Tangling With Reality by David Henson

The article about quantum entanglement

is a spooky wave

carrying me into deep waters

far from the safety of familiar shores.

Even the physicists,

smiles glowing like stars,

admit the phenomenon boggles

but is stitched into the cosmos.

For proof they peer at distant quasars

with giant, mountaintop eyes,

crunch data to stardust,

craft formulas so long

as to encircle the globe.

They’re unraveling entanglement

so quantum computers

will better secure our codes and foil hackers.

A galaxy of effort to replace

what a ravenous black hole has devoured.

Meanwhile, a child, as yet

unentangled with reality,

lends their favorite toy to a friend

trusting its return to honesty.

(end)

(Image of David and Annabelle)

David Henson

I Thought I Heard by Bill Tope

“I remember a whisper I heard when I was seven; a uniformed policeman was addressing my aunt, with whom I lived. ‘Your brother, Mrs. Allen,’ he said, ‘lost his life in an automobile accident last night.’

“Aunt Livy’s only brother was my dad, Tom Lewis, Jr. I remember thinking to myself that I was named after him, which made me Tom Lewis, III. I heard a sudden sharp intake of breath and then screaming. I remember worrying about how Aunt Livy was taking the news, but then I realized that the heavy breathing and screaming was coming not from my aunt but from me. But nobody else could hear it. They paid me no mind.

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Wild Bill’s Thursday Afternoon Show by Michael Bloor

‘Hi there and welcome to The Thursday Afternoon Show on Radio Sherwood, with me your humble host and Turntable Operator, Wild Bill Hilcock…

[a burst of Wild Bill’s personal jingle]

‘Not content with simply playing you The Very Best of The Seventies, we also have the latest instalment of our weekly feature: our “Meet the Muse” live interview. This week we’ll be talking to Jeanette Brailsford, who as a sweet seventeen year-old, became the immortal muse of Dogsbreath Donovan, the onlie begetter of that great seventies hit, “Jeanie Baby”…

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I Grind My Teeth: Oral Poetry by Jordan Eve Morral

It was kindergarten.

The creepy guy on lunch duty

pulled my teeth out with a wrench.

They fell out in a clump

of enamel and gum.

Still, I felt convinced

they wouldn’t notice.

I lost my teeth again –

the four front ones on top.

They remained in my mouth

with Scotch tape, held down.

My teeth are so loose

they protrude at all angles;

My lips have parted,

forever alone.

It’s weird. In dreams

I’ll be endlessly falling,

my throat slit,

a child’s voice calling,

but I only wake up scared–

delirious and delusional–

when my fangs are not bared

and able to reflect the moon.

*Dreams of lost teeth commonly symbolize feelings of insecurity, loss, or transformation.

I have always been interested in the concept of dream interpretation, yet I am always going

back and forth between believing and not believing the accuracy of a real-life translation.

However, I have been dreaming about losing my teeth for as long as I can remember. Starting

in elementary school and continuing into the present day, I have had the lingering fear that I will

one day soon be without my teeth.

The hard thing about this constant worry is that I am afraid I will never be able to rid my mind of

it. Teeth are so often the focus of my dreams that I spend my waking hours thinking of them too.

Unfortunately, this leads to more of the same dreams. I cannot stop the cycle.

It is for no other reason than my recurring dreams that I wrote this poem. On some level, I think I

expected it to be a form of catharsis. In this aspect, I believe I have failed. I have simply

confirmed how much time I spend thinking about my teeth. I am perpetuating the cycle.

Jordan Eve Morral

(Image is of the author)

Oxymorons by Jordan Eve Morral

We know clouds are water vapor,

but we’re still amazed they float.

We know trees are turned to paper,

but how, we’ll never know.

So many little things,

make so little sense.

But since they are ordinary,

questions make us sound dense.

We may be too easily transfixed–

insane and dull and dumb–

but we see the world with wonder,

seeking all of its wisdom.

We are wise fools.

The “wise fool”:

An oxymoron that, like the rest,

is contradictory but makes perfect sense.

Jordan Eve Morral

(Image is of the author)

These Wood Entities by Jordan Eve Morral

It’s the trees that make me cry

more than anything.

The hemlock stands strong

with its twigs of green and cones

until the last moment

when snow hides the earth

and deer eat the branches bare.

The red cedar stands alone

in fields long abandoned.

Slow but steady it grows

Only to be chopped for chests and posts.

The blue spruce lives long,

valued for its beauty,

but outgrows its friends

well after they are gone.

The red pine feeds mice and birds of song,

but, in eating the seeds,

these creatures devour descendents.

The catalpa with its beans

would seem exempt from my sorrow,

but it too has flowers that quickly fade.

The syrup maple is kind with abundance,

and thus has its sweet sap stolen

before it ever has a taste of itself.

The reason, my friend, these wood entities

bring such strife and pain

is because of the human struggle they endure.

Mankind inflicts the destruction,

and suffers the denouement.

Jordan Eve Morral

(Image is of the author)

Haikus by F.S. Blake

Haikus by F.S. Blake

(Ed. note–F.S. Blake is a recipient of the Bronze Star, which is a hell of a good thing to be known for. He also writes poetry, and it is our pleasure to present a pair of Haikus written by Mr. Blake. He will be appearing again with more, soon–The Eds.)

Our dog on warm days
runs with pure joy, back and forth,
she gets double treats.

Buzzing mosquito
stumbles over the porch light
still drawn to warmth gone

F.S. Blake

(Image of a brave cherry tree in February)

Creature Comfort by Jordan Eve Morral

This evening, there was a road crew

in the streets of a colonial town.

They blocked traffic and began work at dusk.

The sunset against the faded red bricks

made the scene–and the big-bellied crew–

look like guests at a late-day garden party.

It appeared that one man ran the excavator

while the rest looked on,

the audience of an outdoor theater performance.

Their mundanity and at-odds presence

made me want to cry

and become one of them.

Never did laboring over asphalt and drains

seem so appealing–just a step down from the divine.

More than anything, it was the unspoken comfort,

the unrecognized camaraderie,

that made these humans glorious,

made them creatures I wanted to embody.

Or maybe it’s just that I forget I am perceived

and felt seen by them.

Jordan Eve Morral