A Double-Special by our Editors: The Long Black Veil: or, The Hereafter in the Now by Dale Williams Barrigar and To Be To Not to Be by Leila Allison

The Long Black Veil; or, The Hereafter in the Now By Dale Williams Barrigar

(images by Dale, the header is a poster in Leila’s office)

Every single word of this little monologue with a huge topic, a topic as big as it could possibly be, far, far bigger than anything current science or technology (AI included) can come up with, is deliberately chosen, and purposely placed exactly in the exact right place (whether awkward or not) where it magically happens to go (showing the unity of all things). When I say bigger than anything, AI included, I mean it:

I would rather rest in air (be cremated and flung to the winds over waters) but if I had to rest in earth I could do it here, as long as it’s like a Nathaniel Hawthorne story with all his beautiful women become one favored woman in the end, the platonic ideal of the human in snatches; or the song “Long Black Veil,” penned by Danny Dill and Marijohn Wilkin, as sung by Lefty Frizzell, in Nashville, in 1959.

Dale Williams Barrigar

And for a look at a similar idea…

To Be To Not to Be by Leila Allison

To Be or Not to Be is the most famous literary line in the English language. A six word statement; thirteen letters; four words (two repeats); three of the words contain two letters, one has three.

A lot can be accomplished by expressing the same thought in slightly different ways. I recall a country song from decades back that asked (I paraphrase): Should I kill myself or go bowling? That is the same question, but it contains an added touch of absurdity, which, I think, might have made the Bard smile.

The evil act called War can be viewed as a variation of the question. If you are the Leader of a nation who has declared war, you have made that choice for many people, friends and enemies. (That part doesn’t matter: the voices of the dead all scream the same.) It used to be that Leaders had the decency to “stand the hazard of the die” like Richard III, but you do not see a lot of that anymore. Anyway, in the end, War is simply organized murder and lacks much in the way of irony.

When Shakespeare wrote Hamlet there was something between 500 to 600 million people in the world. The population is close to nine billion today. And let’s not forget the 25 to 30 billion whose lives began, lived and ended since 1600. That’s a lot of To Be or Not to Be. Nature, as in the provider of our lives and maximum lifespans, of course, looks at it as To Be to Not to Be. Still thirteen letters, same word sizes, but the change of one letter that reduces the separate word count to three has much meaning, yet removes any question and, like War, it lacks much in irony. And in the case of one William Shakespeare, Nature’s version reads 23.04.64 to 23.04.16. (Even though it has a touch of symmetry, here, minus the centuries, we see where the simplicity of numbers fails to completely convey the depth of Will’s “Ago.”)

In the 335 words following the opening quotation, little, if any, irony, has been added to the concept. But today I think I’d like to thank the Ghost of William Shakespeare for giving me a lot to consider.

Leila

Saragun Verse: Every Line Sells a Hoary Glory

i

Money shoots up veins and noses

And from bar brawls to city jails

It catches Tigers by the Jim Crow-zus

Don’t go out unless you bring nuff bail

ii

Money dropped on spats and bolos

Adult diapers and bikini waxes

It buys hits on mafio-so-sos

Sooner or later we’re all game for whack-zus

iii

Money is what bellows louder

Than the crow of the power cock

Grind dem bones into fine powder

Then sneak it from hull to dock

iv

Money drives Rats in the river

Who swim faster than the fed

They earn evil gold that quivers

The green orafices of the dead

v

Money is what we are after

It’s a lie to counterfeit

We are invested by the master

As its old age benefit

vi

And yet money can play the hero

When at last the check has cleared

All them crooked numbers and zeroes

Following a faith backed sum so dear

vii

Two for one indulgence funnery

Glitter wacko-jacko clerics devour

Best to get thine child to a nunnery

Ere the Vicar’s bitcoin is empowered

Saragun Verse: It’s Like Fentanyl for Lazarus

Plan A

i

I used to be of the night

Never ate, drunk at dawn

Gods be damned, laughter so bright

Not knowing only slaves write songs

ii

Ahab’s lovely light landed on me

On summer staircases, tenement eaves

Below winter stars in wrong skies crossing

Greedy time knew nothing of me

iii

The devil clock chimed one morn’ at three

The deathnight spoke the mind of the Boar

‘Stupid girl, the master marked the cards before you were born,

Innocence is over, come now, find an oar.’

iv

No more nights of putting the wrong key in the lock

Nor philosophies over blasphemy and cigarettes

Nor scorning those who have children as a form or revenge

A strange method of payback for having been born

v

Then comes nothing, and nothing echoing more

‘T is nothing that makes only more

Of its stern self perpetual, redundant, sane

The ugly thing that happens when time remembers your name

Plan B

Re-read Plan A over a good snort of Methadone

Then snarl snarl at the dying of the light

Give your deepest weakness the finger and rise like Lazarus

People were made because the beasts won’t laugh at us

Overtime by Leila Allison

THREE O’CLOCK IN THE MORNING IS THE WITCHING HOUR. Forget midnight—too many pyre-inclined mortals are still awake and bungling about for sticks and matches at that time. No, what witches crave is a highly unpopulated hour to perform proper witchery in; an hour indistinguishable from the way things go in the grave.

Joey had begun to think of herself as a witch. Really not much else to do—not when you are awake, again, still, at 3:00 A.M. Up until the freaking three-A-of-M on the morning of June the eighth (the eighth, mind you), Joey’s knowledge of witches involved the usual school-patter about Salem, Massachusetts, The Wizard of Oz, and that old-timey staple of retro-TV, Bewitched. Joey saw something wrong with the Bewitched set up. Yeah, yeah, it’s just a show, I know, I know. But the idea of a powerful, beautiful witch getting married to become the barefoot and pregnant slave of some asshole with a face like something wonked-up by Dr. Seuss pissed her off. In her current state of being pregnant and six days past the due date for her first (and only–goddam right there, baby) child, Joey’s estimation of the male side of the human race was at an all time low; and with it being three–No! three-oh-two, in the morning (again and still) her rating of the fellas continued to plunge.

Lying there in the feeble light cast by the clock radio, she took stock of her sleeping husband, David. Unkempt and utterly defenseless, David didn’t look like he had been wonked-up by Dr. Seuss.

Instead, he resembled Shaggy, the bungling proto-dude ostensibly responsible for a dog by the name of Scooby Doo. Between Shaggy and Scooby there were maybe six good brain cells—and Scooby has most of them. Together this duo got the better of ghosts and werewolves and, yes, witches by the third station break. In the real world these individuals would be bilked for all their Scooby Snacks by online Nigerian princes. But not in TV-land—Oh, no. In TV-land men and their toadies are far more clever than witches. David was a mortal. It remained to be seen just who was more clever, now that it was the Witching Hour.

By the time the clock radio informed Joey that it was 3:04, Joey understood that she needed to complete an action of some sort that might allow her to sleep; an action that lay somewhere between prank and violence; an action that would make her current displeasure of her current situation the current number one topic in the mind of God. Forget the poor, the diseased, the unfairly persecuted–God did nothing for those people anyway, so she could have a moment under the spotlight and not fear any sort of karmic repercussion down the line. Plenty of justified complaints swirled about her over-charged brain; they swirled like waves of graveyard bats. For instance: why a clock radio? How backwards. There were at least six cells in the house that had alarm functions. Why not a rooster? Why not let one of those cox-combed menaces have run of the bedroom? Why hold on to a relic that you had from childhood? Something that his mommy probably bought for him. Go on, get a fucking rooster, let it terrorize your wife and mother of your child while you sleep away blissfully and oh so…

“KOH-zee,” Joey hissed softly. And she smiled the smile of persons who understand that the rules of logic do not apply to them. This was/is/always will be the Wiccan Way. The epiphany was given extra juice when the voice of her obstetrician, Dr. Milo Vance, spoke in her mind, in the form of a phone call that had taken place some eighteen hours previously. “Now, JoAnne,” he clucked, like a rooster (clucking is as close to mocking laughter as roosters get), “you have somehow misconstrued an estimated due date as an oral contract.”

Dr. Vance had probably added some chickenshit advice to that, but Joey couldn’t say because she had hung up on him. Then fucknut didn’t call back as she had fully expected. Required. Arrogant quack. Quacking clucking strutting mixed-up duck-rooster monster.

Joey reached down and plucked the family sized box of Lucky Charms that stood on the floor by her side of the bed. It was either it or her phone, but it was on the charger–plus it had become a bit of a bore, constantly siding with the world view of Dr. Cluck Cluck to whatever prolonged pregnancy questions she put to it. Lately Joey found amusement belittling and bemusing the Google Gemini AI for its lack of compassion. But you can only shake a cage for so long–plus the gizmo was way the hell over there, across the room. Anyway, this was an occasion in which only food would suffice.

Joey was amazed by the wonder of Lucky Charms. She had known about the stuff as long as the average person, but it was not until the last month, at the ripe age of twenty-four, that the awesome splendor of Lucky Charms opened for her. Being a lady of refined and ever-changing tastes, Joey had developed a gourmet’s knowledge of Lucky Charms over the course of the past month. The brown filler, which resembled horse chow, was good enough to cleanse the palate; it allowed the complex subtleties issued by no less than two hundred or so calcified charms to mince at the tip of her tongue.

Except for the stars…Joey wouldn’t rather eat a steaming pile of dogcrap than one of those grimy orange stars, but that didn’t mean they were far off from a similar estimation.

“Jesus Christ, Jo, why won’t you eat the stars? Isn’t all that stuff made from the same shit?”

Even in the darkness, only slightly aided by the glowing numbers of the clock radio, Joey was able to remove the stars, mainly by feel. By 3:23 a little pile was building near her water bottle, which stood beside the glowing clock radio on the nightstand–if six and one misread moon constitutes a little pile.

She reran David’s statement about the stars in her mind. She added a merry little light in his eyes and an insulting tilt of his head to the rerun, a tilt like that of his ever incredulous Mommy.

She struggled up onto her elbows and gazed at him with extreme virulence. “Because they taste funny, fucker. How dare you and your mummy think, I, your wife, and mother of your child, mind you, double dare say the stars are good enough for me.” These words seethed across low and quickly. Temporarily sated, Joey opened the water bottle and took a drink. Inspiration struck. She then poured a little in the bottle’s cap (again by feel and by the glow of the clock which now read 3:27). Joey dipped the stars (and ate the misidentified moon) in the cap and stuck them to the side of David’s neck, good and firm. The concept was to create a star for him to see upon waking. But to do that she would require far more materials, at least nine.

Then it happened. Precisely at the click of 3:28 it became evident that whatever Angel or Demon in charge of JoAnne Carter flipped a switch and the birth machine kicked on all at once. Water broke, contractions began and Joey rammed her thumb (a time honored attention getter for a girl who grew up with four brothers) into David’s armpit and yelled “Up Fucker!!! Now Now Now!!!” directly into his ear.

*****

A Brief Intrusion by the Author

As it should be the case in all fictional stories in which a baby is born, it went perfectly and there were no complications and the child, a girl (name her whatever you like), entered the world just before dawn on 8 June of whatever year you would like it to be (as long as you understand that cell phones and Lucky Charms must exist at that time–unless you want to go to the trouble of inventing a parallel universe for those to be around in the 1920’s–your call. Seems like needless work to me, but as staged, your call).

This tale is based on actual events that occurred in 1986 and it pleases the writer that all three parties are still about in the world and none have ever gone to prison or run for political office, which is always a good thing to know. Yes, it has taken nearly forty years for it to get this far. It predates cell phones that came along, as well as Wikipedia. But Lucky Charms have always been the soul of it.

Therefore this tale is one of the oldest in the Leila Allison canon, actually the Irene Allison collection–or should I say half story because I, Leila and Irene, have never discovered a decent way to end it. But now that forty years have passed (or will this June–the actual date where most all else is fabrication–except the Lucky Charms, which did happen), I, Leila, feel a strong need to complete Overtime and release it from its almost eternal mooring in the boatyard of my mind.

For an ending, I could baffle the readers with bullshit. Do you know that a “hidden key” could be summoned in the charms with the addition of milk in 2005 (when the tale was a callow nineteen)? It’s all right, do not curse your ignorance, few people know about it. It preceded the arrival of the hourglass charm in 2008 (remember the Year of Change, Americans? Overtime turned twenty-two that year. Again it is all right if you do not because that was political jargon which has the shelf life of Mayfly shit and should not be taken seriously). 2008 was also the year that the creepy looking cartoon Leprechaun’s name was changed from “Lucky” to “Emerald Elder.” The only thing interesting about the change is that someone was actually paid to come up with the name, which, perhaps for me only, is the most pedo-sounding name since Wacko Jacko and/or Rupert Murdoch.

Sigh, as you plainly see, thinking up an end for Overtime has been a challenge. So I have dusted off the original closing and now present it to you, the Patient Reader.

The Ending

As you already know,everything went well at the hospital. Sometime after sunrise, Joey gave birth to a hella-noisy little girl named Susan Marie (You still may call her what you want, but Joey chose Susan Marie. The first for Joey’s mother, the middle for David’s mummy, who noticed the rank but couldn’t really say shit about it without coming off like a bitch–which was Joey’s intent, also figured out at three in the morning).

Sadly, David missed the delivery because he needed three stitches sewn into his head on account of his recklessly nailing it on the clock radio after he had “dreamed” that someone had shouted “Up Fucker!!! Now Now Now!!!” into his ear. It should be stated that everything went well except for David banging his head during the hectic moments after the said Angel/Demon had flipped the switch. But considering he had little to do with the physical part of the pregnancy after conception, he was wise enough not to bring up the subject for twenty years, and at that time he quickly dropped it remembering that the possession of an occasionally leaky memory was one of the key aspects of a lengthy, if not entirely happy, marriage.

Eventually, the newly minted family of three got together for the first time. This happened in Joey’s room, which she had to herself because of Susan Marie, whose deafening howling power matched that of a possessed leaf blower. She was perfectly healthy, just someone who enjoyed self expression early and often. Normally hospitals treat and street mothers ASAP, but in a rare bit of genius David had paid for a two day stay ahead of time. Motivations for acts of genius are often cast under the light of suspicion, as do their sudden appearance in literature. The best thing to do there is “go with it.”

“Does your head hurt much, darling?’

David almost answered honestly but he was (and remains) always smarter than he looked.

“Ummmm, no,” he said.

Susan Marie gave up the howl and gave both her parents a knowing glance over, even though science says such is impossible for children her age.

“She seems to be sizing us up,” David said. He extended his index finger toward Susan Marie’s hand, which she grasped and held onto.

“I swear she’s smiling Jo–can they do that this early?”

Joey laughed. “She’s a Daddy’s girl,” she said. And she was very happy to know it because right then and there it was clear just who would be bringing th bottle at the Witching Hour.

(This Saragun piece will appear at 3 A.M. Pacific Time, USA, to honor matronly Witches)

Leila Allison

Farewell January, Hello February: Or, Meet the New Boss, yadda yadda yadda. And Happy Birthday Klaus Nomi, You Are Missed

(The image is a wish for an early spring taken by Leila. It is a Pacific Madrone tree, they lean and reach and do all sorts of odd things)

Greetings one and all. Today marks the end of the first complete month of Saragun Springs as a public site. Although there can be month anniversaries for public toilets, if so desired, I prefer thinking we are way above such a pay grade and are not a place for deviants to cottage at.

We are increasing our presence in listings but such things require patience and time. One thing is for certain, there will be no stress during times when submissions are low. I have over two hundred files I can present and Dale is also well stocked. I would rather not write day to day, but I will if I must.

Why? You may ask. Good question. No real answer except for the arrogant Murican standby “That’s how I roll.” The only guarantee I can give the reader is the promise that something will zap into this site the same time every night and day in this round time machine we inhabit.

But mainly I am still naive enough to believe that hard work aimed at helping is rewarded. So I guess that’s as good a why I can offer.

I also want to make every post interesting in some way. Of course the weight falls on the guest writer of the day or my esteemed Co-Editor Dr. Dale Williams Barrigar (who already deftly commands Sundays) for that on most days–yet today it is my turn to entertain.

‘T is not sin to raid YouTube for memorable entertainment. And today I believe I am about to present a person who has never been completely in the limelight, yet deserves much better than what he got.

I have chosen the aid of a great artist who almost broke through and would have if AIDS hadn’t murdered him in 1983. A fellow who would have turned 83 earlier this month, but was, tragically an early victim of the AIDS.

His name was Klaus Nomi, an operatic/punk/pop singer who had a great streak of art and absurdity, which he delivered with world class talent. I first saw him in a music documentary that came out shortly before his death at the age of thirty-nine. I was twenty-three and not yet mature enough to recognize his wit and reacted in a “What the hell is that?” way that I regret–but also am pleased to understand that I grew out of that ugsome “phase” if not a tad later than I should have.

Before I present Mr Nomi, who will sing two songs, I encourage one and all to submit to us. And I also encourage one and all to remember that their names will be attached to it in big black letters. A cautionary thing just in case anyone feels that Saragun Springs will absorb any more than our fair share of heat.

And, now, The Great Klaus Nomi

Leila

And….

Fang and Rags Wish You Merry Christmas

It should be a hanging offense to publish childhood pet memories at Christmastime.

If put to a vote I would surely cast an aye. But that only goes for the unforgivable Marley and Me type of things that some people need to both publish and read for no other discernable purpose than to ruin Kleenex and cause an overall state of weepy depression.

Perhaps disregarding sensible behavior, today I salute Fang and Rags, a canine tag team who took peculiar joy in destruction, which they routinely avoided punishment for by batting their brown eyes and sharing the innocent facial expressions (as seen in the photograph taken on a Polaroid land camera circa 1972 or 73). Fang is the brown Dachsund-Poltergeist mix, Rags the brief white ball of fluff. They both enjoyed long, spoiled lives from 1969 to 1986.

Every year, even in dotage, Fang attacked the Christmas Tree at least once, while Rags, usually more of a loud enabler than a man of action, rooted him on. It was both a source of vexation and even amusement (the smiles, however, seldom arrived before February). Nobody knew why it happened, nor did anyone bother to ask. Fang was amazingly powerful, Mighty Mouse like, and he often felt obliged to display his physical prowess, while yippy-yappy Rags had more of a role similar to that of a “Wrestling Manager.” (I have mentioned the boys’ brand of hooliganism in previous years, in other places, but it continues to remain worth remembering.)

So, to all whose trees are being toppled, packages urinated on and who exist in a constant state of unease, please remember to hold your temper and realize that you are experiencing your The Good Old Days.

Enjoy.

Merry Christmas from Fang and Rags, ever eternal at Saragun Springs.

Leila

Oh, and here is one of the boys’ favorite Christmas songs:

Amelia in Waiting

(Note: This really is an oldie. First written when Bill and Monica were an ugsome item in the White House, it has seen many changes over the years. I had high, high hopes for this once; it felt like it could have been something more, but never quite made it. I learned things are what they are destined to be–Leila)

The cataract sky saw not, yet watched; the wind moved not, yet listened; God spoke not, yet instructed. The day simply was and would be until the last mind summoned the strength to stop thinking about it. A low slung blotch of scuzzy radiance, which Amy assumed was the sun, slouched west within the ashes.

Amy gazed out the living room window. Only a double thickness of glass lay between her lungs and the poisons of an imagined alien atmosphere.

The cul-de-sac that had always been Amy’s home lay beneath the depthless sky. All around the remnants of happier times rotted like the crabapples that not even the crows would eat: Cheerful summer barbecue grills tucked under blue tarps held in place by cinder blocks; formerly lush and profuse gardens, now forlorn mudholes; abandoned toys sporting mossy growths, and what had gone unraked of the fiercely luminescent October leaves lay bunched in the gutters and storm drains.

Even at just sixteen, Amy knew this time of year well. It was the annual “Pause” that came over the well-fed cul-de-sac between the termination of Halloween festivities and the agreed upon going up of the Christmas lights on the Sunday of the Thanksgiving weekend. There was something affected and childish and selfish about this collective mood; something which Amy and her like-minded friends cleverly disparaged. With just enough education in their heads to make them annoying, the kids had wonked-up several alliterative titles for the event: The Morbid Malaise and the Enormous Ennui had been Amy’s contributions to that year’s gathering at the Round Table—but, alas, the others had favored the lowest common denominatorish, Poopy Pout.

The grandfather clock lashed four tones. This startled Amy out of her thoughts. Each chime had landed on her soul. Until that moment the grandfather clock had always been a benign friend that had never behaved rudely. Something about this feeling made Amy feel like a stranger in her own home.

She had purposely left the house still upon her arrival. Under normal circumstances, Amy felt ill at ease in places where darkness, silence and contemplation were the chief components. She had even gone to the extreme measure of turning off her cell—which, for Amy, was tantamount to plucking out an eye.

With a reluctant sigh, Amy performed her one and only chore; an action that she could be relied on doing about three times in five: she flipped the porch light on for her parents, who’d be home from work within the hour.

Amy’s bedroom lay adjacent to the living room and faced the cul-de-sac. Unlike the rest of the tidily kept house, her room was a disorganized mess which resembled an open archeological dig over-topped by a pop culture village. It was a mixture of the distant past and the oh-so-now. Here and there were fissures in the debris field that allowed forgotten toys and games from Amy’s deeper childhood to emerge like trilobites for the picking. Items such as realistically dead virtual pets and dogeared Pokemon cards lay intermingled with current issues of celebrity scandal sheets and the spent husks of no less than six cellulars—Oh, and there was a weird, fruity smell in the room too. Amy had theorized that the odor was caused by a known perfume spill interacting with the upending of an older fragrance. Theorizing on the subject was as close to doing something about it as she got.

The splay of the room was simple enough: bed, desk and stuff. The first two were constants, the third was ever-changing. Atop the various variables which are important to a young lady of Amy’s social status and economic circumstances, lay a smattering of pamphlets. She had gotten those that very afternoon. Amy had hurled the pamphlets at her room when she got home in vain hope that the accumulated ghosts of her childhood might do something about them. No such luck. In the feeble light cast by the perpetual gloaming, Folic Acid And You (a way too happy-clappy missive which extolled the virtues of the gross bean family) stood out like a missionary who had entered the jungle with a cross in one hand and a rifle in the other.

“No, no, no,” Amy hissed as she performed a backwards dive onto her bed. This was an ancient action of hers which sometimes toppled perfume bottles, and had recently earned her three stitches in her left elbow because Amy had forgotten about the (alleged) coffin nails Ty had given her on their first date. Amy had heard that some guys bring flowers and/or candy along for that sort of thing; but, alas, Amy was attracted to guys who saw the upside in gifting (alleged) coffin nails.

There was a row of school pictures starring, naturally, Amy, hanging below the crown molding in Amy’s room. The queue of ten portraits ran left to right and ranged from the first grade to Amy’s sophomore year in high school. Daddy had hung the first seven or eight, but toward the end of his conscription Daddy had cracked-clever forty times too many about the possibility of quicksand that she had to drop him from the portrait hanging team.

Lying in the gloom, Amy took stock of the Ghosts of Amy’s Past. Outside business transacted with the Tooth Fairy, Amys One through Three were basically the same person; slightly round in the cheek and grinning shyly, each of Amy’s earliest incarnations had bobbed bone-blond hair and had been installed in a jumper that had been designed to be girly and rugged at the same time. Four had a touch less fat in her cheeks and her hair had begun the long process of extracting what’s right about red from the sun and including such in its sheen; these trends progressed further in the faces of Five and Six.

To be frank, Six had been the final Amy to show her portrait taker a scintilla of respect. Six was the last Amy to grin shyly for the lens. Seven had concocted a goofy, off-kilter grin that suggested that she might have been high on something (which hadn’t been the case). And Eight, well she just flat out sneered at the camera. Amy recalled the photographer asking Eight if she really wanted to come off that way, and she also remembered him shrugging in a Okay-kid-I-don’t-give-a-shit way when Eight had replied, “Oh, yes indeedy.”

Nine had been high on something. A member of Amy’s coven had relieved her mother’s purse of excess Vicodin that Picture Day. Glassy-eyed and neither grinning nor sneering, Nine was the least there in the queue.

Something had gone wrong with Ten. Only Amy was aware of the problem. No one else looked beyond Ten’s neon pink hair or the mascara and foundation that had been laid on with a trowel (now, no one is suggesting that girls who look this way aren’t what they should be). No, what had gone wrong with Ten lay scattered throughout her face like a sky composed of cremated bones.

She shuffled herself up onto her elbows to get a better look at Ten. Unlike Seven through Nine, the expression on Ten’s face was honest (even snarly Eight had shone a little light in her eyes that told that she wasn’t as put out as she pretended to be). Yet there was a ruthlessness emanating from Ten which Amy couldn’t understand; an incipient hardness that had no business being in the face of a cul-de-sac kid. Nothing out of the ordinary had happened that Picture Day, but for the life of her Amy couldn’t remember the actual taking of her portrait—which was odd, for Amy never forgot anything about her life. Some persons are that way, you know; some persons who fail at turning a porch light on  twice in five can be the same kind of person who has total recall in regards to where they were, what they had worn and who said what about whom on a meaningless day that had come and gone so many ends of the world ago.

When Amy was four, she had stolen a cranberry off the table at the grocery store. She recalled expecting a flavor similar to the sugary concoction that came out of the can, and was unpleasantly surprised by a ferocious bitterness. This had happened on a Tuesday afternoon, right after preschool.

When she was seven, an ambulance came to take Amy’s former next-door neighbor, Mrs. Carlyle, away from the cul-de-sac for good. Until that July 23rd, a Thursday, Mrs. Carlyle had been a friendly pest who punctuated her every observation with a tittering laugh. Though Mom had tried to keep Amy from gawking at Mrs. Carlyle as the old lady lay on a gurney, it had been too late: Amy had seen the feverish, insane mania in Mrs. Carlyle’s face as well as getting a clear look at the horrible sores that covered her hellishly white fishbelly thighs. And there had been that wonderful, magical October Sunday morning, two years back, when a blanket of ground fog suddenly contained the head of a deer poking up like a submarine’s periscope at the treeline behind the cul-de-sac.

A voice spoke up from the mists of Amy’s mind as she lay in the increasing darkness. This voice was composed of the worst things in life. This voice had its own weird, fruity imagined smell; a breath which wasn’t the mingling of divergent off-brand perfumes forming a third, uneasy scent, but was the decaying stench given off by a car killed pet. The timbre of the voice matched the dusty click made by sun-broiled Scotch broom pods. And this voice gave birth to unwholesome visions such as “green-rimmed fiery pustules forming on fishbelly thighs” (that was written by Amy in her second discarded attempt at a diary, not by her author). Amy thought this the voice of Ten.

“You can still beg for a do-over,” Ten said. “It’ll be like the story you didn’t get in Lit class: ‘they let the air in.’”

There was something beguiling about Ten’s suggestion. Something practical. But the more Amy turned it over in her mind, the more she found herself thinking cold, reptilian thoughts; thoughts Amy equated with the suicide of the soul.

The grandfather clock spat out the half. A ghostly pattern cast by a set of headlights formed on the bedroom wall and slid away.

Amy rose off the bed and went to the full length mirror which was attached to her bedroom door. She stood sideways and ran her hands from her shoulders to her hips. She then laid her hands on her flat belly. An expression of horror formed in her eyes; it stood out like a flame in the twilight.

“No,” Amy said breathlessly. “No. The air is poison.”

A Christmas Rerun: Merry Christmas, Charleston Claws

This one has appeared around the Noel twice–originally on Literally Stories and last year on this site.

Far be in from me to prevent a possible tradition from setting in. Stranger stuff has happened. Not in bunches, but some.

There are famous fictional Cat names in this: Rhubarb, Toonces. Most of the others are named after demons, including “Amy” (no fooling). May all the roving fiends discover kindness, not just during the holidays but throughout their hectic lives.

Leila

Merry Christmas, Charleston Claws

Calling the Garden of Contempt

Just yesterday I realized there was not a post scheduled for this day in final semi-private month of Saragun Springs.

That will not do.

But I cannot move myself to bash around the rerun cabinet, just yet. That feels lazy, and the gods have a way of punishing lazy people by extending the “to do” list. It is a common and annoying punishment that I am tired of experiencing. So, I will add something new.

When seeking something new, the time honored and much revered concept of “Complaining” usually runs to the front of my mind. Oh, my head is a rich field of complaints. Vexations everywhere. Recently there was yet another ugsome development in the Rock and Roll Hall of Fame Complaint Field in my mind.

You see, Chubby Checker was just voted in. I personally have nothing against Chubby, I admire someone who can make a good living off one song that he did not write nor even recorded first. That takes perseverance and a lot more than luck. And I must congratulate him on appearing at least once in my memory, in every year I have been alive, which, sigh, is getting to be an ungainly sum. For me, you cannot have The Peppermint Twist without Chubby Checker.

Still, I have always been under the impression that a Hall of Fame is for the very best. That such exists to extol the greatest in a field. A place in which the difference between Great and good is clearly marked. The Beatles and Ray Charles are in the Rock and Roll Hall of Fame and damn well deserve it. But the addition of Chubby tells me there are people out there, people in charge of safeguarding the excellence of music history, who believe that Chubby Checker is of the same grade as, say, Nobel laureate Bob Dylan.

You have got to be kidding.

Chubby had been pissing and moaning about his exclusion for a number of years. I will not blame him for that, no doubt he is reasonably involved with the fame level of Chubby Checker. But I cannot help but think that he got in because the Hall got tired of his whining about it. Like Cher (who for me is better qualified than Chubby but hardly compares in quality to someone like Etta James), who bitched loudly saying she’d never accept, but who did not let the ink dry on her invitation when asked.

The Moral: You Can Complain Yourself Into the Rock and Roll Hall of Fame.

Maybe the tactic will swell the hall to include the 1910 Fruitgum Company. Or, how about, Bobby “Boris” Pickett, Sam the Sham and the Pharaohs, ? and the Mysterians?

Anyway, I do not believe that any Hall of Fame should adopt the Participation Trophy standard.

Ah, here we are at the point where this is long enough to be a post.

Thank you again Garden of Contempt!

Leila

Saragun Verse: Ode to the Bought and Sold

Such a pettifog, he

Scheming and placating,

Somehow forgetting the gods

Who foreclose on borrowed truth

Such an obsequity, she

Parroting upstairs melodies

Forgetting there are no loopholes

For heads tucked in the noose

It begins as sweet stuff

Everyone on the line

Everyone plenty good enough

Graham crackers and story time

Dreams on wind dried sheets

Stories with morals to be learned

Yet the cash machine must collect

Between the crib and the urn

Such a cynic, me

Listing and berating

Laughter without smiles

And when my phone rings

It kills without style