Freddy the Syrian Hamster by Sam Kandej

Freddy the Syrian Hamster by Sam Kandej Syrian hamsters can live up to three years. ONLY three years. Just imagine: you adopt a baby hamster when he’s two or three months old in 2026, and then he’s a senior in 2028. I don’t want to talk about his death, as this story is NOT a sad one. I adopted Freddy when he was three months old. My younger brother had bought him from a local pet store for only a pound, but he soon lost interest in poor Freddy as if a hamster were a lifeless toy. “I’ll take care of Freddy from now on. I won’t let you mistreat him, dummy.” I slammed my bedroom door hard enough to be heard by everyone in the house. Freddy was not my first pet. Before him, I had a nice rabbit named Alice. We let her live with her own species in a city park after six months of living with us. She was chewing everything, and we couldn’t afford to fix the damage. Before Alice, we had a miniature turtle. He was small and cute—perfectly pocket-sized. We decided to do him a favor and release him back into the wild. A nice, still pond was the plan. But my dumb 12-year-old brother chucked him straight into a fast-moving river. “Whyyy?” I screamed. My brother just stared at the churning water, looking confused. “Don’t turtles live in water? I saw it in a documentary.” “They’re big turtles. Big!” I could already picture our tiny turtle being swept away forever. “Our turtle WAS miniature. YOU killed Lucky.” One night at around two in the morning, I felt a tiny hand on my shoulder. I turned and saw Freddy standing right behind me. “Hey! You forgot to feed me tonight? Are you going to punish me for making noise at night? Or is it because your girl dumped you?” “Freddy? Are you speaking? Why is your voice so loud for a small figure like you?” Freddy turned red and shouted at me, “Are ya going to feed me, or should I cook something myself?” “Can you also cook?” I asked, ready to believe everything. “Of course I can’t. But I’m sure I could if I wanted to. I’m way smarter than you, halfwit!” He spoke rudely, staring right into my eyes. I wasn’t sure if this was a dream or what, but to be honest, I was enjoying it. A talking, unruly hamster is certainly a necessity in everyone’s home. “What would you like to eat, Freddy?” I asked, unwilling to leave my bed. “Let’s start with nuts first. I also want my scrambled egg ready in half an hour.” “Or?” I asked, raising my eyebrow. “Or you’ll face the consequences.” “Freddy, don’t threaten me! I’m way older than you.” “You’re just a dummy! Now get your small ass moving. I want some nuts right now, right here. Can you understand English, or do you want me to say it in Spanish and German, too?” I felt both shocked and impressed. Shocked because my cute Freddy had turned into a scary thug, and impressed because he could speak three languages. I once tried to learn German but gave up after two months. I gave Freddy some nuts, scrambled egg, and sunflower seeds that night. Freddy let me go back to sleep at 5:30 after giving me a long lecture on the importance of feeding pets moderately and frequently. I listened very carefully because I didn’t want to piss him off. Freddy was only ten centimeters tall but had a dominant, strong-willed character. I couldn’t say no to him. Every night, he kept me awake ordering different stuff to eat and drink. Sometimes I would sit and eat something with him. Fruits and nuts were our favorites. With Freddy’s help and determination, I learned to speak Spanish fluently in eight months. Freddy was indeed a very good teacher, but sometimes he would smack me hard to make sure I took my lessons seriously. On New Year’s Eve, Freddy let me know he’d decided to make his biggest dream come true—visiting some Asian countries. I really didn’t want him to go, but he wasn’t my captive. Unfortunately, we cannot lock our loved ones in a cage. Uh, Freddy, I miss you! It’s been a year since you left us to see the world. Freddy has sent postcards from China, South Korea, Japan, and Thailand. He writes to me about his adventures and the girls he’s met in recent months. Two days ago, in an email, he mentioned that he might decide to stay in Southeast Asia for good. And I wrote back that I just want him to be happy wherever he is. Now that Freddy is not home, I feel lonely and isolated once again. Sometimes I miss him so much that I stay up the entire night eating Freddy’s favorite snacks. I wish him all the best and a very long, healthy life.

Same Kandej

(The images are of Fang (the brown fellow) and Rags, circa 1972, plotting as always. They were lovely boys who were together for seventeen years; I am sure they would have approved of Freddy the Syrian Hamster–Leila)

The Burial of Angel by Sam Kandej

(We are pleased to run the work of Sam Kandej or Iran for today and tomorrow. He is a special person indeed–the Eds.)

The Burial of Angel by Sam Kandej I’ll never forget June 3, 2026–the day Angel’s body was found on the main road. Apparently, she was hit by a car or something, but there were no witnesses. By noon, word had spread, and everyone in the village knew that our beloved three-month-old kitten was no longer among us. “I can’t believe it. Angel was playing in front of my shop around ten. She was so happy, chasing butterflies here and there. I can’t believe her gorgeous brown eyes are closed forever,” Mr. Thomson told me when I asked him whether we should dump the poor thing or do something more respectful. “Normally, they dump dead cats, but Angel wasn’t just any cat. She became everyone’s sweetheart in a very short time. I don’t feel good about dumping her. How about burying her somewhere near the woods?” Mr. Thomson suggested. I immediately agreed and left the shop to let anyone who might have been interested know about the burial that afternoon. Almost all the elderly villagers said yes, perhaps because they had nothing else to do or perhaps because they themselves were getting close to death. Natasha, a seven-year-old girl who had played with Angel several times, showed up with her mother, too. In total, including me, there were thirteen people standing silently around our lifeless Angel. “We should say something, shouldn’t we?” Natasha said to her mom. “What, dear? What should we say?” “Something nice. I saw that in Harry Potter. When Aragog died, Professor Slughorn said something that I don’t remember now.” Natasha’s mom looked around, and her eyes met mine. Without a word, she indicated that it was my responsibility to say something. Something nice? I looked at the sky first. It was starting to drizzle. I remembered the day I lost my five-year-old daughter and my lovely spouse in that damn accident. The image of my little Summer laughing while chasing butterflies made my heart ache. “I do believe in God and life after death for humans. I’m a religious man. You all know that. But I don’t believe animals will have an afterlife. For them, this world is all there is,” I started my eulogy. “You know, I believe God created us to torture us. It seems that He enjoys it. Why should an innocent…” “What the hell are you talking about? Have you lost your mind?” Mrs. Smith, an eighty-four-year-old woman whom everyone called Aunt Smith, shouted at me. I felt raindrops on my hand and then on my nose. It was getting colder, and I was shivering slightly. “Where was God when my Summer perished? Where was God when this poor kitten was hit by an irresponsible driver? Where is God when a child dies of cancer?” I looked around. Everyone’s mouths were open in shock, especially Natasha’s mom. Only Mr. Walker was nodding in agreement since he was an atheist. “Listen, we all know you have suffered, but…” Mrs. Smith tried to calm me. “But what? Am I insulting God? Am I a jerk now? Just tell me, please. Why does life have to be this hard? Why does it have to be this heartbreaking?” I could no longer stop it. My eyes filled with tears, and the harder I tried to hold them back, the less possible it seemed. The rain helped wash them away, but I couldn’t hide them. I felt ashamed of myself, knowing that Natasha was standing there, watching me fall apart. “Let’s bury the cat,” Mr. Thomson urged everyone to wrap up the funeral. “Let me do it. Please. For God’s sake.” I was crying as I walked toward Angel. I hugged her. Kissed her once, twice, three times. Hugged her tightly for a minute or two. I hadn’t been brave enough to go to my own daughter’s funeral. I stayed at home, unable to face the darkness. I put Angel in her small grave, patted her gently, and said goodbye.

Sam Kandej

Nothing Lasts For Ever by Michael Bloor

(Today we are pleased to welcome back Mick Bloor)

In the next seat to Alan on the plane, his fellow-passenger sighed as he replaced his plastic knife and fork in the cardboard food box, he turned to Alan and said, ‘That meal was the worst thing I’ve ever tasted.’ Four hours into the flight, they were the first words he’d spoken.

Alan felt obliged to reply. He thought about it and said, ‘I reckon that meal was only the second-worst thing I’ve ever tasted. The very worst taste was when I accidentally brushed my teeth with a tube of my wife’s hair removal cream.’

His fellow-passenger stared at Alan for a moment and let out a great belly laugh. He turned out to be a guy called Niels, a Dane who worked for Maersk, the shipping company. In turn, Alan explained that he was retired and on the Vancouver flight to visit his sister there, who hadn’t been well. Niels, like a lot of big guys, was tactful in his enquiries: he didn’t ask about the sister’s diagnosis or prognosis, merely observing that it would be a treat for her to spend some time with her brother again. Instead, Niels mentioned that he himself was planning to retire soon: how was Alan enjoying his retirement?

Alan talked about his allotment and also about some family genealogical research he’d been doing. He mentioned that he’d been fascinated by one of his mother’s ancestors, Thomas Bridges, a nineteenth-century missionary to one of the native tribes in the island of Tierra del Fuego, at the southernmost tip of South America. Rev. Bridges had laboured long and hard there to produce a dictionary* of the Yamana language, containing more than 30,000 Yamana words…

Niels was shocked: ‘Wow, that’s a big achievement.’ He smiled: ‘That’s some relative you’ve turned up.’

Alan was playing, distractedly, with the airline plastic fork. ‘Well, the thing is: I’m not so sure about the achievement. You see, over the years Thomas Bridges was there, the native population was decimated, almost entirely wiped out – a smallpox epidemic, a land war with incoming settlers, the local seals that the tribe depended on for food were almost all slaughtered by visiting whaler crews. The last native Yamana speaker died in 2022. The site of his old mission station is now the main departure port for Antarctic cruise ships.’

Niels nodded his understanding. But Alan wasn’t finished: ‘Did you know that in a single day, January 15th, 1965, Bob Dylan recorded the final versions of Maggie’s Farm, On the Road Again, It’s Alright Ma, Gates of Eden, Mr Tambourine Man, and It’s All Over Now Baby Blue? In a single day.’

It was a telling comparison. Niels intuited that his fellow passenger was distressed that his ancestor’s huge labours over the decades may have been utterly futile. Niels was a compassionate guy, and they still had a long way to travel together before they reached Vancouver. He spoke hesitantly:

‘Dylan’s music, like all art, is a form of play – yeah? It involves so many aspects of living – novelty, risk-taking, beauty. But your ancestor’s dictionary wasn’t art, it was a scientific endeavour. It involved concentration, judgement, rigour. Maybe it’s a mistake to compare Mr Tambourine Man and the dictionary? They were both very worthy achievements, very different aspects of living. We should celebrate them both.’

He caught the stewardess’s eye and ordered a couple of whiskies. They toasted each other and looked out the window. The plane was flying up the west coast of Greenland, and something out there was attracting other passengers – something utterly divorced from human endeavour. A Greenland glacier was calving as it edged into the ocean. Several new-launched icebergs were lying offshore. Things of strange beauty, tinged with pink from the low sun as they started their journeys of flotation and slow dissolution.

*Yahgan Dictionary Language of the Yawane people of Tierra del Fuego ms. of Rev. Thomas Bridges (later annotations by Rev. John Williams) dated 1865, text published on line by Patagonia Bookshelf 2004-2013.

The Lonely Voice: The Short Story in 2026 by The Drifter

“The mighty moral growth of the author, during his literary activity, is written in indelible characters in these exquisite short stories.” – Leo Tolstoy on Guy de Maupassant

I recently heard an admirably fired-up You Tuber say that almost all fiction writers do their best work in the short form.

Then he said he didn’t know why short fiction, i.e. short stories, are not more popular right now, in the modern world, since most fiction writers do their best work in this form.

I instantly knew I agree/d with the first thing he’d said (since I’ve said it myself many times before, in many different formats; there are no “original” ideas: period).

I also know that short stories, while they are making a small resurgence, are not money-makers in the mainstream publishing world today and far from it.

I started wondering more about why that is, because of what the You Tuber had said.

And I came to the conclusion that it’s because short stories are where fiction writers do their best work.

In other words, short stories are very often the deepest work out there and readers today (in the mainstream, that is) are not looking for depth or challenging material; they are looking for cheesy reassurance, easy affirmations, boring normalness (because it’s comforting) dressed up as something exciting.

There was a moment in American fiction when short stories were where the money was at.

F. Scott Fitzgerald and Kurt Vonnegut both made boatloads of money writing short stories in the early to middle twentieth century. Fitzgerald made far more money from short stories than he ever did from his novels, including Gatsby, which was a financial and critical failure and flop during his lifetime (like Melville’s Moby Dick, or the paintings of Vincent).

But Scott and Kurt both quickly found out that, in order to make that dough, the stories needed to be romantic (unrealistic) tales, easy to digest, and written with contrived (formulaic, used-before, tried-and-true, but not true-to-life) plots. And no ragged, Chekhovian, ambiguous, challenging, thought-provoking, open endings allowed; nor any Dostoevskyean extremity of atmosphere; nor any out-of-this-world Borgesian thought experiments, either.

The best short stories right now are not hugely popular because they are not hugely easy to read.

The first thing they require is pausing from your daily life, concentrating, thinking, feeling, sympathizing, empathizing, decoding, interpreting, imagining, understanding, challenging your own assumptions, stepping away from it all, meditating, reaching out toward characters who might make you uncomfortable, and being comfortable with uncertainty (which ability John Keats called “Negative Capability”). “Beach read” novels and various kinds of thrillers now dominate the fiction best-seller lists, almost literally without exception, and almost all of them (NOT all, but almost) are, by definition, easy, stereotypical, non-challenging, seen-it-before (many times), simplistic, and unrealistic works.

And yet, short stories are, literally, everywhere in our world. School, the internet, and television all overflow with short stories, and almost all movies are far more like short stories than like long novels. Nightly and daily news broadcasts are now presented as dramatic (and, unbelievably, unrealistic, since it’s supposed to be “the news”) short short stories, one piled on top of another in an endless, ridiculous stream.

The relationship between television programs and short stories is a fruitful study for anyone interested in modern fiction writing for any reason and goes back to the very roots of the TV medium.

The Twilight Zone, Star Trek, and Alfred Hitchcock Presents are all classic television programs with very close connections to short stories in many ways.

The works in the Arabian Nights, the Canterbury Tales, and the Decameron are all early short stories.

Short stories are so closely tied to religion that they ARE religion.

The Good Samaritan, The Prodigal Son, Dives and Lazarus, Buddha and the Flower Sermon, Lao Tzu disappearing into the mountains after he (for free) penned the 5,000-word Tao Te Ching and handed it to the guard who’d asked him to write it, are all short stories in their (eternal) way.

This short little essay now concludes with a short little list of passed-on (but still here) fiction writers who’ve all done their best work in the short story (plus a few crucial after-thoughts afterward).

Arthur Conan Doyle. Franz Kafka. Clarice Lispector. Ernest Hemingway. James Joyce. Flannery O’Connor. Hans Christian Andersen. William S. Burroughs. James Baldwin. Grace Paley. Raymond Carver. John Cheever. D.H. Lawrence. Thomas Mann. Joseph Conrad. Dorothy Parker. Shirley Jackson. Ambrose Bierce. O. Henry. Harlan Ellison. Ralph Ellison. Frank O’Connor. William Gay. Larry Brown. Barry Hannah. Rick DeMarinis. Washington Irving. Jorge Luis Borges. Gabriel Garcia Marquez. Denis Johnson. Thom Jones. H.P. Lovecraft. Nelson Algren. Cyrus Colter. Donald Barthelme. Ivan Turgenev. Nikolai Gogol. Isaac Babel. Isaac Bashevis Singer. Katherine Mansfield. Eudora Welty. William Saroyan. E.T.A. Hoffman. Ray Bradbury. Rudyard Kipling. Guy de Maupassant.

Poe and Chekhov are sort-of left off the official list because their greatest works might be poem/s and play/s; but The Raven is a kind of short story for sure, as is The Cherry Orchard.

Many modern fiction writers who did not do their best work in the short story did their best work in the novella, instead (not the novel), but that is a subject for another (annoyingly opinionated) exploration by THE DRIFTER (sometimes known by local canines and felines, ’coons, squirrels and birds as “Dale the Drifter”).

Almost all of the great nineteenth century novels were published in serial form, that is, as separate magazine or journal installments over an extended period, one chapter at a time.

As just one example, War and Peace, that episodic behemoth, originally appeared as a serial over two years (1865 to 1867) in the journal The Russian Messenger before being, heavily, revised and expanded over the next two years after that, then finally published as a stand-alone volume in 1869.

Frank O’Connor called the short story The Lonely Voice. (Just exactly why he did so is also another subject for a future exploration from: The Drifter.)

The Drifter (Images by The Drifter)

Sun Beams and Alchemy (and Photo Gallery) by Christopher J Ananias

When the world is a dark pit, and you find yourself locked up with lunatics. Sometimes, a person needs a slice of sunshine. So that’s what this series of photos will try to capture, but alas, it’s hard to catch a sunbeam.

Then again, I don’t need my baseball glove or butterfly net. Not when I have this magical weight around my neck. It’s left the dark room behind, this is true, but I have my own just in case.

I try to explain this alchemy, as if to a five-year-old or my giant German shepherd dog, to these folks on the ward, but they just cock their heads. I talk about apertures, f-stops, and blinking eyeballs.

No respondo, Ernesto just gazes away from me and talks to people who aren’t there. All of their heads turn, and I finally have an audience.

I’m free again, on Antabuse, so I’m back with the camera therapy of nature and sunshine. The technology that I couldn’t explain to them—resting in my hands. Like a thousand picture books.

The shutter is eager to slide over its mechanical eye, snapping pictures of the sun and everything under it, but you have to be careful taking so many pictures of God.

One Writer’s Life (Lately) by Dale Barrigar (Images by Dale Barrigar)

“The earth’s proper scripture could be carried on a three-by-five card if we weren’t drunk on our own blood.” – Jim Harrison, from After Ikkyu

INTRO NOTE: This little article about five photographs appears to jump around a lot; but that is only because it is an EXPERIMENT in attempting to capture the process/es of one writer’s mind during a mini-siege of controlled thinking.

I repeat: THIS IS AN EXPERIMENT. In the same way that scientists do experiments is this. (We know as little about the mind as we do about the entire universe which is just one reason why I believe Mind Experiments are productive.)

Henry David Thoreau once said: If I knew anyone better than I know myself, I would write about them (instead of writing about myself.)

Second Intro: These five pictures are called “One Writer’s Life” for six simple reasons.

ONE: I write in my car (a small, fuel-efficient vehicle), a lot, by hand, while roaming around, or ferrying my kids around, from work to school and back again, sometimes while actually driving.

I can drive like Paul Newman or Steve McQueen. There are a trillion things in this world I’m no good at, at all (even unto the point of being mentally deficient at some level, at least by this society’s standards), but driving is not one of them. (Writing an essay about all the things I’m not good at is on the agenda.)

TWO: I spend a lot of time in the northeastern Illinois fields roaming around with and sometimes without my three dogs, and writing, by hand, on paper, with multicolored pens, in all four seasons, which I love equally well. (Every time I try to pick my favorite month, I remember that all the other months are equally good for different reasons.)

I use many-colored pens because I like many colors (it makes the page/s look alive and vibrant, and reminds me of my heroes, Van Gogh and Walt Whitman), and because it helps me tell what the hell is going on in the packed page/s later (if and when the pages don’t fall out of my pockets for someone else to find, or not find, later).

THREE: I watch a lot of documentaries about writers in my down time, when I’m too tired to read or think on my own.

(I have (almost) no regular furniture in my small, fuel-efficient apartment, and if I did have it, I wouldn’t use it (which is why I don’t have it).)

FOUR: I write outside, as stated previously, a lot, including at night. I rarely use an umbrella even in the rain because my uncle, who was a Marine sniper in the Vietnam War with two tours of duty (and later regretted his actions but felt he was serving his country at the time), told me that Marines never use umbrellas unless it’s holding one over someone else, and I admire that kind of humble, dutiful, rock-solid toughness; but I still find umbrellas beautiful for some reason, I think because of my fondness for Asian culture and some of the beautiful paintings I’ve seen.

The lonely plant here, reaching toward the stars (not touching the stars: reaching toward them) is a symbol of the real (and HUMAN, all-too-human!) writer.

The stars are not of this world; and at the same time, they are the only thing that’s truly important in this world at all.

FIVE: In the mode of William S. Burroughs, that great Kansas aristo-cat who always wore an Army jacket and baseball cap in his later years, I sometimes toss together half-assed collages of writers when I’m not writing.

At the present moment (I counted) I have 103 pictures of various writers (and a few other artists, especially Van Gogh (who was also one of the greatest writers of all time, just pick up his letters and dive in anywhere), Picasso, Leonardo da Vinci, Marilyn Monroe, and Joan Crawford, one of whom reminds me of my mother and another of whom reminds me of a few someone/s I won’t talk about right now) up all over in my apartment.

Many of the pictures are small, like postcard-sized and so forth.

I see them much more than I see any other humans these days except strangers on the street and my kids, and sometimes their friends, etc.

SIX: Real writers are more introspective and self-conscious, and less publicly performative and pushy, than all other kinds of artists (in general, or mostly) and many of them definitely fit into the category of “neurodivergent,” and many of them in many more ways than one, too. And many of them are always dodging and disappearing around corners, like Herman Melville, and Emily Dickinson, were both equally wont to do, on a regular basis.

Hurray for the Human Writer, the Outsider Observer who cares (and struggles and strives) and can get it all down in words!

They call/ed Jesus “The Word” because they knew he is the greatest writer who ever lived, bar none.

Paul first spread The Word’s teachings through the word. (Open his letters anywhere and dive right in; Kurt Vonnegut repeatedly called himself a “Christ-loving atheist”; Charles Bukowski said, “Jesus had style.”)

Literature is the deepest, most profound, most complex, and longest-lasting Art form (without any doubt whatsoever at all).

Almost all of the greatest military generals in the history of Planet Earth (from Alexander the Great to Napolean to Ulysses S. Grant) have known and acknowledged this fact.

Michelangelo, and Picasso, and Rodin, all also acknowledged this fact.

They were all obsessive readers of Literature, and either were, or wanted to be, Writers.

Dale Barrigar (Words and Photos)

The Eyes Have It by Dale Williams Barrigar

This here shaggy dog is headed to Jensens Island in the middle of Big Bearskin Lake in far northern Wisconsin.

I am not aware of whether he knows the details of all that, but he isn’t used to being on boats and one thing is certain from looking at these photos: even though he isn’t used to them, he isn’t scared, either.

That’s because he has a fearless and bold nature that makes him plunge into situations such as these almost (not quite) without thinking twice.

He’s also jumpy and paranoid in certain ways, hyper-aware of what’s going on around him and the best guard dog, when it comes to people, you could ever hope to meet.

He doesn’t care about material objects or possessions or probably even money, near as I can tell, as long as he usually has a full belly when needed and somewhere to lay his head, also when needed.

But the people in his life – he would die for them if he had to, without thinking twice.

There are many people in this world who would say, and do say, that a Dog is just a dog.

Anyone who attributes spiritual properties to their animals, like I do to mine, and like the Chippewa of northern Wisconsin used to do (and some still do) to theirs, will think that such people as that are lacking something in their nature. Not that they aren’t fully human, but yes that they are humans with cold (or at least colder than they should be) hearts.

For me, one look in his eyes tells you instantly that there is a lot more going on in there than some people give him credit for.

In some ways I even believe that he’s much smarter than your average, run-of-the-mill, boring, materialistic human – and very much so, at a level that cannot be scientifically tested or verified at all – and is even more true for all of that.

Words and pictures by Dale Williams Barrigar and, of course, Boo

I Finally Said Goodbye to All Those Years by Dale Williams Barrigar

(Images by DWB)

You’ve been there since then

since when

the last time I saw you

and you were

standing

there

in out of the rain

under the eaves

with the dead flowers

in your arms

waiting for a train.

It’s been

seven years

since then

and today

was the first day I

finally said goodbye

inside my mind.

You were the start of it all

and I owe you for that

but I looked up today and saw

that time has now flown.

And now I’m going to have to

forget you and now you’re

going to have to

make it

like I always knew you could

all on your own.

Dale Williams Barrigar

(Bonus Image by DWB, Boo on Vacation is Wisconsin)

The Trauma of Money by Dale Williams Barrigar

(I am pleased to inform the readership that DWB will be presenting new works for the next several days!-Leila)

If you’re not good at

getting money

and keeping

money

or if you

don’t have money

or if you’re

out of it

right now, or

hard up today you are

pushed to the side

way to the side

almost off the side

or maybe right off the side

of everyone’s mind

and you are thought

way, way, way,

WAY

less of

by

almost everybody,

indeed…

In fact, if you

are not good at

getting money,

or keeping money,

or don’t have money

right now

or if you just cannot hold

onto it very well

once you do

finally

get it

(and, sometimes, you do

finally get it

out of the blue)

because you

gave it all away

to someone else

who told you they needed

it more –

you are

pushed

way, way, way,

way

off to the side

marginalized and alienated

and looked down

upon

spat upon even

thought less of for sure

and frowned upon

by almost everyone

in the good old

USA, today

(or,

almost

everywhere

(but not

everywhere),

globally).

Dale Williams Barrigar

(Images courtesy of DWB)

Tomorrow, Wendy by Leila Allison

(A late happy 133rd birthday to Dorothy Parker, a keeper of the little god of suicide)

Suicide is a big part of art, so I’ve been told. It’s big in my family, I know that much. My father, both my grandmothers did it. My mother could have hung on another year or so but went Bartleby on dialysis. I’ve seen enough. And on the early morning of 21 December 1989, at the age of thirty, I did it. Damn wonderful, really; and such a revelation of freedom; those were the free-est, purest, most honest five seconds of my life. For once I was doing something Big. Fuck boredom and being embarrassed about being alive. But I failed. While blasted, I deliberately aimed my car at a sturdy utility pole, floored it and woke in the hospital. If a spur of the moment thing can still contain the shape of a plan, then there you have it; but of Mice and Drunks and the little devils that protect us, I was chosen to survive. My Colt looked like a crushed beer can yet I survived with a concussion, a bunch of stitches and a DUI. “Could be worse,” I told myself at the wrecking yard a few days later, as I managed to reach in and extract the eightball of blow I had in the glove box. “Yessir, could be a whole lot worse.”

Funny thing is that even though I was in a moderate bit of trouble (DUI, five days in jail and about five grand for messing up the pole), like in The Exorcist the demon inside that wanted to die bailed when we hit the pole. Just like the bastard to do something like that. Cheap fucking 80’s demon. Not like the old-timey grandmother demons who drop from the gallows with you. You could depend on them.

I do not write this for sympathy nor to shock. It’s just something that happened more years ago than I had been alive at the time of its happening. The odd thing is the missing demon-feeling. It felt like it had always been with me, something about death, a weirdly detached point of view that came up in certain situations (especially when blasted–but still, always there). I can trace back to the time, but I cannot remember the actual fabric of the feeling, the touch of being. I only remember that it always felt like night, and a certainty that good times were over, and that I had missed out on something I could never understand.

For me there is only one bit of art that comes close to describing the feeling (which, actually, is an anti-feeling, if that makes sense). It is the song Tomorrow Wendy performed by Concrete Blonde, written by Andy Prieboy. The writer is a member of the Wall of Voodoo, whose artistic respect lies somewhere between that held for the 1910 Fruitgum Company and Aha. But, hey, a job is a job and I completely understand.

Prieboy wrote it about a woman he knew who got into heroin, prostitution and eventually contracted HIV. Instead of waiting to die in the slowest, most agonizing way possible (this was the 1980s, no drug cocktails as of yet), Wendy loaded a needle and found her way to the door. But on her way out she had many devastating opinions to share. The song is a stunner, and I cannot think of a voice keener than Concrete Blonde’s Jonnette Almalfitano to deliver it. The production is first rate and it is one of those rare, perfect pieces of music that cannot exist in the same dimension with the usual pop stuff (both the good and bad) because it is too honest. It hurts too much to hear and it makes Clapton’s Tears in Heaven come off overrated (which, for me, mind you, is. Obviously a horrible situation, but I find it strangely aloof and too neatly done for honesty).

I never told anyone how I was feeling. I had a thought that they did not want to hear about it, plus the idea of confession felt as though I would cheapen something in me that was stunningly complicated and even artistic in its own fashion. I did not tell them because they were terrible people (most were, but I like em just fine), but because nearly every little thing we say and do is designed to either obscure or lessen the truth. Big ticket items tend to create an instant vacuum into which bullshit immediately fills. Besides suicide is something that varies from person to person. I believe that some people can be saved by speaking out, but others need to act out in some way. Moreover, we are still very much in the grip of the old thinking, in which suicide, depression (not always mutually exclusive), substance addiction (for some reason we still normally divide alcoholism from drug addiction, even though they are the same complaint) and fifty other troubles are moral failings, indicative of spiritual weakness. Anyway, it is too big a responsibility for a mortal to tackle. The best idea is to shut up and listen. Leave the “You are needed” tripe for Hallmark cards.

A few years ago a guy went over a land bridge in Port Orchard, Washington. It stands over a creek and a valley and is way the hell over a hundred feet above stark reality. I walk that bridge a lot and I saw the little arrangement of flowers someone left behind and a message of hope left in sharpie–signed “A Stranger.” Yes indeed we sure give a fuck after the fact. But really, I cannot see any message of hope and a Dollar Tree candle stopping somebody determined to go over that bridge. I peeked over the rail. So much shit to hit on the way down–and trust me that is a big down. The type that puts a jittery feeling in your knees to look at. And for a moment I had nothing but love for the man. He made a real statement against all the superficial labors we must endure. He made himself holy. Such courage to do that–A that which is as untake-backable as any that gets. I felt like kicking the cruddy little shrine down into the abyss, but it did not deserve the rapture.

I honestly do not believe that a song or any kind of art on its own can save a person. I also feel that such cannot destroy anyone either. But allowing good things to enter your thoughts, and by good, I mean sincere, can help. One of the few things I do remember was a terrible cycle of repetition in my mind. Certain images and thoughts chasing themselves like Cats after their own tails.

I think Wendy did the right thing for herself. That’s because she had a terminal condition that was not going to end well. Cook, jab, Goosh, sweet speedball, and sleep–the good kind, like when your mom or dad put you to bed after a late night, melting into the sweet embrace of wind dried pillow cases and sheets. And I do not think there is a “perchance to dream” part coming for people like Wendy–as in the inferred rottenness pondered by the Prince. If there was more, I’d rather it be the happiness that eluded her in life.

It is a touchy subject. Unless you spout the “You are needed, take your vitamins, it is always darkest before the dawn (to which I retort “Everything will be at its brightest when the sun explodes”) company line, you risk “causing a tragedy” or the accusation of promoting self murder. That is a lie told by people who have limited imaginations and monochromatic solutions, and it belies an attitude that contributes to pain due to its artificiality. Find someone to talk to, if you haven’t got anyone, find a priest–even if you do not believe in God. But listening to that one voice over and over and over will get you nowhere.

Leila