(A late happy 133rd birthday to Dorothy Parker, a keeper of the little god of suicide)
Suicide is a big part of art, so I’ve been told. It’s big in my family, I know that much. My father, both my grandmothers did it. My mother could have hung on another year or so but went Bartleby on dialysis. I’ve seen enough. And on the early morning of 21 December 1989, at the age of thirty, I did it. Damn wonderful, really; and such a revelation of freedom; those were the free-est, purest, most honest five seconds of my life. For once I was doing something Big. Fuck boredom and being embarrassed about being alive. But I failed. While blasted, I deliberately aimed my car at a sturdy utility pole, floored it and woke in the hospital. If a spur of the moment thing can still contain the shape of a plan, then there you have it; but of Mice and Drunks and the little devils that protect us, I was chosen to survive. My Colt looked like a crushed beer can yet I survived with a concussion, a bunch of stitches and a DUI. “Could be worse,” I told myself at the wrecking yard a few days later, as I managed to reach in and extract the eightball of blow I had in the glove box. “Yessir, could be a whole lot worse.”
Funny thing is that even though I was in a moderate bit of trouble (DUI, five days in jail and about five grand for messing up the pole), like in The Exorcist the demon inside that wanted to die bailed when we hit the pole. Just like the bastard to do something like that. Cheap fucking 80’s demon. Not like the old-timey grandmother demons who drop from the gallows with you. You could depend on them.
I do not write this for sympathy nor to shock. It’s just something that happened more years ago than I had been alive at the time of its happening. The odd thing is the missing demon-feeling. It felt like it had always been with me, something about death, a weirdly detached point of view that came up in certain situations (especially when blasted–but still, always there). I can trace back to the time, but I cannot remember the actual fabric of the feeling, the touch of being. I only remember that it always felt like night, and a certainty that good times were over, and that I had missed out on something I could never understand.
For me there is only one bit of art that comes close to describing the feeling (which, actually, is an anti-feeling, if that makes sense). It is the song Tomorrow Wendy performed by Concrete Blonde, written by Andy Prieboy. The writer is a member of the Wall of Voodoo, whose artistic respect lies somewhere between that held for the 1910 Fruitgum Company and Aha. But, hey, a job is a job and I completely understand.
Prieboy wrote it about a woman he knew who got into heroin, prostitution and eventually contracted HIV. Instead of waiting to die in the slowest, most agonizing way possible (this was the 1980s, no drug cocktails as of yet), Wendy loaded a needle and found her way to the door. But on her way out she had many devastating opinions to share. The song is a stunner, and I cannot think of a voice keener than Concrete Blonde’s Jonnette Almalfitano to deliver it. The production is first rate and it is one of those rare, perfect pieces of music that cannot exist in the same dimension with the usual pop stuff (both the good and bad) because it is too honest. It hurts too much to hear and it makes Clapton’s Tears in Heaven come off overrated (which, for me, mind you, is. Obviously a horrible situation, but I find it strangely aloof and too neatly done for honesty).
I never told anyone how I was feeling. I had a thought that they did not want to hear about it, plus the idea of confession felt as though I would cheapen something in me that was stunningly complicated and even artistic in its own fashion. I did not tell them because they were terrible people (most were, but I like em just fine), but because nearly every little thing we say and do is designed to either obscure or lessen the truth. Big ticket items tend to create an instant vacuum into which bullshit immediately fills. Besides suicide is something that varies from person to person. I believe that some people can be saved by speaking out, but others need to act out in some way. Moreover, we are still very much in the grip of the old thinking, in which suicide, depression (not always mutually exclusive), substance addiction (for some reason we still normally divide alcoholism from drug addiction, even though they are the same complaint) and fifty other troubles are moral failings, indicative of spiritual weakness. Anyway, it is too big a responsibility for a mortal to tackle. The best idea is to shut up and listen. Leave the “You are needed” tripe for Hallmark cards.
A few years ago a guy went over a land bridge in Port Orchard, Washington. It stands over a creek and a valley and is way the hell over a hundred feet above stark reality. I walk that bridge a lot and I saw the little arrangement of flowers someone left behind and a message of hope left in sharpie–signed “A Stranger.” Yes indeed we sure give a fuck after the fact. But really, I cannot see any message of hope and a Dollar Tree candle stopping somebody determined to go over that bridge. I peeked over the rail. So much shit to hit on the way down–and trust me that is a big down. The type that puts a jittery feeling in your knees to look at. And for a moment I had nothing but love for the man. He made a real statement against all the superficial labors we must endure. He made himself holy. Such courage to do that–A that which is as untake-backable as any that gets. I felt like kicking the cruddy little shrine down into the abyss, but it did not deserve the rapture.
I honestly do not believe that a song or any kind of art on its own can save a person. I also feel that such cannot destroy anyone either. But allowing good things to enter your thoughts, and by good, I mean sincere, can help. One of the few things I do remember was a terrible cycle of repetition in my mind. Certain images and thoughts chasing themselves like Cats after their own tails.
I think Wendy did the right thing for herself. That’s because she had a terminal condition that was not going to end well. Cook, jab, Goosh, sweet speedball, and sleep–the good kind, like when your mom or dad put you to bed after a late night, melting into the sweet embrace of wind dried pillow cases and sheets. And I do not think there is a “perchance to dream” part coming for people like Wendy–as in the inferred rottenness pondered by the Prince. If there was more, I’d rather it be the happiness that eluded her in life.
It is a touchy subject. Unless you spout the “You are needed, take your vitamins, it is always darkest before the dawn (to which I retort “Everything will be at its brightest when the sun explodes”) company line, you risk “causing a tragedy” or the accusation of promoting self murder. That is a lie told by people who have limited imaginations and monochromatic solutions, and it belies an attitude that contributes to pain due to its artificiality. Find someone to talk to, if you haven’t got anyone, find a priest–even if you do not believe in God. But listening to that one voice over and over and over will get you nowhere.
Leila

Hi Leila
This is a powerful read. The honesty as my old AA sponsor used to say, “Goes to the bone.”
This line below sums up a whole existence.
“because nearly every little thing we say and do is designed to either obscure or lessen the truth.”
It’s easy to judge from a twisted higher ground that negates the human condition.
A drug is a drug is a drug. No matter how it’s delivered.
Whew, balls to take a header off that bridge.
“But listening to that one voice over and over and over will get you nowhere.”
Great ending!
CJA
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Thank you CJA
I appreciate your comments! I figure I cannot condemn anyone for a lack of honesty if not willing to be that way myself.
I recall thinking the same thing about the bridge. I mean it makes you queasy looking over the side–at least a hundred fifty feet up at center. And this dude took it anyway.
Take care and thanks again!
Leila
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Leila
I am bowled over by this piece of writing. It took me a while after reading it to shake off the charge so I could comment upon it. It truly is a riveting read, and a revelation.
The lack of self-pity and the sheer honesty in this should be studied and looked up to by anyone who is (or wants to be) alive inside. For me, this truly is an example of art that can save lives. (It should be distributed as a pamphlet at suicide prevention centers because the honesty is an antidote.) It’s also a glowing example of what Buk meant when he said, “Genius is the ability to say a profound thing in a simple way.”
The photograph illustration that goes with this is chillingly beautiful, haunting, ghostly, soothing in an unnerving yet paradoxically calming way which matches the writing perfectly. As with this essay, and especially when put together with this essay, this picture is complex, and the feelings and thoughts it engenders are manifold and multiple, NOT simplistic and stereotypical. What an original voice.
This song is chillingly beautiful too (goosebumps and a few tears behind the sunglasses). Jonnette’s voice on this is like discovering Bob Dylan. It is at that level of profoundly good. Can’t wait to listen to this song a myriad more times, as many times as I’ve listened to “Wuthering Heights” by Kate even.
This whole package (essay, picture, music) has rocked my world today in the best of ways, and it will not be forgotten. I will also remember the day I read this, because of this. That is when one knows something is truly, deeply good!
DB!
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Dale
The best way to respond is to do it naturally, without thought. Your comment means the world to me, and is greatly appreciated.
The subject is honestly and I cannot believe that most people are not involved with to be or not to be far more often than we admit. The problem lies in the instant it is mentioned someone wants to call 911–not so much to help, but just as much to get away from the subject, to make it some one else’s problem. I scold nobody for that–it is a perfectly natural reaction. Like when you see an obvious job for a plumber. But there are no real plumbers for this. And it comes down to the brutal fact that you have to get your hands dirty to do good–this thing called “nice” is all right, but all it is involves putting on a tu-tu and joking it up on a fun run for charity. I see people doing that all the time. It makes them feel good about themselves, but I think it is more about being a selfish asshole.
You understand much and I’m glad to know you. Honesty is Bob Dylan, or Jhonette, making nice is a calculating shithead like Johnny Ray singing Cry.
Thanks again!
Leila
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Leila
I realized just how much this is a story of personal resurrection too. The beginning of the piece is masterful and the way it plays through to the end of the piece just as much so. Realistic, complex, and also great storytelling.
Dale
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I looked the song up on the internet.
It seems he wrote it, too, about his hometown area of East Chicago and Gary, Indiana, thirty miles across the bottom of the lake from downtown Chicago. I’ve been there countless time, including this summer. Much of it is abandoned and it feels like a different country compared to downtown Chicago with the Trump Tower on the river, etc. If we hate his guts so much around here not sure why we’re letting him have a Tower.
Prieboy wrote the song around 1990 and talks about how the East Chicago/Gary area was destroyed, like a regional Great Depression and maybe even worse. It never recovered.
How horrible. On the other hand, we (humans, and Americans) are still here 36 years later so it speaks of resilience, which = “hope is the thing with feathers.”
Seems he wrote around 40 verses then whittled it down to 3. That’s like Dylan writing “Like a Rolling Stone” in 20 pages and whittling it down to 5.
A great lesson for writing (not that that’s the way it always happens, especially when you think about it a lot beforehand first).
This song is complex and the essay does it justice or the other way around. Great interplay between them. Someone should send this to Johnnette and the songwriter!
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Hi Dale
Yes!!! I looked into it too. It reminds me of Cohen, who. like Dylan will write endless verses for a song. I saw an interview in which he spoke of being in a hotel room writing verse after verse for Hallejuah (i can never spell that word). I am for writers who grind it out. I can identify wigh it. Up until an hour before something I have coming up I will fiddle with it.
You are right. Nothing has improved for the poor! In fact it has becomw worse. Used to be a person could sofa surf in sleep in her/his car and afford a place in one paycheck.
Methadone is dirt cheap but unless you have insurance it is twent bucks a day, then there are the endless fees. This oh well, shoulder shrug society enrages me!
Yeah we got the asshole president we deserve! It has to get better. People like your kids don’t deserve this mess, nor does snyone who must make an effort!
Leila
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