henry David Thoreau, who inspired Leo Tolstoy, who inspired Mahatma Gandhi, who inspired Martin Luther King, Jr., who inspired the recently deceased Reverend Jesse Jackson.

The sonnet is printed here in paragraph form in order to defamiliarize it. It works just as well as a prose paragraph as it does in verse.

It was written just a little over two hundred years ago.

The Drifter will draw out what he believes to be the deepest message for our age after this sonnet which sounds so completely familiar and close to what’s going on in our world now that it should (rightly) give you the chills, or at least goosebumps:

“An old, mad, blind, despised, and dying King; / Princes, the dregs of their dull race, who flow / Through public scorn – mud from a muddy spring; / Rulers who neither see nor feel nor know, / But leechlike to their fainting country cling / Till they drop, blind in blood, without a blow. / A people starved and stabbed in the untilled field; / An army, whom liberticide and prey / Makes as a two-edged sword to all who wield; / Golden and sanguine laws which tempt and slay; / Religion Christless, Godless – a book sealed; / A senate, Time’s worst Statute, unrepealed; / Are graves from which a glorious Phantom may / Burst, to illumine our tempestuous day.”

The age of waiting for someone else to do it for you is over. Make yourself be the Glorious Phantom bursting into the True Light, like Shelley did, however persecuted and unfamous he was (and he was both of those things). Everyone has a daimon, or form of genius, inside them. Some choose to cultivate it and will die first before not cultivating it. These are the ones who know the best advice is: DO NOT LET “THEM” GET YOU DOWN (it’s exactly what “they” want). The world has always been this way, and it always will be this way, too (more or less, and more, and less). Even nuclear war or environmental catastrophe, which might wipe out an entire (now global) civilization, is nothing new, since entire civilizations have been wiped out virtually overnight thousands, and maybe even millions, of times – and there has always been the ever-present threat of a dinosaur-destroying-like meteor peeking its head over the horizon at any time, like the worst uninvited guest you could ever imagine (the Native Americans knew this.) “AI”?!? The ancient Egyptians both predicted, and simulated, it, and the cave people in their caves waving their torches around on the cave painting walls while intoning messages to the gods and cutting themselves so they bled profusely while devouring mouthfuls of magic mushrooms had a virtual reality that would knock your socks off if you were wearing any, which they weren’t. Yes, the world has always been this way.

And that means there are always better days waiting somewhere up around the bend. But not in the usual nausea-inducing, Hallmark Greeting Card kind of way.

We always live life for our Future Self (somehow), but we MAKE our future self today. Never stop striving forward with calmness – never (not even when on the threshold of death, or maybe especially not then; Martin Luther, the greatest radical of all time in the modern Western world, believed that everything could change in an instant in that moment).

((Maybe creating is so important to us because the God who made us is also a Creator.))

The Drifter