The Ritz by The Drifter

She really wanted to come over and see him and he really didn’t know quite why that was, but he said okay and hung up the phone.

The year was 2003 and the time of year was midsummer and he didn’t have a cell phone yet (on purpose) and wouldn’t (on purpose) for a long time.

The landline wasn’t his either.

He was house-sitting for a friend while the friend and his wife were in France for the summer.

The house was in the northside Lincoln Square neighborhood of Chicago, just off Lawrence Avenue. This was before Lincoln Square became horrifically, and ridiculously, gentrified but at a time when it was already on its way, fast, on the downward slope.

The house he was house-sitting in for the summer was ridiculously large by his standards, a person who was used to living in many different, small, cheap apartments all across the city over the last however-many years.

Only two people usually lived in the house but it had five upstairs bedrooms, four bathrooms, a gigantic kitchen, a massive dining room, a huge living room with a massive fireplace, a really big family room with an incredibly large TV, a gargantuan basement with at least six separate rooms and lots more TVs, several rooms on the ground floor that were used for things like libraries and studies that were never used, etc. etc. etc. (“Sleeping” alone in this large of a house gave him waking nightmares which usually led to him crashing on one of the first-floor couches near a window by a tree.)

His friend, the husband, wasn’t that loaded, but his friend’s wife came from a family in Oklahoma that was so rich with oil money it wasn’t really funny except it also was kind of funny – in a perhaps sick way.

When the main character of this story’s friend arrived she looked beautiful because she was beautiful. She was, somehow, much more beautiful than the last time he’d seen her, about three or four months ago at the university where they were both lecturers in the English Department.

Her long, fresh-smelling brown hair came down to the middle of her back and had blonde streaks in it that looked natural and golden when she moved her head. Her perfect face was cat-shaped and insomniac-pale, looking for something, and her large, gray, long-lashed eyes sparkled with satirical humor and a wild, one-of-a-kind, literary intelligence. She wore a dark red lipstick and had sexy crooked teeth.

She immediately bummed a cigarette off him and asked for a beer because she knew he would have some of both.

They went out into the backyard, on the beautiful green grass (that kind of grass can often be beautiful even though it literally is an environmental catastrophe for Planet Earth) which was very long and thick because, while he was supposed to keep it mowed to the neighbors’ standards while he was house-sitting, he did not do so. (The neighbors often gave him dirty looks. When the summer was over it would take him a long time to get that grass mowed before his friend and his wife returned from France.) The temperature was at a perfect eighty-three degrees F, the sun was out, the Chicago sky was blue and clear, she was in a really great mood, he was in a very great mood too, he was lighting her cigarettes for her (she kept on bumming more from him but he had a carton in the house), the beer tasted wonderful, and the two of them, both writers who made their livings as lecturers and not lecturers who made their livings as writers, were “writing in air.” In other words, they were doing it purely for the love of it (not only aiming for the $ by following trends and corporate style books).

“Writing in air” is a phrase that was used by the great American writer James Agee, author of the classic text Let Us Now Praise Famous Men which accompanied the famous Walker Evans photographs of the poor folks down in Alabama.

Like many writers then and now, too, Agee became an alcoholic and spent a great deal of time as a younger writer “writing in air,” which is to say, spending more time talking about writing with other aspiring writers than actually writing.

Such behavior looks like a waste of time to a lot of the world but it is not a waste of time. It only becomes a waste of time later. When the writer is fairly young, as these two were then (early thirties or so), “writing in air” can be extremely beneficial for the writer as she or he tries out ideas, becomes fluent in the use of verbal flow and tricks, talks about stories, poems, essays, and books, and listens (the deep, active listening is key) to the opinions and ideas of others as well.

These two were having a great time writing in air in the backyard, such a great time that day became evening became nighttime became them in the bar that was just across from the house on Lawrence Avenue.

The bar was called The Ritz and it was run by a guy who called himself Alfred.

That wasn’t his name. It was what he called himself.

The Ritz was one of the most dangerous dive bars the main character of this story had ever been in, and he had been in a million of them all across the USA, from coast to coast and from Fairbanks, Alaska, to Key West, Florida, and in at least forty-five or forty-six other different states too, as well as several in Canada, Mexico, and Jamaica, where he’d almost been killed in one of them (but that is a different story).

The Ritz is there no more. The place where The Ritz was is now a phone store.

Back then, as soon as you walked in the door, you could smell the menace and danger oozing from every single corner of the room.

The place was a garish nightmare from the mind of Poe or Dostoevsky. It had blood-red walls, a deep, sickening green ceiling, very low, yellowish lighting, very dark, hidden corners with very shady people lurking in them, and a gigantic man (as in six and a half feet tall and built like a freight truck) with a vicious scar all the way across his face and nose standing at the door glaring at everyone who walked in the place. Don’t say hello to him because he won’t answer.

The clock was upside down, the only bathroom was dirtier than the one pictured on the Rolling Stones album cover for Let It Bleed, the clientele contained gang bangers, mafiosos, hookers, prostitutes, street walkers (none of these three are always the same thing), drug dealers, thieves, hit men. Yes, “Alfred” had once told the main character of this story that several regulars in this bar sometimes made their livings taking out people for money. But don’t worry, said Alfred. They only kill who they are paid to kill and they don’t enjoy it. They don’t mind it, but they don’t enjoy it, either.

Alfred looked like an emaciated, cadaverous, half-Asian, needle-hiding version of Alfred Hitchcock who’d been resurrected from the grave and presented with a set of gold teeth which he was always flashing then hiding behind dry, cracked, pursed lips. When he gave you a drink he acted like you’d won the lottery.

It may sound half mad that the main character of this story, who wasn’t really (much of) a criminal himself after all, would’ve spent so much time in a place like this, back in the old days. No one knows why, but the facts are the facts.

And the amazing thing was that she understood the danger and the shadiness of the place very well, and wasn’t afraid of it at all.

The two of them entered the Ritz just before midnight and began drinking even though they’d already been drinking (and chain smoking) since way earlier in the day.

They started doing shots of tequila.

Lots of shots of tequila.

In The Ritz you were allowed to do whatever the hell (and whatever the F) you wanted to do, even if it brought you to hell. You might end up dead, injured, crippled, wounded, tied up, kidnapped, maimed, scarred, sick, ill, brain-dead, missing, or otherwise unaccounted for, but no one was going to stop you here. When you stepped in the door, all bets were off, and you had now entered underground Chicago, Land of the Gangsters, at its lowest, or its highest (depending on your perspective) levels.

The two of them retreated to a corner, commandeered a nasty little booth and started making out in the almost-dark, while still drinking and smoking.

After closing time (because even The Ritz had to close at some time) they made it back across the street (somehow) wrapped in one another’s arms.

She had accidentally, somehow, burned his hand with one of their cigarettes. Later tomorrow he would realize how badly and deeply the top of his hand was burned, but right now, he didn’t even notice, or feel, it.

Both of them were married (to other people). Neither of them lived with their spouses, nor had they for a long time.

She reminded him of his wife. But she was not his wife.

That fact, or those facts, made her dangerously attractive to him. She tasted like honeydew. Her flesh was manna.

They both fell down trying to make it upstairs to the bedroom. That is, while holding each other and trying to drag each other up the stairs to the bedroom, they both took a tumble, all tangled together, and somehow ended up at the bottom of the stairs, wrapped in each other’s arms, on the floor, instead of at the top of the stairs, in the bedroom.

They continued making out, there on the floor at the bottom of the stairs, before they both passed out, in each other’s arms, on the floor, at the bottom of the stairs, with the front door wide open, the summer air blowing in.

In the morning the hangover was so bad it was worse than hell. Much, much worse. Whatever hell is and however bad hell can be, this was worse! (It was so bad that this kind of thing would cause him to completely quit drinking forever in two years or so, which was almost impossible at first and also felt like freedom beyond belief – but that is another story.)

The hangover had a million different things about it that made it especially horrible, horrific, harrowing. After staggering around for a while with the splitting, near-blinding headache, he saw and reached for an almost-empty vodka bottle that was located on one of the tables in the house and took a swig to kill the pain. But it didn’t kill the pain (not yet). He retched. The cigarette which he then located and lit after finding a lighter under one of the couches made his heart pound like an old-fashioned steam engine about to permanently explode. He noticed that the top of his left hand had a deep red cigarette burn upon it (that would turn into a permanent scar weirdly almost in the shape of a heart, like a token of this story, and if it wasn’t a cigarette burn it was some other kind of burn, but he’d had cigarette burns before (a few self-administered in front of other people to impress them) and this looked like one) and that his fingers were all yellow from smoking. Three of his fingernails were bruised, and bleeding, a little; he had no idea why. His knee was killing him, probably from toppling down the stairs which he, vaguely, remembered. He located one of the three remaining Vicodin pills he’d gotten off a friend last week and gulped it down without water, then chugged a ton of water, straight out of the sink, while bending over it.

No one on Planet Earth knew how many cig’s he’d had yesterday but a good estimate was five packs of twenty (just like John Wayne). He was guessing that the number of drinks sat at around thirty – minimum. Actual solid food all day, and all night, long – zero. Cups of strong black coffee with cigarettes before she’d arrived – seven or eight. He saw a Chicago hit man loading a pistol with a blank look on his face then reaching out the other hand to take the wad of cash from Alfred. And he knew this was the truth.

One of the worst things about the hangover was that, when he woke up, she was already gone.

The Drifter (Images by The Drifter)

5 thoughts on “The Ritz by The Drifter

  1. Hello Drifter
    There’s nothing like alcoholic “splash down”–waking and seeing you survived reentry, and that little back of the head sadness that having to start over creates.
    The atmosphere is tremendous. Gentrification is true evil. People who have to grab everything, legalized theft.
    Brilliant–this is another chapter of that book!
    Leila

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    • DWB's avatar DWB says:

      Hi LA

      Thank you as always and yes, this is the ninth story-chapter for the separate book that is also a part of the overall DRIFTER Project. Nine stories have been completed so far this summer w/ the same Third Person Narrator and the same Main Character, and I hope to complete at least one more this summer (before the end of August) and at least ten more this autumn, as well as a possible ten more over the winter. That will equal 30 stories at a rough average of 2,000 words each (which = 60,000 words by the end of winter for this series of stories).

      IF it is God’s will, it will be done, for good or ill! And I know that to many people, it seems “ill” more than anything else. But they said the same thing about Henry Miller and William Burroughs (not that I’m comparing myself).

      The Drifter

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  2. chrisja70778e85b8abd's avatar chrisja70778e85b8abd says:

    Hi Drifter

    The atmosphere of The Ritz is glowing darkly with menace and yet glitters with a beauty like Denis Johnson’s “The Vine.”

    I like how you drew your characters. They were very full and real. I could relate to that Titanic hangover. People who haven’t had hangovers like that don’t know how sick a person can feel. All those cigarettes and booze. And the empty wallet. Glad those days are in the rear-view.

    “hookers, prostitutes, street walkers (none of these three are always the same thing),” Excellent line makes you think of their back stories.

    “Writing in air” I can see and have benefited from doing this. Commenting might be another form.

    Great work!

    CJA

    Liked by 1 person

    • DWB's avatar DWB says:

      Hi CJA

      Of course, people have been drinking and telling drinking stories for a very long time, and the drinking story, like the drinking song, is a part of global culture that is not likely to disappear because of AI and runaway technology and global warming and income inequality. On the contrary, I believe such things will increase again because of current and future conditions if nothing else. It would’ve been wild to hear the Vikings telling their drinking tales ’round their camp fires.

      I also think of this as a kind of love story, as well as a kind of gangster/crime story. And very definitely as a Chicago story. And a symbolic story.

      Great comment about commenting! I believe you are absolutely correct!

      Thanks as always for your UNDERSTANDING and support. You have the experience that makes you a Perfect Reader for this.

      I’m glad I don’t drink any more but when I reflect on all the multiform and myriad experiences I had when drinking and would’ve missed out on completely if I’d never drank, I’m glad I used to be a Chain-smoking Alcoholic even if my lungs and liver don’t agree with me!

      (After 21 years away from the Bottle I don’t consider myself an Alkie any longer but I KNOW that I can NOT drink. Too many things, people, and animals to take care of. The first thing it would do is destroy my ability to write as well as I currently am.)

      Substance abuse stories are also probably categorizable as “neurodivergent” stories and I think that is another thing this story is. That is a jab at all the moralistic teetotalers out there. Ha!

      Dale the Drifter

      Liked by 1 person

  3. chrisja70778e85b8abd's avatar chrisja70778e85b8abd says:

    Drifter

    I hear you on drinking as a source of inspiration… It is a strange event. I’ve been sober for many years, too, but a lot of my writing goes back to those lost and crazy days. A sober life just doesn’t hold the same kind of drama and desperation.

    I think alcoholism changed me so deeply that there are probably two people occupying the same skin. It’s good that alcoholism and drug abuse took over my life because it showed me a lot of pain–what real pain is and that’s worth writing about and having empathy for others, and a sort of priceless humor that goes rollicking along with it all. lol.

    CJA

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