Music: Chapter Two

I half-seriously considered boosting the copy of the Beatles’ White Album I gave Tess on her tenth birthday. I didn’t care who made it; I didn’t care if it was a double record–Seven bucks for a four-year-old album was bullshit. I figured I could easily outrun the burly young clerk who looked like the only person working in The House of Values crazy enough to give chase. For if I did make the move, it would certainly come to that. Getting away unnoticed with an album was almost as dumb as trying to conceal a basketball under your sweater. But a little voice inside told me that it was bad luck to steal a birthday present when you have the money. So, I wound up buying the goddamn thing, but I did hook a Rocky Road bar at the register so I wouldn’t go away feeling like a complete chump.

Still, I walked home slightly unhappy about the situation. A new Speck had taken over the Elmo drops and he stayed until the dirty old bastard answered the bell. The loss of our source ended the picture business, which was probably for the best because one boy got pinched holding an especially vile group sex thing. If he had squealed the money his parents had laid out for braces would have been wasted. But he kept his mouth shut about us and said he found it lying in the street. It was a miracle we never got busted.

The seven dollars took a big bite out of my half of the savings we had stashed at Fort Oxenfree. But I got over it and planned to inform Tess that a shitty little school art project would no longer cut it come my birthday in November. Ironically, that was around the time in her brief life she’d begun to sketch and paint items that continue to sell for sums unimaginable during the era of Fort O. When she began the transformation from a camera to a prism. It’s a shame that money measures the beauty in things.

Charleston has changed little over the years. Although the House of Values bit it long ago, a Wal Mart sprouted in its lot like an atavistic wart sometime in the nineties. Unless replaced by yet another Shipyard parking garage, when a local business goes under it is replaced by a chainstore version of the same stripe. Except for the taverns. The ones that went under became parking garages. There once was a run of fifteen little dives in a six block radius downtown. Today there are three. All are “Sports Pubs,” which is the sort of shitty deal you get when the corner bar is gentrified out of its soul by hipster doofuses who like to pretend they are European bohemians. Rich fucks slumming.

It was exactly nine blocks from the House of Values to our apartment. Six north, three west. Maybe a ten minute walk. But Tess and I took the distance in far less time because, being kids, we had figured out as direct an A to B diagonal route possible through the yards and alleys. Which is precisely what I did after I’d bought the White Album.

I’ve never learned how to ride a bike. Tess had a bike, well sort of; it was a rusty third-hander, the type of thing you didn’t care if it got stolen. She had won it from the Church for memorizing verses during the Jesus phase. I felt bikes were a waste of time. The hilly topography of Charleston resulted in either a lot of pushing uphill or suicidal plunges down–you couldn’t go two blocks without running into a hill. But I excelled at running, hopping fences and trimming distances, and I had a mail man’s awareness of unfriendly dogs.

“Hey,” a slightly familiar voice called from behind as I cut behind a duplex whose yard was free of dog turds, which was a good sign.

I glanced back and recognized Lydia the Jehovah’s Witness. Her last name was Simmons, but we referred to her as Lydia the Jehovah’s Witness. She was a classmate of mine and the only kid in school my height. Lydia was standing in the doorway on the back porch, slightly obscured in shadows; and although she looked different from what she did at school, it was still clearly Lydia the Jehovah’s Witness. She was a loner. I had known her since second grade and the only time we had anything that resembled a conversation was the previous December–and that went strangely. Not a fight; not much of anything at all, yet enough for Lydia to often be near the surface of my mind.

“I didn’t know you lived here,” I said, slowing, but still in motion. It was April, and although the weather was calm for the moment I could tell that another brief spring tantrum was about to blow in off Philo Bay and I figured I’d better hurry. Yet I felt an odd little hitch in my stomach when I saw her; alien yet at the same time something I almost recognized.

“We just moved in, from up the street,” she said. “My mother doesn’t want people cutting through. She’s going to plant a garden.”

I swiftly took the fence, taking care to not bend the album, and turned to face her. “Oughta go to the pound and get a big ol’ retard of a dog. With rabies, if you can swing it. That’ll keep me out.”

She had followed me to the fence. A thin crooked smile insinuated in her face. She had intelligent pale eyes that did not work as well as they looked. She’d always worn a pair of goony kitty cat glasses, but not at that moment. Along with the specs, you always saw her dressed like an old woman with her nondescript hair tied back in a bun. Everyone figured Lydia looked like that because that’s what the Jehovah’s Witnesses wanted; she had no siblings for us to compare her to, so that was the consensus. She was wearing an old fashioned frock, but her hair was loose and long, and was relaxed enough to reflect brown. It was as though I’d interrupted the removal of her Lydia the Jehovah’s Witness costume, and that a real person lay beneath it all. I even saw a run of hitherto unknown freckles on the bridge of her nose that her glasses normally concealed.

“We have a weenie dog, Roscoe. But he’s sleeping now,” she said quietly, humor in her voice, the little crooked smile holding ready. She shifted her eyes left and right without moving her head, save for a tiniest between you and me nod, “I trained him to go for the Achilles–that’s the back of the heel, if you don’t know. Consider yourself warned.”

I wanted to wisecrack something back, something fancy and smart, up to the standard she was flying at, much higher than what you normally get from girls our age. Then something came to mind at the point I almost gave up. I laughed and said, “You look different without glasses –didn’t know Jehovah’s Witnesses were allowed to have freckles–say hi to Roscoe for me.” And I ran away, clutching Tess’s present close.

I was blushing. I had never blushed before. It felt like coming down with something.

Music: Chapter One by Leila Allison

(This Week is the Second Book of Sarah and Tess)

Music

Toward her end, Mom didn’t always get enough oxygen to her brain to support a personality. Some doctors blamed it on alcoholic dementia, others figured it was caused by a series of small strokes she had suffered beginning in her early seventies. I do not know enough about medicine to form a dissenting opinion based on science, but I knew Mom as well as anyone ever could, and her so-called dementia was an in and out thing like tides. Her vacuity usually came in when it was convenient to have it and went out when we were alone. I’m not saying that Mom always faked it because there were times when attempting to have a conversation with her was the same as talking to an infant or a dog–not even Mom was that good an actress–but I am certain she was not always as sick as she’d have other people believe.

I admired Mom, if nothing else. She lived her life as though it were a practical joke on the world; her own form of revenge for having been born.

Two weeks prior to Mom’s death from renal failure at what I thought was age seventy-eight, but apparently two years younger, she had traced back to two weeks into her hectic life, as it had been told to her by one of the few nuns she had respected at St. James. The preceding paragraph was culled from hours of Mom’s mumbling whilst on the morphine drip, but as it goes with world class liars like Mom, when they tell the truth you know it.

There was a note pinned to a blanket which contained a sleeping infant girl found by a priest inside St. James Catholic Church at Victoria, B.C. on 1 July 1943. According to the note the baby’s name was Karen Patricia (the surname was not provided). She’d been born on 17 June. The note explained that the alcoholic father had long vanished and that after “two weeks of the blues” the writer of the note (assumed to be the baby’s mother) had decided that either the child or she had to go over nearby Steel Bridge, she had decided that suicide was the better way to go. The RMCP was summoned and the body of a young woman was found lying in the dry gulch a hundred feet below the bridge. An autopsy revealed that she had recently given birth. An investigation, which involved a lot of local door knocking, revealed that the woman’s name was Susan Jones–nineteen, who would have been evicted for non-payment at the boarding house she had been staying at if not for the baby. “Jones” was thought to be as bogus as the dimestore ring the woman had passed off as her wedding band, and further searches of nearby hospital records yielded no further useful information, for all the recent mothers listed were still very much alive and kicking and in possession of their equally lively offspring.

She never explained (or didn’t remember why) she had emigrated to the United States from Canada In 1955. She was raised a ward of the church and was transferred from one Catholic orphanage in Victoria to another in Seattle, from which she ran away regularly and for keeps two years later. Soon after her escape, Mom added two years to her age and changed the spelling of her name to “Kaaren”–after an actress of the same name. She also changed Patricia to Hester (in honor of that one Canadian nun she liked) and Jones to Nelson, which was the surname of what’s now called an “enabler”–someone named “Marie,” whom Mom had met on the outside. Mom said Marie pretended to be her aunt, but never gave me the why or how of it–though she once claimed that Marie had been a girlfriend of her father’s–but that had to be a lie because she’d never learned his name.

Regardless, sixteen-year-old Karen Patricia Jones vanished permanently when eighteen-year-old Kaaren Hester Nelson married our father, Delroy Spahr, on 10 July 1959, four months before I was born. He was in the Navy and I’m guessing that having an obviously pregnant fiance aided in gaining Mom a new green card, identification that further cemented her fictions and a social security number. Apparently the Catholics were not queried, nor did they seem to be searching for Mom. I might have questioned the entire scenario if I hadn’t found her “lost” original green card hidden in the false bottom of a jewel box she had held onto for God knows how long, shortly after her death. Sure enough it belonged to a smiling twelve-year old girl named Karen Patricia Jones. And it was easy to tell that it was indeed her. Anybody else would have destroyed that bit of evidence, but I can just see Mom removing it and gloating over her deception late at night.

Mom was very pretty. Small and thin almost to the degree of lacking enough mass to cast a three-dimensional shape, but she was still most definitely a girl, and men liked her. She and I both had dark hair, brown eyes and high cheekbones. We looked very much alike for years, until I got too tall and jangly to pull off delicacies, like a guy.

And for whatever reason that beat look most people who spend their lives in poverty acquire (our Anna Lou and, to a lesser extent, Nora were prime examples of that) never stuck to Mom. Mainly it was due to her having uncommonly great teeth–which was extremely rare in our society. Years down the road smoking did create lines around her lips, like crazing in old pottery–yet the downtrodden eyes, slurred voice, obsequities to small powers and drag in the step never found her.

She had many talents, but being a parent wasn’t one of them. I might have liked her if she wasn’t my mother.

End Chapter One

Saragun Springs Presents The Drifter

(Image provided by the Drifter)

Seven Virtues of Studying the Great

“Goodness can be found sometimes in the middle of hell.”

– Charles Bukowski

This Sunday in honor of the American holiday weekend, The Drifter is offering a brief take on a vast topic. These are the opinions of The Drifter and perhaps are not set in stone; but at the same time, none of these suggestions originated with The Drifter himself. They drifted into his mind and through his keyboard via many other figures of the past who are smarter than The Drifter.

Thus, all who read this should know that The Drifter does take responsibility for this, but at the same time he’s doing nothing other than channeling the wisdom of the ages in the form of a brand-new vessel. Very little (or none) of this can be argued with in any rational way. All of it will peak your interest if you are interested in the creative arts AND/OR in the creative living of life (or both).

Now to the list. Seven is chosen because seven is a chosen number. There is a second list at the end which helps explain what The Drifter means by “the great.” Skip down to there if you wish to and come back to this afterward.

Seven virtues of studying the great:

One: You will learn how to do what you need to.

Two: You will come to understand how much it takes.

Three: Your own pain will be eased even as you come to a greater understanding of the eternal truth that “pain is the name of the game.”

Four: You will see how fun the game can be through the eyes of others who are related to you because they are also humans.

Five: When your enthusiasm wanes because of your energy levels (until it comes back again) you can lean on them.

Six: Not studying anyone will very surely and very shortly turn you into a kind of (unhealthy) human vegetable and one should always study the great first because they deserve it. They deserve it because they tried harder than the vast majority of the population (even while “not trying” like Buk said to).

Seven: What could be more worthy of our human study here on Planet Earth than the human and all it entails? (which in my case involves Siberian Husky and Pit Bull spirit dogs; look around you for your own spirit things because they are there).

List Number Two.

The following list is an example of what The Drifter means by “the great.”

In honor of the future-classic, cutting-edge short stories of Irene Leila Allison, the list is comprised of twenty American short story writers.

These are all Americans because I’m writing this on THE FOURTH OF JULY, 2025, A.D., and because I happen to be an American myself, straight from the heart of the heart of the country, as William Gass called it.

All of these short story writers are what is sometimes referred to as “passed on.” At other times referred to as “no longer among the living.”

These people still live. IF nowhere else (which I doubt) than among the literary immortals in the spirit world of the American pantheon.

Washington Irving.

Edgar Allan Poe.

O. Henry.

Shirley Jackson.

Eudora Welty.

Richard Wright.

Ralph Ellison.

Katherine Anne Porter.

Kate Chopin.

Flannery O’Connor.

Langston Hughes.

N. Scott Momaday.

Ernest Hemingway.

William Faulkner.

F. Scott Fitzgerald.

John Cheever.

Raymond Carver.

Barry Hannah.

Larry Brown.

William Gay.

“The Drifter” will return next Sunday with seven more philosophical reflections on the Arts or one more narrative exploration of an artist’s life based on personal experience. Thanks for putting up with this.

Solitude Equals Freedom by Dale Williams Barrigar

(image provided by DWB)

Solitude Equals Freedom

Harold Bloom, my spiritual mentor (if I had to choose, at gun point, just one, other than Jesus), rightly opined, over and over and over again (in the good way), that an American never feels free unless she or he is alone. Daniel Boone, Davy Crockett, and Johnny Appleseed all agreed with him; as did Chief Joseph, Crazy Horse, and Geronimo.

The following poem, about my beloved Christina, is the result of that unnerving, wonderful, and true formulation.

Fleeing with the Geese

“Sometimes she is a child within mine arms…” – Dante Gabriel Rossetti

Tedium alternating with

Ecstatic balloonings which

Collapse

So suddenly

Equals this

Teenaged life

(for a few more months)

Of mine…

But then again

There comes

A sudden feeling, seeing

These geese exploding with power in their

Winged

Freeness

Like Bucephalus

The young war horse

Terrified

Of his own

Shadow in Plutarch

Until

Alexander

Understands

Him and now he’s

Becoming fearless

Over cottonwood

Trees

And power lines

Of the Ragged Prairie

Land

In the ghosts

Of the geese.

The UFO

Filled with marvelous mystery

Monsters

Is

Coming down

Now

And the

Mastodon Bone Museum

Is unleashing its feverish

Dancing

Creatures

And there’s

One bar

Open

On the edge

Of the

Railroad tracks in this

Dying American town!

And I’ll

Be back

On the highways and

Byways tomorrow,

She intoned,

At the end

Of the

Summer,

In 1991, to

Her Homeric

Soul,

Her heart

Humming,

Her hair blown

So wild

And so free,

Shaking the dust

Off her feet, in

America

ALONE.

Dale Williams Barrigar is an American artist who loves to be alone.

Self Doubt by Dale Williams Barrigar

(image provided by DWB)

Self Doubt

If you don’t question yourself from time to time, or even frequently, even the things you love best, it can rightly be said of you by anyone who wishes to – that you’re an idiot. Not the saintly idiot variety that Dostoevsky so convincingly portrays in his fascinating novel The Idiot; but the kind whose personality is lacking in somehow massive ways; the kind with blinders on who thinks they know it all and has got it right about everything in this endlessly confusing, mysterious world.

None other than Socrates himself, probably the second or third smartest human who ever lived (if such things can be calculated that way, which they cannot, necessarily), after Jesus, and along with Buddha (and a few others who can match them), repeatedly pointed out that the smartest among the smart know first what it is that they don’t know.

I’ve seen too many bored and boring, gossiping, chattering, small-talking busybodies in this world who think they know it all so that I have to agree with him.

Dr. Kay Redfield Jamison, in her riveting, genius book Touched with Fire: Manic-Depressive Illness and the Artistic Temperament (devour it immediately if you haven’t already; the chapter on Lord Byron alone will blow you away if you’re awake) describes how the depressive side of the artist leads to the necessary self-critical moods that lead to artistic shaping of the highest variety. So: it’s all worth it: for the artist, anyway.

Christina, in the following poem, is lost in a low mood, a very, very low mood.

In the final poem of this series (scheduled to appear tomorrow), she gets out of it alive.

Alone

“…the better fortitude / Of patience and heroic martyrdom / Unsung.”

– John Milton

Gas gauge

Nearing empty

Now

And earlier

She pulled over and wrote

In kind, gentle

Violent

Desperation.

All the mileage and the empty

Credit cards. Maps, colors and lines,

Colors and lines, blurring

What’s left

Of my mind.

Roadside diners. Coffee cups. Rest stops.

Gas stations. More coffee stops. Pep pills, a downer from

Back home in Chicago. Throbbing Bob

Marley music. Bob Dylan – Street Legal. Hiding

Rasta baggies from charming

State troopers. And I’m lonely now

And I’m

Alone…

And she realized,

I’ve eaten almost nothing

But nut-containing candy

Bars washed down with water

Or tea three whole days!

In search of

These things

I don’t even know

About.

I’ve got

Blisters on my fingers from

Too many pencils and papers,

Eyes weary, and bleary, from

Reading, looking, seeing or driving

And I’ve been on the road now

I don’t know

How many days

And how many

Ways.

The end

Will come when

It will come

(Or should I hurry

It)

But it’s

Giving me the

Creeps now

(And my skin

Is crawling like

With mean, nasty

Bugs)

And I’m

Wondering

Seriously

If all this aloneness

Can be

Good for

My soul.

Dr. Dale W. Barrigar has suffered so many crushing, brutal depressions that he’s often considered throwing in the towel and leaping off the Mackinac Bridge, in honor of John Berryman and Hart Crane, but he’s always resisted – and always will resist (unless somebody pushes him). For Barrigar, daily doses of Depakote and various other sedatives and mood stabilizers (plus a few other things) do wonders for steadying the nerves, and do nothing to dampen his creativity even in the slightest. He looks forward to the day when, like Leonard Cohen, he ages so much that he can throw the pills away. Until then – you do what you need to do, whatever it is. This life will end soon enough for all of us – don’t take that leap, it will all get at least a little better tomorrow – he promises you.

In the Car by Dale Williams Barrigar

(image provided by DWB)

In the Car

People used to think I lived in my car, because I carried so many items around with me in it, items that shall be (and are) elaborated in the following poem. Truth was, I did sometimes live in the car, but mainly only the times when I got kicked out of other places, and also all those times when I was on the road in America.

People used to think I only went on the road in America because of my passion for Jack Kerouac. And it was true that I did go on the road because of my passion for Jack (Kerouac and Daniel’s); but there were many other artists who often superseded Kerouac in my mind and imagination as my inspirations: for years, Jim Harrison, the great poet, essayist, and fiction writer Jim Harrison of Michigan and Montana, was my primary inspiration, and the list is long of other American drifters who also inspired me for years. Many of them were musicians.

And while a passionate fan of music and musicians, and while I can pluck the guitar and plink on the piano and blow the harmonica and drum the drums a little bit when the moment is right, I’ve never been a musician, because I’m not a performer in that way. I’m a performer in other ways, but not that one.

The following poem is about a nineteen-year-old girl, because I used to be a nineteen-year-old boy with a (not-very-obvious-usually) feminine side (everyone has both masculine and feminine sides, as Sigmund Freud both pointed out, and proved), and also because I now have daughters who are both eighteen at the moment.

Sketch Books

“A wayfarer by barren ways and chill…” – Dante Gabriel Rossetti

And I’m still looking

At the ghost,

She wrote,

That isn’t even there

Beside me any more,

After all, since childhood

When it had been.

My

Haunt-eyed closet ghost; so later will I label those

The Haunt-eyed Ghost of Warrior Traveling the Sky

Sketch Books

As she tossed the sketch books

Into the trunk of the car

With the rest of the papers

And notebooks.

The battered traveling library

Was spilling

Over into the back

Seat. Books

Are everywhere, and under

And next to

My pillows

From home.

Two sleeping bags.

Long, heavy watchman’s

Flashlight

From Grandfather.

For night time reading

And protection. And

I’m living in my car,

On the road

In Arizona,

New Mexico, Utah, Colorado, Wyoming,

Montana, Idaho, Washington…don’t know

if I’ll ever go

Home!

D.W.B., sometimes referred to as The Drifter by none other than himself, has always had a penchant for moving from one place to another in a kind of restless, and sometimes listless, fashion, since this helps him to refrain from getting bored. He doesn’t take fancy vacations, or any vacations for that matter, but he does maunder from here to there on a daily basis – whistling in his soul.

Deliberately: Dale Williams Barrigar

(Note: through Saturday, DWB will entertain us with his Christina Poems. I think you will find them as wonderful as I and The Moving Hoof do-Leila)

(Image provided by DWB)

Deliberately

One thing I can say for sure about the following poem below, everything in it is on purpose, including the line lengths and the capital letters. I lived with the character in this poem, named Christina, who appeared to me in a daydream, for a long time until one day in a field by a river in the wilds of northern Michigan most of the lines suddenly occurred to me.

The year was 2014 and I didn’t even own a cell phone yet – on purpose. My paper and pens were all back in the car, a couple of miles away somewhere down the trail.

So I walked back down the trail humming these lines in my head so they wouldn’t disappear, or rather the lines were as if humming themselves in my head, and they stayed there, they didn’t go away, they didn’t vanish into thin air by the time I’d made it to the car – that was how I knew this poem deserved to get written down.

The list of poets who influenced this poem is long, but a few of the key names include Wallace Stevens, William Carlos Williams, T.S. Eliot, Langston Hughes, Robert Frost, Jim Harrison, and Charles Bukowski. I’ll stop there for now because 7 is a magic number. There are four more poems about Christina.

And I would like to say to her here: “Christina. I still see you in my dreams.”

Road Warrior Christina

“I’m a road warrior for the Lords of Karma.”

– Hunter S. Thompson

“My life is like a broken bowl.”

– Christina Rossetti

Christina, at nineteen

In 1991, A.D.,

Was a lone,

Young-hearted

Poet

Who didn’t know

It,

But her fast, moving

Feet showed it, also her

Wild, red-brown,

Messy-long, cut-by-her-ex-boyfriend

Hair, not her boyfriend exactly but her

Boy

Friend, one of

The few.

And now she was

Traveling

Solo,

Traveling far, in her

Battered little car,

Dusty

Sandals

On her feet,

Cut-off jeans shorts,

Baggy T-shirts, sometimes

Black lipstick on,

Red polish on

Her toenails, and her

Heart, and her

Art, they were

Partially

Guided by

Geronimo’s kind

Native star in her

Driving blood

Commemorative:

Her hair, her

Heart, her

Art.

Geronimo, medicine man

Of the Christ

Without end, she wrote,

While driving

On the highway,

On the back

Of an envelope

With a red,

Red pen.

(To be continued…)

Dale Williams Barrigar is an American wanderer who sometimes calls himself The Drifter.

The Drifter: One Holy Reason to Love

One Holy Reason to Love

(Image provided by The Drifter)

“Kerouac could write everything because he never forgot

anything.” – Bob Dylan

“I saw you this morning…in my secret life.” – Leonard Cohen

Scholars of literature always call Edgar Allan Poe the first writer in America who ever tried to make a living using nothing other than his own pen. And that is very far from true, very, very far from true.

Poe never tried to make a living in America using nothing other than his own pen. He always knew he would need another job, whether that was in the U.S. Army or as a low-wage wage slave working for other peoples’ publications where much of what he did as a “job” had absolutely nothing to do with his own creative writing, on the surface at least.

What Poe did try to do, and what he can be called “the first” at doing in many ways in America, was to try and live a truly literary life at every level, no matter what else he also needed to do in the meantime.

Every demeaning task, every humbling action, every humiliating circumstance in his life, and there were many millions of all the above, Poe tried to convert into something sacred that could be seen as serving the literary life he always made himself live for his own pride, even when it seemed impossible.

Poe never let himself forget he was a writer. He elevated it above everything else, above politics, above religion, above family, even; or rather he made it so much a part of his life that everything else, politics, religion, family, all grew out of his starting point, which was his commitment to writing as an art.

This profound innovation, which is more relevant now than it was 200 years ago when Poe made it, has had an endless series of influences on all the arts, not just writing, all over the globe, not just in the USA.

It probably caught fire in France first, when Charles Baudelaire, the first true poet of the modern city, took up the call that Poe had issued to the writers of the world.

Baudelaire identified so strongly with Poe that it’s said he would pray to Poe nightly, as if Poe were a saint. When we consider Charles Baudelaire’s Catholic background, this doesn’t seem nearly so crazy as it might appear at first glance to many of us.

In the religion Baudelaire was raised in, praying to saints was not only not frowned upon, it was encouraged. Baudelaire’s move, which was to make the Art-for-art’s-sake Edgar Allan Poe into his own private literary saint, was really only moving the material he was given at birth an inch or two to the right or left. It was the higher ideal of the truthful and imaginative writing life that Baudelaire was really placing on the pedestal, in the manner of his hero, and saint, Edgar Allan Poe.

Baudelaire wrote in the shadow of Victor Hugo, a writer as massive, deep and wide as Charles Dickens, but it is now Baudelaire, in his Paris Spleen, Flowers of Evil, and Artificial Paradises (hashish, laudanum, absinthe, and literature), who generally seems more modern to most poetry lovers.

Hugo the realist, as great as ever still, was of his own time. Baudelaire, following in the footsteps of Edgar Allan Poe, was for the future. Like Poe, he foresaw, and even lived in, the age when humans would become ghosts of themselves (for good and ill), the time when the new rule would be (and is): turn your own life into an art, or die, mentally, emotionally, spiritually, and even literally.

The life-as-art, art-as-life, consequences-be-damned credo and way of living was elevated perhaps even higher by Vincent Van Gogh, especially in his self portraits, or in Sherlock Holmes and Irene Adler, whose laser-like, scientific focus on artful truth-telling rises straight from the beautiful and terrifying mists of Poe’s profound innovation, where the responsibility for everything is placed squarely on your own doorstep, even, or especially, if you are a starving artist.

Here are four ways any and all of us can instantly start turning our lives into an art and an art form almost immediately. If you’re already doing these things, and I have no doubt that some of you are: then bravo for you. Keep it up, and spread the word!

ONE: Texting

Do not become the mental slave of your own (what I like to call) texting device. Never send a text that has been written for you by a robot, AI or other computer; and never send an emoji that has not been specifically selected by you to be extremely pertinent to the exact circumstances at hand.

If use emojis you must, feel free to do so: but be creative. Go deeper. Look for the ones that say what you really mean to say. And be sure you know what it is that you really mean to say. If you don’t really mean to say it, don’t just say it, blindly. This is you putting yourself out there into the world, and this is the inevitable way people communicate now, at this moment in history, for a million different reasons.

Texting is too easy to do, but it doesn’t have to be. Take the time to say what you really mean: or don’t say it at all. And when you choose silence, choose it for a very definite reason; know what that reason is; know why you are choosing to exercise your own silence; don’t just ghost people because you are bored – or lazy.

If the time has come for you to be quiet, know why you are doing it.

TWO: Emails

Be creative when you compose emails. Even be creative when composing emails if it’s in a situation where you are not supposed to be creative, or maybe especially then. If being creative will get you frowned upon and called onto the carpet, be as creative as you can possibly be, even unto the point of being shown the door by the robot-humans in charge eventually. Don’t dumb down your own language too much in order to be “safe” or in order to please your masters, and make sure your own individual personality-stamp goes out with every single communication you ever send. Even if you’re just telling someone you need them to do something for you by Tuesday. Or maybe especially then.

THREE: The “Comments” Section

Be very, very, very selective about what kinds of “Comments” sections you choose to engage with. And when you do find a good one and have chosen to engage with it, go all the way. Doing anything in life in a half-assed way is nothing more than a half-assed way of doing things. Make sure you’re not just shouting into the void by repeating the exact same things a million other people are also saying.

Choose wisely, and be selective, and make a full commitment; let your opinions shine forth only if they are genuine, original, dyed-in-the-wool personal opinions based on the reality of the world, not just group-speak mind-control thought-police regurgitations of the exact same thing everyone else is also saying ad infinitum.

Another way of putting it is this: be original. Always be original. If you can’t be original here, it’s OK: choose silence, and be original in a different venue where you feel like you’re on more solid ground.

Regarding size of audience, Jesus himself said this: “Where two or three are gathered together in my name, there am I in the middle of them.”

There was a reason why he emphasized the tiny numbers two or three, just as he limited his personal disciples to another tiny number, twelve. Jesus was the strongest advocate for individuality this Planet has ever known, which is why he is, by far, the most famous person who has ever lived, or ever will live. And he spent a lot more time walking away from the churches and marketplaces of his day than he did walking into them.

FOUR: Pictures of You

Do not use the camera on your phone to celebrate the American Religion, CONSUMERISM. Do not use the camera on your phone to advertise the dead animals or the vegan delights you are about to sink your teeth into (everyone needs to eat and digest) unless you can really make it artistic. Also, do not use your camera as a way to provide just another screen between you and the reality of the world. Instead, use the camera on your phone for the following three reasons.

One: To try and capture moments of beauty which are beautiful, or to create beauty by making something beautiful which people don’t usually think of as “beautiful.”

Two: To relate yourself to the real world around you by showing yourself and others “It” from new, original, and different perspectives. (This is called “Imagination.”)

Three: Use the camera on your phone as a form of SELF exploration.

Do not take selfies. Make self portraits. Even if the only one who ever studies them is you, this will make you an endlessly deeper and more original person in everything else you do and do not do (what we DO NOT do is just as important as what we do), IF you do this in the right way, which is to do it the way Socrates said to use the mirror: Look for yourself, and study the endless changes which are “you,” with fascination. (This is something Shakespeare did in his Sonnets.)

Most people are only terrified of death when they never really live/d first. Always start with yourself first. Move outward from there.

A NOTE on reading from The Drifter: What you take into yourself is just as important as what you put out into the world, and what you put out into the world will, inevitably, be massively influenced by whatever you have spent your time taking into yourself.

Watching a truly great movie is a much more artistic experience than reading a truly bad book.

But the act of personally reading good things will strengthen the mind (and hence the personality) in a more powerful way than anything else on Planet Earth. This has been true for thousands of years, and will remain true now until “the end” (whenever it comes).

Alexander the Great’s most prized personal possession was his copy of The Iliad. Abraham Lincoln spent more time reading Shakespeare and the Bible than he did studying war plans or political suggestions. Martin Luther King, Jr., was always reading good things. He never would’ve been able to write or think so well otherwise: and he knew it.

The poet William Blake was not joking when he said he wrote mostly for “children and angels.” Personally, my conception of Heaven also includes forms of reading. If I’m wrong about this, it’s highly doubtful I will be aware of it; so I’m going with this for now. (It’s also probably true that by “angels” Blake meant both literal angels, and saintly humans.)

If one fills one’s mind with trash, nothing but trash, and more trash, eventually (or sooner) the mind itself will become a trash dump. Right about then is when real and deep ignorance, cynicism, scorn for the good of the world, and nihilism begin to set in. (Many of these people are walking around and looking like respectable members of society, too; even as we speak.)

Saragun Verse: Moonfog Madrone and The Sun

i

Moonfog Madrone stared at the Sun.

And the Sun gazed upon he.

“Tell me star, away so far,

What can you do for me?”

ii

And the Sun said: “I can boil the rivers and blast the land;

I can melt the peaks and glass the sand.”

Moofog laughed, “I’ve seen it before and will again.

No my friend, what’s in it for me?”

iii

And the Sun said: “Whatever god made you won’t allow you to die;

You go on forever and will even outlast me, I expect.

The perfect candidate to mock eternity:

An arrogance never to know the mercy of death.”

iv

The Sun fell below the distant range

And Moonfog laughed throughout the night

“He’s a poor old fool cursed to rule,

A toss of rocks for his own spite.”

Furry Companions by Doug Hawley

Furry Companions

I’m sort of named after my dad’s favorite dog Duke. My mother thought Doug was a close, but more reasonable name. Now my male main characters are frequently named Duke. Our family had an early dog name Cocoa who died too soon. After that it’s been all cats. We got to witness the miracle of birth up close, and the sad act of a mother cat carrying her dead kitten after birth. Worse, since we had outdoor cats and lived on a busy street, many of them were hit and killed. I buried one in the backyard. I don’t remember the individuals much, but I know one was a calico called Sophie Hergenmergen.. Most if not all were female.

Much later live in editor Sharon’s sister had a cat named Frodo (not a fan of the name) she couldn’t keep, so we got our first of a long line of cats. Based on his ears and fangs, I converted him to Batface. He was one fine cat, with one big failing. While ball bearing he got into fights with other cats he turned tail, which was bitten, and spent time getting patched up at the vet. He may not have been much of fighter or a lover, so we got him fixed. We got him in Denver, and he traveled with us to Los Angeles and the Bay Area. He was an outdoor cat and would visit with the people that walked past the places where we lived. He was a cool cat. He decided to go live with other people for a while, but we retrieved him. We had this act which had him lying on his back on my arm held out level with my shoulder. While in California I woke up one morning to two Batfaces. On closer inspection I found out his doppelganger was a skinnier lookalike that had broken in. In the summer in Colorado, we’d let a moth in and trap it in a small room. When we let him in, he’d go in and get it, then come out with it in his mouth like and electric bowtie. He was a relaxed dude and friendly with people. In his last home, we started to keep him in the house, but I slipped up and let him out one night. He came back a couple of days later, beaten up. After I left town on business, I got the phone call that he had died. Couldn’t help but cry.

He was such a good cat, he was replaced by two – Pooch a gray tabby, and Boots who was mostly black, but had white feet and tie. After Pooch came home from the vet where she was neutered, he tried to mount her. After that she dominated him. If he was in a lap, she could kick him out if she wanted the lap. She also would meow us goodbye. I could trade “goodbye” to her “meow” for quite a while until she got tired of it. Both of them were indoor cats after losing Batface to his outdoor adventure. Boots had a heart problem and fell off our credenza dead one morning. Pooch lived to be twenty and a half and made moves with us until the place where we live now in Lake Oswego Oregon.

We were introduced to Orville (named after Orville Redenbacher of popcorn fame) because of his reddish/orange back. Orville would run ahead of us while we were walking and then fall on his back. I wonder about that cat behavior – isn’t it dangerous for the cat? Legend has it that he had roamed the neighborhood for years, and left his first home when it got a dog. This went on for a while, and then his people died. Because we had indoor cats that weren’t looking for another cat, he became our outdoor cat. We weren’t too surprised when he moved across the street. We were sorry to see him fade away in their yard.

Harriett, the hairy pet, lost her person and we were persuaded to take her in. She was one calm cookie. Other cats when carried up stairs always freaked, but she was cool. She was not very active, but good company. When she slept beside me, she would face the opposite direction. Was it my breath? She only lasted a couple of years.

We got Kitzhaber, formerly Honey, a little like we got Harriett. His person had dementia and couldn’t keep him. I had been calling him Kitz at a time our governor was John Kitzhaber, a bad governor. I decided Kitz would also be a bad governor so I called him Kitzhaber. Kitz liked editor better, but we got along sometimes. He was forced to be an indoor cat, something he tried to escape, and did at least a couple of times. He broke out of an upstairs window, rolled off the roof, and beat it. Later he was captured across the street in a raccoon trap. He spent a lot of time in editor’s lap. We got him to exercise some with a laser pen. A couple of years ago, he started to fade from a bad heart. We both have heart murmurs so we could bond over that. He also started leaving us dark torpedo shaped gifts outside his litter box. Before we had him put to sleep, I picked him up for the last time and he died. I think we won’t have another.