The Lonely Voice: The Short Story in 2026 by The Drifter

“The mighty moral growth of the author, during his literary activity, is written in indelible characters in these exquisite short stories.” – Leo Tolstoy on Guy de Maupassant

I recently heard an admirably fired-up You Tuber say that almost all fiction writers do their best work in the short form.

Then he said he didn’t know why short fiction, i.e. short stories, are not more popular right now, in the modern world, since most fiction writers do their best work in this form.

I instantly knew I agree/d with the first thing he’d said (since I’ve said it myself many times before, in many different formats; there are no “original” ideas: period).

I also know that short stories, while they are making a small resurgence, are not money-makers in the mainstream publishing world today and far from it.

I started wondering more about why that is, because of what the You Tuber had said.

And I came to the conclusion that it’s because short stories are where fiction writers do their best work.

In other words, short stories are very often the deepest work out there and readers today (in the mainstream, that is) are not looking for depth or challenging material; they are looking for cheesy reassurance, easy affirmations, boring normalness (because it’s comforting) dressed up as something exciting.

There was a moment in American fiction when short stories were where the money was at.

F. Scott Fitzgerald and Kurt Vonnegut both made boatloads of money writing short stories in the early to middle twentieth century. Fitzgerald made far more money from short stories than he ever did from his novels, including Gatsby, which was a financial and critical failure and flop during his lifetime (like Melville’s Moby Dick, or the paintings of Vincent).

But Scott and Kurt both quickly found out that, in order to make that dough, the stories needed to be romantic (unrealistic) tales, easy to digest, and written with contrived (formulaic, used-before, tried-and-true, but not true-to-life) plots. And no ragged, Chekhovian, ambiguous, challenging, thought-provoking, open endings allowed; nor any Dostoevskyean extremity of atmosphere; nor any out-of-this-world Borgesian thought experiments, either.

The best short stories right now are not hugely popular because they are not hugely easy to read.

The first thing they require is pausing from your daily life, concentrating, thinking, feeling, sympathizing, empathizing, decoding, interpreting, imagining, understanding, challenging your own assumptions, stepping away from it all, meditating, reaching out toward characters who might make you uncomfortable, and being comfortable with uncertainty (which ability John Keats called “Negative Capability”). “Beach read” novels and various kinds of thrillers now dominate the fiction best-seller lists, almost literally without exception, and almost all of them (NOT all, but almost) are, by definition, easy, stereotypical, non-challenging, seen-it-before (many times), simplistic, and unrealistic works.

And yet, short stories are, literally, everywhere in our world. School, the internet, and television all overflow with short stories, and almost all movies are far more like short stories than like long novels. Nightly and daily news broadcasts are now presented as dramatic (and, unbelievably, unrealistic, since it’s supposed to be “the news”) short short stories, one piled on top of another in an endless, ridiculous stream.

The relationship between television programs and short stories is a fruitful study for anyone interested in modern fiction writing for any reason and goes back to the very roots of the TV medium.

The Twilight Zone, Star Trek, and Alfred Hitchcock Presents are all classic television programs with very close connections to short stories in many ways.

The works in the Arabian Nights, the Canterbury Tales, and the Decameron are all early short stories.

Short stories are so closely tied to religion that they ARE religion.

The Good Samaritan, The Prodigal Son, Dives and Lazarus, Buddha and the Flower Sermon, Lao Tzu disappearing into the mountains after he (for free) penned the 5,000-word Tao Te Ching and handed it to the guard who’d asked him to write it, are all short stories in their (eternal) way.

This short little essay now concludes with a short little list of passed-on (but still here) fiction writers who’ve all done their best work in the short story (plus a few crucial after-thoughts afterward).

Arthur Conan Doyle. Franz Kafka. Clarice Lispector. Ernest Hemingway. James Joyce. Flannery O’Connor. Hans Christian Andersen. William S. Burroughs. James Baldwin. Grace Paley. Raymond Carver. John Cheever. D.H. Lawrence. Thomas Mann. Joseph Conrad. Dorothy Parker. Shirley Jackson. Ambrose Bierce. O. Henry. Harlan Ellison. Ralph Ellison. Frank O’Connor. William Gay. Larry Brown. Barry Hannah. Rick DeMarinis. Washington Irving. Jorge Luis Borges. Gabriel Garcia Marquez. Denis Johnson. Thom Jones. H.P. Lovecraft. Nelson Algren. Cyrus Colter. Donald Barthelme. Ivan Turgenev. Nikolai Gogol. Isaac Babel. Isaac Bashevis Singer. Katherine Mansfield. Eudora Welty. William Saroyan. E.T.A. Hoffman. Ray Bradbury. Rudyard Kipling. Guy de Maupassant.

Poe and Chekhov are sort-of left off the official list because their greatest works might be poem/s and play/s; but The Raven is a kind of short story for sure, as is The Cherry Orchard.

Many modern fiction writers who did not do their best work in the short story did their best work in the novella, instead (not the novel), but that is a subject for another (annoyingly opinionated) exploration by THE DRIFTER (sometimes known by local canines and felines, ’coons, squirrels and birds as “Dale the Drifter”).

Almost all of the great nineteenth century novels were published in serial form, that is, as separate magazine or journal installments over an extended period, one chapter at a time.

As just one example, War and Peace, that episodic behemoth, originally appeared as a serial over two years (1865 to 1867) in the journal The Russian Messenger before being, heavily, revised and expanded over the next two years after that, then finally published as a stand-alone volume in 1869.

Frank O’Connor called the short story The Lonely Voice. (Just exactly why he did so is also another subject for a future exploration from: The Drifter.)

The Drifter (Images by The Drifter)

Sun Beams and Alchemy (and Photo Gallery) by Christopher J Ananias

When the world is a dark pit, and you find yourself locked up with lunatics. Sometimes, a person needs a slice of sunshine. So that’s what this series of photos will try to capture, but alas, it’s hard to catch a sunbeam.

Then again, I don’t need my baseball glove or butterfly net. Not when I have this magical weight around my neck. It’s left the dark room behind, this is true, but I have my own just in case.

I try to explain this alchemy, as if to a five-year-old or my giant German shepherd dog, to these folks on the ward, but they just cock their heads. I talk about apertures, f-stops, and blinking eyeballs.

No respondo, Ernesto just gazes away from me and talks to people who aren’t there. All of their heads turn, and I finally have an audience.

I’m free again, on Antabuse, so I’m back with the camera therapy of nature and sunshine. The technology that I couldn’t explain to them—resting in my hands. Like a thousand picture books.

The shutter is eager to slide over its mechanical eye, snapping pictures of the sun and everything under it, but you have to be careful taking so many pictures of God.

One Writer’s Life (Lately) by Dale Barrigar (Images by Dale Barrigar)

“The earth’s proper scripture could be carried on a three-by-five card if we weren’t drunk on our own blood.” – Jim Harrison, from After Ikkyu

INTRO NOTE: This little article about five photographs appears to jump around a lot; but that is only because it is an EXPERIMENT in attempting to capture the process/es of one writer’s mind during a mini-siege of controlled thinking.

I repeat: THIS IS AN EXPERIMENT. In the same way that scientists do experiments is this. (We know as little about the mind as we do about the entire universe which is just one reason why I believe Mind Experiments are productive.)

Henry David Thoreau once said: If I knew anyone better than I know myself, I would write about them (instead of writing about myself.)

Second Intro: These five pictures are called “One Writer’s Life” for six simple reasons.

ONE: I write in my car (a small, fuel-efficient vehicle), a lot, by hand, while roaming around, or ferrying my kids around, from work to school and back again, sometimes while actually driving.

I can drive like Paul Newman or Steve McQueen. There are a trillion things in this world I’m no good at, at all (even unto the point of being mentally deficient at some level, at least by this society’s standards), but driving is not one of them. (Writing an essay about all the things I’m not good at is on the agenda.)

TWO: I spend a lot of time in the northeastern Illinois fields roaming around with and sometimes without my three dogs, and writing, by hand, on paper, with multicolored pens, in all four seasons, which I love equally well. (Every time I try to pick my favorite month, I remember that all the other months are equally good for different reasons.)

I use many-colored pens because I like many colors (it makes the page/s look alive and vibrant, and reminds me of my heroes, Van Gogh and Walt Whitman), and because it helps me tell what the hell is going on in the packed page/s later (if and when the pages don’t fall out of my pockets for someone else to find, or not find, later).

THREE: I watch a lot of documentaries about writers in my down time, when I’m too tired to read or think on my own.

(I have (almost) no regular furniture in my small, fuel-efficient apartment, and if I did have it, I wouldn’t use it (which is why I don’t have it).)

FOUR: I write outside, as stated previously, a lot, including at night. I rarely use an umbrella even in the rain because my uncle, who was a Marine sniper in the Vietnam War with two tours of duty (and later regretted his actions but felt he was serving his country at the time), told me that Marines never use umbrellas unless it’s holding one over someone else, and I admire that kind of humble, dutiful, rock-solid toughness; but I still find umbrellas beautiful for some reason, I think because of my fondness for Asian culture and some of the beautiful paintings I’ve seen.

The lonely plant here, reaching toward the stars (not touching the stars: reaching toward them) is a symbol of the real (and HUMAN, all-too-human!) writer.

The stars are not of this world; and at the same time, they are the only thing that’s truly important in this world at all.

FIVE: In the mode of William S. Burroughs, that great Kansas aristo-cat who always wore an Army jacket and baseball cap in his later years, I sometimes toss together half-assed collages of writers when I’m not writing.

At the present moment (I counted) I have 103 pictures of various writers (and a few other artists, especially Van Gogh (who was also one of the greatest writers of all time, just pick up his letters and dive in anywhere), Picasso, Leonardo da Vinci, Marilyn Monroe, and Joan Crawford, one of whom reminds me of my mother and another of whom reminds me of a few someone/s I won’t talk about right now) up all over in my apartment.

Many of the pictures are small, like postcard-sized and so forth.

I see them much more than I see any other humans these days except strangers on the street and my kids, and sometimes their friends, etc.

SIX: Real writers are more introspective and self-conscious, and less publicly performative and pushy, than all other kinds of artists (in general, or mostly) and many of them definitely fit into the category of “neurodivergent,” and many of them in many more ways than one, too. And many of them are always dodging and disappearing around corners, like Herman Melville, and Emily Dickinson, were both equally wont to do, on a regular basis.

Hurray for the Human Writer, the Outsider Observer who cares (and struggles and strives) and can get it all down in words!

They call/ed Jesus “The Word” because they knew he is the greatest writer who ever lived, bar none.

Paul first spread The Word’s teachings through the word. (Open his letters anywhere and dive right in; Kurt Vonnegut repeatedly called himself a “Christ-loving atheist”; Charles Bukowski said, “Jesus had style.”)

Literature is the deepest, most profound, most complex, and longest-lasting Art form (without any doubt whatsoever at all).

Almost all of the greatest military generals in the history of Planet Earth (from Alexander the Great to Napolean to Ulysses S. Grant) have known and acknowledged this fact.

Michelangelo, and Picasso, and Rodin, all also acknowledged this fact.

They were all obsessive readers of Literature, and either were, or wanted to be, Writers.

Dale Barrigar (Words and Photos)

The Eyes Have It by Dale Williams Barrigar

This here shaggy dog is headed to Jensens Island in the middle of Big Bearskin Lake in far northern Wisconsin.

I am not aware of whether he knows the details of all that, but he isn’t used to being on boats and one thing is certain from looking at these photos: even though he isn’t used to them, he isn’t scared, either.

That’s because he has a fearless and bold nature that makes him plunge into situations such as these almost (not quite) without thinking twice.

He’s also jumpy and paranoid in certain ways, hyper-aware of what’s going on around him and the best guard dog, when it comes to people, you could ever hope to meet.

He doesn’t care about material objects or possessions or probably even money, near as I can tell, as long as he usually has a full belly when needed and somewhere to lay his head, also when needed.

But the people in his life – he would die for them if he had to, without thinking twice.

There are many people in this world who would say, and do say, that a Dog is just a dog.

Anyone who attributes spiritual properties to their animals, like I do to mine, and like the Chippewa of northern Wisconsin used to do (and some still do) to theirs, will think that such people as that are lacking something in their nature. Not that they aren’t fully human, but yes that they are humans with cold (or at least colder than they should be) hearts.

For me, one look in his eyes tells you instantly that there is a lot more going on in there than some people give him credit for.

In some ways I even believe that he’s much smarter than your average, run-of-the-mill, boring, materialistic human – and very much so, at a level that cannot be scientifically tested or verified at all – and is even more true for all of that.

Words and pictures by Dale Williams Barrigar and, of course, Boo

I Finally Said Goodbye to All Those Years by Dale Williams Barrigar

(Images by DWB)

You’ve been there since then

since when

the last time I saw you

and you were

standing

there

in out of the rain

under the eaves

with the dead flowers

in your arms

waiting for a train.

It’s been

seven years

since then

and today

was the first day I

finally said goodbye

inside my mind.

You were the start of it all

and I owe you for that

but I looked up today and saw

that time has now flown.

And now I’m going to have to

forget you and now you’re

going to have to

make it

like I always knew you could

all on your own.

Dale Williams Barrigar

(Bonus Image by DWB, Boo on Vacation is Wisconsin)

The Trauma of Money by Dale Williams Barrigar

(I am pleased to inform the readership that DWB will be presenting new works for the next several days!-Leila)

If you’re not good at

getting money

and keeping

money

or if you

don’t have money

or if you’re

out of it

right now, or

hard up today you are

pushed to the side

way to the side

almost off the side

or maybe right off the side

of everyone’s mind

and you are thought

way, way, way,

WAY

less of

by

almost everybody,

indeed…

In fact, if you

are not good at

getting money,

or keeping money,

or don’t have money

right now

or if you just cannot hold

onto it very well

once you do

finally

get it

(and, sometimes, you do

finally get it

out of the blue)

because you

gave it all away

to someone else

who told you they needed

it more –

you are

pushed

way, way, way,

way

off to the side

marginalized and alienated

and looked down

upon

spat upon even

thought less of for sure

and frowned upon

by almost everyone

in the good old

USA, today

(or,

almost

everywhere

(but not

everywhere),

globally).

Dale Williams Barrigar

(Images courtesy of DWB)

The Ritz by The Drifter

She really wanted to come over and see him and he really didn’t know quite why that was, but he said okay and hung up the phone.

The year was 2003 and the time of year was midsummer and he didn’t have a cell phone yet (on purpose) and wouldn’t (on purpose) for a long time.

The landline wasn’t his either.

He was house-sitting for a friend while the friend and his wife were in France for the summer.

The house was in the northside Lincoln Square neighborhood of Chicago, just off Lawrence Avenue. This was before Lincoln Square became horrifically, and ridiculously, gentrified but at a time when it was already on its way, fast, on the downward slope.

The house he was house-sitting in for the summer was ridiculously large by his standards, a person who was used to living in many different, small, cheap apartments all across the city over the last however-many years.

Only two people usually lived in the house but it had five upstairs bedrooms, four bathrooms, a gigantic kitchen, a massive dining room, a huge living room with a massive fireplace, a really big family room with an incredibly large TV, a gargantuan basement with at least six separate rooms and lots more TVs, several rooms on the ground floor that were used for things like libraries and studies that were never used, etc. etc. etc. (“Sleeping” alone in this large of a house gave him waking nightmares which usually led to him crashing on one of the first-floor couches near a window by a tree.)

His friend, the husband, wasn’t that loaded, but his friend’s wife came from a family in Oklahoma that was so rich with oil money it wasn’t really funny except it also was kind of funny – in a perhaps sick way.

When the main character of this story’s friend arrived she looked beautiful because she was beautiful. She was, somehow, much more beautiful than the last time he’d seen her, about three or four months ago at the university where they were both lecturers in the English Department.

Her long, fresh-smelling brown hair came down to the middle of her back and had blonde streaks in it that looked natural and golden when she moved her head. Her perfect face was cat-shaped and insomniac-pale, looking for something, and her large, gray, long-lashed eyes sparkled with satirical humor and a wild, one-of-a-kind, literary intelligence. She wore a dark red lipstick and had sexy crooked teeth.

She immediately bummed a cigarette off him and asked for a beer because she knew he would have some of both.

They went out into the backyard, on the beautiful green grass (that kind of grass can often be beautiful even though it literally is an environmental catastrophe for Planet Earth) which was very long and thick because, while he was supposed to keep it mowed to the neighbors’ standards while he was house-sitting, he did not do so. (The neighbors often gave him dirty looks. When the summer was over it would take him a long time to get that grass mowed before his friend and his wife returned from France.) The temperature was at a perfect eighty-three degrees F, the sun was out, the Chicago sky was blue and clear, she was in a really great mood, he was in a very great mood too, he was lighting her cigarettes for her (she kept on bumming more from him but he had a carton in the house), the beer tasted wonderful, and the two of them, both writers who made their livings as lecturers and not lecturers who made their livings as writers, were “writing in air.” In other words, they were doing it purely for the love of it (not only aiming for the $ by following trends and corporate style books).

“Writing in air” is a phrase that was used by the great American writer James Agee, author of the classic text Let Us Now Praise Famous Men which accompanied the famous Walker Evans photographs of the poor folks down in Alabama.

Like many writers then and now, too, Agee became an alcoholic and spent a great deal of time as a younger writer “writing in air,” which is to say, spending more time talking about writing with other aspiring writers than actually writing.

Such behavior looks like a waste of time to a lot of the world but it is not a waste of time. It only becomes a waste of time later. When the writer is fairly young, as these two were then (early thirties or so), “writing in air” can be extremely beneficial for the writer as she or he tries out ideas, becomes fluent in the use of verbal flow and tricks, talks about stories, poems, essays, and books, and listens (the deep, active listening is key) to the opinions and ideas of others as well.

These two were having a great time writing in air in the backyard, such a great time that day became evening became nighttime became them in the bar that was just across from the house on Lawrence Avenue.

The bar was called The Ritz and it was run by a guy who called himself Alfred.

That wasn’t his name. It was what he called himself.

The Ritz was one of the most dangerous dive bars the main character of this story had ever been in, and he had been in a million of them all across the USA, from coast to coast and from Fairbanks, Alaska, to Key West, Florida, and in at least forty-five or forty-six other different states too, as well as several in Canada, Mexico, and Jamaica, where he’d almost been killed in one of them (but that is a different story).

The Ritz is there no more. The place where The Ritz was is now a phone store.

Back then, as soon as you walked in the door, you could smell the menace and danger oozing from every single corner of the room.

The place was a garish nightmare from the mind of Poe or Dostoevsky. It had blood-red walls, a deep, sickening green ceiling, very low, yellowish lighting, very dark, hidden corners with very shady people lurking in them, and a gigantic man (as in six and a half feet tall and built like a freight truck) with a vicious scar all the way across his face and nose standing at the door glaring at everyone who walked in the place. Don’t say hello to him because he won’t answer.

The clock was upside down, the only bathroom was dirtier than the one pictured on the Rolling Stones album cover for Let It Bleed, the clientele contained gang bangers, mafiosos, hookers, prostitutes, street walkers (none of these three are always the same thing), drug dealers, thieves, hit men. Yes, “Alfred” had once told the main character of this story that several regulars in this bar sometimes made their livings taking out people for money. But don’t worry, said Alfred. They only kill who they are paid to kill and they don’t enjoy it. They don’t mind it, but they don’t enjoy it, either.

Alfred looked like an emaciated, cadaverous, half-Asian, needle-hiding version of Alfred Hitchcock who’d been resurrected from the grave and presented with a set of gold teeth which he was always flashing then hiding behind dry, cracked, pursed lips. When he gave you a drink he acted like you’d won the lottery.

It may sound half mad that the main character of this story, who wasn’t really (much of) a criminal himself after all, would’ve spent so much time in a place like this, back in the old days. No one knows why, but the facts are the facts.

And the amazing thing was that she understood the danger and the shadiness of the place very well, and wasn’t afraid of it at all.

The two of them entered the Ritz just before midnight and began drinking even though they’d already been drinking (and chain smoking) since way earlier in the day.

They started doing shots of tequila.

Lots of shots of tequila.

In The Ritz you were allowed to do whatever the hell (and whatever the F) you wanted to do, even if it brought you to hell. You might end up dead, injured, crippled, wounded, tied up, kidnapped, maimed, scarred, sick, ill, brain-dead, missing, or otherwise unaccounted for, but no one was going to stop you here. When you stepped in the door, all bets were off, and you had now entered underground Chicago, Land of the Gangsters, at its lowest, or its highest (depending on your perspective) levels.

The two of them retreated to a corner, commandeered a nasty little booth and started making out in the almost-dark, while still drinking and smoking.

After closing time (because even The Ritz had to close at some time) they made it back across the street (somehow) wrapped in one another’s arms.

She had accidentally, somehow, burned his hand with one of their cigarettes. Later tomorrow he would realize how badly and deeply the top of his hand was burned, but right now, he didn’t even notice, or feel, it.

Both of them were married (to other people). Neither of them lived with their spouses, nor had they for a long time.

She reminded him of his wife. But she was not his wife.

That fact, or those facts, made her dangerously attractive to him. She tasted like honeydew. Her flesh was manna.

They both fell down trying to make it upstairs to the bedroom. That is, while holding each other and trying to drag each other up the stairs to the bedroom, they both took a tumble, all tangled together, and somehow ended up at the bottom of the stairs, wrapped in each other’s arms, on the floor, instead of at the top of the stairs, in the bedroom.

They continued making out, there on the floor at the bottom of the stairs, before they both passed out, in each other’s arms, on the floor, at the bottom of the stairs, with the front door wide open, the summer air blowing in.

In the morning the hangover was so bad it was worse than hell. Much, much worse. Whatever hell is and however bad hell can be, this was worse! (It was so bad that this kind of thing would cause him to completely quit drinking forever in two years or so, which was almost impossible at first and also felt like freedom beyond belief – but that is another story.)

The hangover had a million different things about it that made it especially horrible, horrific, harrowing. After staggering around for a while with the splitting, near-blinding headache, he saw and reached for an almost-empty vodka bottle that was located on one of the tables in the house and took a swig to kill the pain. But it didn’t kill the pain (not yet). He retched. The cigarette which he then located and lit after finding a lighter under one of the couches made his heart pound like an old-fashioned steam engine about to permanently explode. He noticed that the top of his left hand had a deep red cigarette burn upon it (that would turn into a permanent scar weirdly almost in the shape of a heart, like a token of this story, and if it wasn’t a cigarette burn it was some other kind of burn, but he’d had cigarette burns before (a few self-administered in front of other people to impress them) and this looked like one) and that his fingers were all yellow from smoking. Three of his fingernails were bruised, and bleeding, a little; he had no idea why. His knee was killing him, probably from toppling down the stairs which he, vaguely, remembered. He located one of the three remaining Vicodin pills he’d gotten off a friend last week and gulped it down without water, then chugged a ton of water, straight out of the sink, while bending over it.

No one on Planet Earth knew how many cig’s he’d had yesterday but a good estimate was five packs of twenty (just like John Wayne). He was guessing that the number of drinks sat at around thirty – minimum. Actual solid food all day, and all night, long – zero. Cups of strong black coffee with cigarettes before she’d arrived – seven or eight. He saw a Chicago hit man loading a pistol with a blank look on his face then reaching out the other hand to take the wad of cash from Alfred. And he knew this was the truth.

One of the worst things about the hangover was that, when he woke up, she was already gone.

The Drifter (Images by The Drifter)

Life in Academia Today by the Drifter

There was a bigshot “Educator” fellow

standing in front of me

once upon a time.

Large white bow tie strapped proudly

on with blue spot in middle.

Proud bald head a-gleaming above

the pouring pot belly, and the proud,

well-trimmed, not-so-delicately perfumed

beard, and he was going on, and on, then on,

and more on, about the super, utter importance

of “Comparative Learning Data,” whatever

the fuck that is.

And turning students into ants in the

colony, into complete and total

automatons, if possible.

And he was professing, and professing

again, his personal, private love

of the data that did this.

(He must’ve uttered it a trillion times

followed by the slickest, lip-licking

lizard grin.)

Here in the crowded conference room

(attendance required)

on another brutal Tuesday afternoon.

My brain wasn’t there, except when

he rudely yanked on it

sending it straight back down

into this deadly quagmire

of mental slavery

and spiritual dearth

not unlike

one of Dante’s worst purgatorial nightmares.

I wanted Mary Magdalene and Bob Marley,

but hell, I did my best

to block it all out and simply observe

the dying orange leaves of trees

blowing gracefully outside

open windows

in the west

of the city

with the glorious blue

of Chicago sky behind.

I thought I saw, I was, for a single second,

almost sure I espied

a squirrel

give him the finger

before disappearing into the nest

with complete disdain.

Then I was thinking

of Shelley,

the Poet, not Mary, the Novelist,

I don’t know how or why.

Shelley, on a lecture platform

(he must’ve been on one before at some point

and he was now)

trying to read his latest radical papers

to a nasty audience

who were all

bouncing

rotten fruit

in their hands

so accurate,

terrible

and true.

They were confounded by

his strongest passages,

they were bored, torn,

they wanted to take it out

on him, some started

leaving while the others began

a booing and hissing routine.

But his intense green eyes, they stared

straight down

at his papers

and his messy, unshaved, handsome face,

and his hanging brown hair

were

burning

like Joan of Arc,

contorted, embarrassed,

shocked, humiliated

by the noise

of the terrible crowd.

By the silent noise of these

“happy,” satisfied, orderly, materialistic,

secular,

ladder-climbing,

cowardly,

passive

peoples

who were now stirred up

into a murderous rage

at his merely conceiving

to be different

for even

a second at all.

The Drifter (Images provided by The Drifter)

Ophelia Invisible by The Drifter

“Who is now reading this?” – Walt Whitman

It was just one block away from my apartment, on the corner; but I suddenly felt like I’d traveled thousands of miles, or gone to a different level of something that was on a whole other level.

The utter humbleness of it all was what struck me most. Whoever did this took the time, with, obviously, very limited resources.

It was the early AM of a midsummer morning just outside Chicago at the time when the birds are going insane in the good way, having a party before settling down into the branches above us and hiding out for the rest of the day.

Then, suddenly, they were there, these simple signs that were honoring the dead.

And I saw that at the top of one of the lists of names, the name was Ophelia.

First it made me think of the Taylor Swift video (not just the song), “The Fate of Ophelia.”

Next it made me think of Good Will’s, and Hamlet’s, Ophelia (the lover of both for sure).

Then I noticed that, within the same list, there was (is) someone with the same first name as one of my daughters.

And THAT made me think of invisible connection/s that spread throughout the world (and what is called the universe).

And then I thought of how Ophelia is invisible to me.

The Drifter (All Images by The Drifter)

The New Show by Adam Kluger With Art by Dreck

“Excuse me

Excuse me

Excuse me!!!”

Gavin Tolkin was standing on a chair now as he tried to get the room’s attention.

“Hey Everybody – please shut the fuck up!”

A display of dominance was required from the show’s new show runner. The network was suddenly in the business of creating an episodic BTS docuseries on the NY newsroom. The brainchild of some bean counter at the big building on Madison Avenue— and Tolkin’s name was on the memo as the new sr executive producer of the whole magilla gorilla.

Tolkin guessed that some schmuck in corporate must have finally stumbled across an episode of TMZ and hatched a brilliant new idea on how to make money without spending money.

The crowd of employees started to stir in the newsroom around the tables of the writers pit. Tolkin needed a clear surface to lay out the new bible. He brandished it like Moses hoisting the 10 commandments and yelled again at the top of his lungs.

“My most esteemed and respected colleagues I need your kind support right now, please grab all your shit off the tables and find another place for it — we need this space to work on the new show—now!!!”

Tolkin felt the power the resentment and jealousy swirl around him as co-workers filed out of the room silently—aside from some random grumbling— with their folders, files and coffee mugs.

His number two, Headly Montague admired his boss’s balls or what do the Jews call it?

Chutzpah.

Tolkin’s name was on the memo and the show bible as the new show’s sr executive boss— so he better fuckin bring it like that every day or the whole operation would be untenable, unmanageable and everybody in the newsroom would probably lose their fucking jobs.

“How soon do those corporate idiots want this supposed television show on the air?“

“45 days big T”

“We’ll just see about that.”

“Hey Chief, ” a young intern named Rosamela interrupted, “someone to see you…The Fox?”

The Fox was a rising star at the network.

A young hitler-youth wannabe in his early 30’s who was quickly climbing the ranks to the top of the mushroom.

Always staring or smiling— the Fox was always assessing weaknesses in the smaller fish at the bureau and then whispering to a mystery suit who was always next to him. He was a prep school bully and if you went up against him you would lose and be fired. That was his power.

“Gavin”

“Fred”

“Just down here on directives from corporate to make sure the new project gets off the ground with the least amount of fuckups.”

“Just getting settled —Day 1 – we should be good in plenty of time to make the deadline.”

“That’s reassuring Gavin —because I was the one who chose your name out of a hat to run this new “concept.” So try not to screw the pooch on this one —like you did with that airline show.

“Thanks, Fred”

“Don’t thank me yet.”

“Right.”

-Break-

“T… all assembled in the main break room”

“Great. Head on in Headly and I’ll be right there”

(Urinal Flush the hands being washed momentarily in sink)

“Gavin?”

(Plop ker-plop, kerplop)

“Fred?

“Yeah, listen I’m thinking that the B-block needs to be shortened to include enough time

(Plop ker-plop, kerplop) …for a station ID break, mmkay?”

“uh… yeah, sure. No problem will make that change to the rundown as soon as I get to the break-room.”

“Great.” (Plop ker-plop, kerplop) I’ll look forward to getting the revised rundown later today.”

“I’m on it.” See you later (sound of bathroom door opening)

Tolkin had to admire the total un-self consciousness of the junior executive who couldn’t give a shit about taking a shit while they talked business in the men’s room. It was Fred’s little way of letting Gavin know where he stood in the network’s pecking order and that shit always rolls down hill.

“Alright, Shelley please take a note that we are taking the anchor wrap out of the end of the B Block and now bumping out with a beauty shot of the bridge with a music sting . That should shorten the B block”

“What’s the matter Bonehead? Are you getting tired of my end of segment ad-libs and timeless witticisms.”

“Of course not Chick. Your pre-commercial teases and patter are solid gold, Big Daddy… but the network needs a little more time to make the donuts.”

“That’s what this cockamamie show is gonna be Bonehead— a giant donut— if you keep cutting into my spontaneous moments of comic genius.”

(Appreciative laughter throughout the break-room)

“Duly noted, Chick… now listen everybody, the only way this show is going to have any chance to work is if we have our shit sewn tight. We need to each do our part to stay on top of all the small details and deadlines. We can’t have misspelled fonts, teleprompter issues, stage managers who are looking at their newspaper instead of cueing the guests on time. We need to operate like a team… like a well oiled-machine. Like a “REAL” TV show. Remember the cameras and audience will be watching everything we do in real time…Any questions?”

“Yeah, Bonehead. Who died and made you the king… I thought your main credentials were fetching me my pumpkin spice latte?”

“Still is, Chick, two sugars, right?”

(Laughter) (Door opens)

“How’s it going— everybody on page with the new format?”

“Hey Fred. All good. Chick was just leading us in the morning prayer before we go through the work bible page by page.”

“Great. I’ll let you all get at it. I’ve got a big budget meeting to attend to. See most of you folks later I’m sure. (Exits room)

“All right let’s start at page one. New flying logo, new theme song, with highlight montage dissolving into Chick at central anchor desk with a box on his left— no, I mean “screen left” — with new show title with a live crawl on bottom of the screen with clock and the bug…Go Chick.

“Good morning everybody on this beautiful Monday in New York City as we welcome you to a new behind the scenes look into the goings on at a real New York television station … kind of like TMZ … but not nearly as fun or cool”

(Laughter)

“No ad-libs just yet please Chick—let’s just try to get through the first read through”

“ jawohl Herr Bonehead or should we call you Pope Bonehead the First? Or better yet Senior Executive Coffee Boy…

(Laughter)

—Break—

“Hey Henry—what’s shaking at the top of the mushroom”

“Hey Gavin— nothing good, I’m afraid”

“How’dya mean?”

“Just got out of the annual budget meeting —what a bloodbath.”

“ They can’t disband the news unit —can they? That’s the network’s bread and butter isn’t it?“

“ All bets are off since the merger, belt tightening across the board was the operative word of the day —every unit is fair game as far as I can tell.”

“How bad is it gonna be?”

“ It’s not going to be pretty.”

“ or cinematic?”

“Line from the Sopranos?”

“Yep.”

“Apropos”

“How so?”

“ Someone or some unit is gonna get whacked every week from now on—til the end of the fiscal year.”

“Not good.”

“Oh hey— how’s the new TMZ inspired show coming along?”

“Oh just peachy — a cross between a pig fuck and a barrel of monkeys.”

“ Well put — at least they picked the right guy to put in charge.”

“Thanks, Henry”

“You bet kid. Keep your head up.”

—Break—

“Hey Chick —how’s it going?”

“Bonehead! Can’t you see I’m busy conversing with our most beautiful young fashion intern, Rondela er um Romela!!”

(Intern giggles and walks away)

“ Sorry, Chick just going for a coffee run wanted to know if you cared to join me?”

“What? You don’t know my standard order by now?”

“It’s not that — thought we could do a walk and talk — just wondering if you heard anything more about today’s bloody budget meeting?”

“Not a word — what? you worried we’re all getting shit-canned? That would be a blessing to get me off this stupid fucking TMZ ripoff show —Listen up Bonehead —

When you’re a comic genius —one show or gig gets cancelled —and lickety-split my LA agent Morty Seidelbaum is on the phone with five more TV offers already lined up for me to choose from — at least he used to do that —a couple years ago— haven’t heard much from him recently —for a couple years now. Don’t sweat it Bonehead if we all get whacked I’ll hire you to walk my pet shitzu, Marmalade—

“Thanks, Chick”

“ stop worrying and wipe that stupid look off your face… oh, that’s right … you can’t.”

“Hardy har har…see you at the bar in a little bit.”

“Cheers…you stupid Bonehead …now you got ME worrying!”

“Chick — YOU are the golden goose —they would never ever get rid of YOU— you also have a huge fan base — in Japan”

“ Domo arigato Mr. Roboto— too bad you fucked up that Japanese Airline show Bonehead —

“Yeah don’t remind me — and it wasn’t my fault if you remember.

“Ah-so… that’s what they called you after the terrible reviews came in— Mr. Ah-so —shit for brains producer—very bad!”

The two old friends/co-workers smiled, nodded and bowed to each other —and then headed in opposite directions.

##

Adam Kluger (Art by Dreck)