We Are Little Children, Forever by Jordan Eve Morrall

(Jordan Eve Morrall returns today with a combination of insight and perhaps even advice–The Eds.)

Everyone is living life for the first time. I’ve written about it. I truly believe that, throughout their entire lives, people have no idea what they are doing. While they may have goals and feign being put together, the majority base their entire lives around social norms with no thought of individuality. Yet, we let our fear of judgement from these same people hold us back.

Now, here’s another thought: in relation to the age of the earth and all the centuries of civilization that has come before, everyone is–essentially–a child.

The idea is twofold.

First: why should we model our lives after other children who are still learning how to live contentedly and will still be figuring it out, even when they come to die? Just do your own thing. (This concept ties in with everyone living their lives for the first time and has already been covered.)

Second: why shouldn’t we feel compassion for these people, these children, in their confusion and naivety? They–like us–are lost in a world they will never understand. It’s a scary life with so many challenges, choices, and changes. We must try to be empathetic towards everyone around us, everyone in the whole world. How could you hate anyone who is wandering, lost and alone? By default, if someone is rude to you, they themselves are hurt or scared. If someone is lazy and unhelpful, they are overwhelmed by the demands placed on them; they don’t feel they are capable. They are children.

Scenario: a 40-year-old man insults you. So what? He is a literal child. Compared to the length of time people have been being born, going to war, inventing all manner of things, and dying, he is an infant who knows nothing. You can’t take his words personally or as truth.

We must love one another and work together. We must encourage one another and never lash out. If a child does something wrong, yelling never does any good. Gentle guidance does.

We are all children looking for a loving friend. Please be that friend.

Jordan Eve Morrall

Poetry Is by Frederick K Foote

Sometimes

Poetry

Seems

To be:

A hammer, a stiletto

Pretentious, modest

A mummer, a scream

Propaganda, the gospel

Fucking and sucking

Gorging and fasting

Ducking and dogging

Slick and slimy

Profound, profane

Soulful, senseless

Ass kicking, ass kissing

Soft days, sick nights

Hallow ground, wasteland

Nigger ways, White rights

Blind insight

Wasted words

Tidy turds

Null, void

Dead

and

risen

again

Frederick K Foote

(The image is Mr. Foote)

Two Poems by Frederick K Foote

She Is by Frederick K Foote

She is

square blocks

of white

marble

Substantial

in every way

Riding a

prancing pony

of pride

Hiding

a dark

nag of

doubt

Love in a Modern Time by Frederick K Foote

It sneaks ashore like light leaking under a doorway

It has the magical mischief of effortlessly joining the family

with a handshake, a hug, a kiss, a fist bump, a cough, or a sneeze

It loves the lonely, the incarcerated, the institutionalized,

the suffering, its love consumes them, banishes them, and It

is restless even in Its domination and seeks authority over nations

It humbles science, the military, politicians, and commerce

the world dances to its tune of isolationist separation

It alienates our affections and laughs at our insurrections

It will not accept our peace terms or unconditional surrender

It will love us where it finds us until it finds us no more

Frederick K Foote

(The image is of our friend, Mr. Foote)

Two Poems by Frederick K Foote

(Ed note–We are extremely pleased to present the first five poems submitted to us by Frederick K. Foote. Fred is an esteemed writer, poet and social critic. He has published over a hundred short stories on Literally Stories in the past ten years alone, which is but a small portion of his literary canon. He is a many times honored author and we are pleased to run his poetry: two today, two tomorrow and a single one to conclude this what we hope will be the first of many runs to come on Saragun Springs–The Eds.)

Lusty Religion

Cedar-wood skin
Sinful full lips
Halo round ass
Full paradise thighs
Bible bright eyes
Gospel singing hips

Revelation to disrobe
salvation to explore
Damnation to lose
no resurrection
in sight

Terminal Romance by Frederick K. Foote

My heart skipped a beat when you appeared
arrhythmia, with rare ventricular couplets

My eyes respond when you are around
glaucoma abounds, the pressure astounds

The sound of your voice is music to my ears
tinnitus echoes a siren’s timpani song

The sight of you snatches my breath away
emphysema squeezes my air to a trickle

The touch of your hand is more than I can bear
your shingles spread to my face, hands, and hair

You are my everything, always and forever
my affectionate end-stage affliction of choice

Frederick K Foote

(The image is that of Mr. Foote)

The Red Square on My Finger by Paul Kimm

I know she’s going to say it’s silly, and I’m being silly, but there is a square on my finger, on the top right of my right-hand index finger, just under the nail, to the side, a little red square. It’s not from a scar, or any kind of cut, because I’ve done nothing to cut myself, and it’s not from any kind of pressure either, as I haven’t been holding anything for long periods, or anything heavy, so the red square is from nothing I’ve done. Anyway, it’s not even a filled in square, but an outline in red, as though someone has meticulously taken a red biro and, whilst I was asleep, or not paying attention, has somehow managed to paint or draw this perfect red outline of a tiny square, no more than three or four millimetres in size, on the top of my right index finger, just below the nail. Anyway, the long and the short of it is that I don’t know where it’s come from, it just appeared there a couple of days ago, it’s completely smooth, won’t wash off, and hasn’t changed colour or anything like that, just a red square on my finger. I haven’t mentioned it to her yet, and I know it’ll somehow annoy her, but I have to bring it up at some point, and am a little surprised she hasn’t noticed it and asked what the red square on my finger is, or more likely asked me why I’ve drawn a red square on my right index finger, but I’ll raise it tonight over dinner. It’s my turn to cook, so if I make an effort, then she might be more receptive to talking about the square on my finger. That’s it, I’ll go to the supermarket, buy food she likes, cook that, and then after dinner, just casually bring up the red square.

In the supermarket I’m careful to choose foods she likes, but also foods that can’t be accused of causing the red square. I mean she likes a three bean chilli, but kidney beans come in a tin, and opening the lid could cause pressure and leave a mark, then there is the red of the beans, and the thick liquid they come in, not to mention the same with a tin of chopped tomatoes, the fresh red chillies, the seasoning, a lot of which is reddish too, so making a three bean chilli is too risky, and whilst I’ve never seen a red square on my finger before when cooking a chilli, it could be decided that’s what it came from, and my claims that it was already there would be most likely dismissed, so that’s off the menu. So is beetroot, so no feta and beetroot salad as a starter, nothing with tomatoes, nothing that requires a tin opener, or too much chopping for that matter, and nothing with any kind of red seasoning, and so the more I walk around the aisles the more I seem to be crossing ideas off the list. In the end I settle for a pre-made vegetable soup that comes in a plastic tub, with some fresh sourdough bread, already sliced and packed, and then for the main a salad, as she does like salad with soup, but one in a ready to serve pack with lettuce, grated carrot, and sweetcorn, for which I can rustle up a dressing with what we’ve got in. The good thing is nothing is red, or in a tin, or needs chopping or seasoning with anything red, so none of it could cause a red square on a finger.

By the time I get back home, I’m not sure where all the time has gone, being sure I’d left the house early afternoon, but it seems the time in the supermarket stretched to a couple of hours, so I need to start getting the dinner ready as we like to eat early, no later than five really. The problem is, and I should have remembered, but we are out of olive oil and mustard, two of the things I’d hoped to mix, with a squeeze of lemon juice and salt, to make the dressing for the salad, but now need to think of something else. In the cupboard there is only soy sauce and some apple cider vinegar, and then in the basket where have we have our collection of dry seasoning there is black and white pepper, some pink Himalaya salt and a bunch of other dry spices, many of them red, which I can’t use. In the end I mix some soy sauce, vinegar, black pepper, and lemon juice from the plastic container shaped like a lemon and stir it with my finger, and then taste. I figure it’s good enough for the salad, but then realise I’ve used my finger with the red square to do this, and can’t believe I’ve forgotten it was there, but see that the skin is fine, and there is just a little sliver of brown from the dressing under the nail, but the red square on my finger is still completely clear to see. I can still tell her about it after we’ve eaten.

We eat, as we always do, or seem to always do nowadays, and I’m not sure when we started, in front of the television, watching a cooking show of some kind, watching people preparing food, tasting it, commenting on it, whilst we eat ours, that we’ve just prepared, and we might say something about our own food, but say more about the dishes on the screen, how they look nice, whilst we fork or spoon in what we’ve got, almost as though were eating two meals, the ones on our laps, and the ones on our screens, and sometimes I can’t tell what I’m tasting, and the soup and salad we have on our trays could be the dishes on the screen almost, because those are the ones we look at, just not the ones we eat.

‘Did you enjoy the dinner?’

‘Yes, nice and simple, just perfect.’

‘Sorry it wasn’t a three-bean chilli. I know that’s one of your favourites.’

‘Not at all. Soup and a salad with that lovely bread. That was perfect. That dressing was lovely as well, different but really nice.’

‘Ah, I forgot to get more olive oil and mustard in. I will tomorrow.’

‘No worries, will you go in the morning with me when I go to work? I can drop you off if you like.’

‘Ok, thank you. There is a reason I didn’t make the three-bean chilli though.’

When I tell her about the red square on my finger she puts her tray on the coffee table, and then takes mine and does the same, and puts her arms around me, and we cuddle in, her hands rub up and down my back and she tells me over and over that it’s fine, saying my name a lot, repeating the same words, but not asking me anything about the square, just saying ‘Oh, it’s fine love’, as she squeezes me, and I want to ask her what she thinks it’s from, how the square got there, but she holds me in closer, tightly, almost like she doesn’t want me to speak about it, and when I motion to say something she repeats the same words, and this goes on for a few minutes, and I’m grateful she’s not annoyed that I’ve done something stupid with my finger, and we enjoy holding each other, so I decide to not ask about it at all, and a few moments after I’ve decided this, we break off our cuddle, and she says she’ll doing the washing up. We pause the cooking programme, take the trays into the kitchen, and she tells me to go and sit back down and we’ll watch their desserts after she’s finished.

She wakes me up in the morning so I’m ready to get a lift to the supermarket on her way to work. It’s not much out of her way, but she might drop me off at the corner just down from the railway crossing so she can keep going without making a detour, and that’s completely fine I say, but she asks me if I’ll remember the way to the supermarket from there, and even though I tell that I will, she asks me to tell her the directions from that corner to the supermarket, and I describe the few minute walk to the crossing, where the tattoo shop is right next to the crossing, then after it you turn right, and the supermarket is just on left a few more minutes down, before you reach the train station, and she tells me that’s good, but then asks me how many minutes in total, and I answer five or six, and then she recounts for me the directions I’ve just given, and asks me again if I’m sure I won’t forget, and I tell her, I won’t, I’ve done it a million times, and there is no need to worry.

To change the topic I ask what she’d like for dinner, and she says a three bean chilli would be nice for the end of the week, and I tell her I hadn’t realised it was Friday already, but then I remember the red square on my finger, and I don’t want her to think, when I get round to telling her about this red square that’s appeared, that she thinks it’s from the chilli, or from the kidney beans, or even opening a tin of beans or chopped tomatoes, so I ask her if she just fancies something simple and quick like a soup and salad, with some nice bread for a change, and in a quiet voice she says that’ll be fine, and adds to not forget to buy some mustard and olive oil, for the dressing, and I say yes, I’ll make our usual salad dressing that she likes, and when she drops me off on the corner, just down from the crossing, she asks me if I’m sure I won’t forget the way to the supermarket and, and I say I’m completely fine, I remember the way, and I also won’t forget the oil and mustard because I don’t want to make the three bean chilli and that’s how I’ll remember to get soup and salad, but I don’t tell her that part.

As I approach the railway crossing the signal starts to whir and blink, and so I wait for the barrier to slide down wondering if it’ll be one train or two and how long I’ll be waiting to cross. It could be more than a five-minute wait, so I look in the tattoo shop window just next to the crossing for something to do whilst waiting for the one or two trains to pass. The display has sheets of white paper with designs of black-outlined dragons, roses, hearts, snarling tigers, topless mermaids sitting on rocks, ships, jumping fish, unfurled scrolls with a variety of names on them, all in the same curling script, and collections of football club emblems, all in lurid, hypnotising colours, bold greens, blues, and reds, yellows, purples, that are all beautiful and bright, vivid caricatures of reality, of life. The barrier stops whirring, and as I turn my eyes away from the window display, someone comes out of the shop.

‘Back again?’

‘Sorry?’

‘I said, ‘back again’. Are you wanting another square? Perhaps a triangle or a circle this time?’

‘I’m sorry, I don’t think I understand.’

‘Aha, it hasn’t worked then, has it?’

‘What hasn’t worked?’

‘Never mind, pal. Your missus said it might do something.’

‘My missus?’

‘It’s alright, mate. She was doubtful anyway. I shouldn’t have said anything. All the best to you.’

He goes back into his shop, and I hurry over the railway crossing, take the right turn down towards the train station, the supermarket being on the left down that road before you reach the station, and I’m there within two minutes, so I get a trolley from one of the rows outside, and enter the supermarket, take a breath, as I’ve got there fast, and then I comb up and down the aisles to get something suitable for dinner, something that won’t raise suspicion, something that couldn’t cause redness or any kind of indent on my skin, no tins, or anything like that, avoid red foods; beetroot, even though she likes it, especially with feta cheese, and I definitely won’t buy any chillies, so I can’t make her favourite meal just yet, not until I’ve told her, and I need to make sure that she couldn’t think it’s from something else, that it’s definitely unusual, so I opt for a plastic tub of store brand vegetable soup, that’ll go well with the ready sliced sourdough they have, so all I need is a nice salad, not one with anything red in it of course, but maybe some lettuce, grated carrot, and I’ll make the dressing at home, with the olive oil and mustard we’ve got in already, that I’ll mix with a little bit of lemon juice, and a quick pinch of salt, so dinner will be a lovely soup and salad, and she likes that, even though we don’t have it that often. And, I realise it’s got later than I expected, it’s after one, but still gives me lots of time to get home and make the dinner; a dinner which can’t cause any redness, so that I can tell her about the red square, just the outline of a square, that has appeared on the top of my right hand finger, out of nowhere, that she’ll probably say I’m being silly about, that she may get annoyed about, and say it’s from opening a tin, or chopping something, but I need to tell her, so after the nice dinner, I’ll just bring it up like it’s nothing, the red square on my finger.

Paul Kimm

(Image is of Mr. Kimm)

Will the God of Mercy Show Mercy to Me by Eric Huff

(Note-Today we conclude a three day run of Eric Huff’s poetry–technically, a three days in four run. Regardless of the schedule, we look forward to seeing his return soon–LA)

what struck me most was not how the pothos was planted in a sort of geometric pot affixed to the cerise wall on the side of the bathroom nearest the door but rather how its one long tendril worked its way back and over a tarnished, white-framed mirror and a small, caged light with the softest golden glow – warm and unexpected – to turn the corner again along exposed brick and finally rest in the white light of day filtered through a frosted courtyard facing window. seven or eight viridescent leaves just reaching out as if in holy worship crying praise be to a merciful god we will never really know or understand. I remember washing my hands and thinking in what ways am I this pothos plant, strung out in this coffee shop bathroom in the RiNo neighborhood of Denver, Colorado?

Eric Huff

(Image is of the poet)

I Had A Dream by The Drifter

I had a dream

that I was

cremating myself.

My body was there,

lying there,

on the unlit pyre,

in the way

the Native Americans

and the ancient Greeks

used to do it

or so I believed.

But I didn’t know

if anyone

had ever

cremated themselves

before.

We were on ancient family land,

and my father was there, and

my whole family was there.

But nobody was really paying much

attention.

Because this seemed

like the (“the” here sounds like “thee”)

most natural thing in the

world.

And I wasn’t scared.

I wasn’t scared – at all.

(Nobody was scared).

I remember/ed what Jesus

said.

He said:

“The one they crucified –

it wasn’t me.

It was me, but it wasn’t

‘ME.’ It wasn’t

The Real Me, Myself.

Because the real me, myself

can never be killed!

He can never be killed

and certainly not

by them.”

I remembered his words.

And I knew this was what I should do

now.

I stepped back and threw

the flames

down

onto my body

and it was okay.

Because I

was finally free.

And I watched

what doesn’t matter

burn

away.

And it burned

it burned

it burned

without pain

away.

And I couldn’t believe

(but I could believe, too)

that I was still

here, there,

nowhere,

and everywhere,

too.

Still here!

Still here!

The Drifter

Two Poems by Eric Huff: It’s not bullshit to feel sad; Recognition

(Note: For those of you who have enjoyed the past two days, we suggest you return for another by the same writer on Monday–The Eds.)

and when you pulled that guitar off the wall, what did you know of callousness or of evening hillsides soaked in shadows with silence buried beneath? we saw each other one time on honey earth, in neon buzz with September stars just hanging over our heads. I knew all the words just about and you did, too. blue light mornings and coffee. fractal breath. what will take root here in the body of your work? and I’m left just bluestem and duckweed, game trail and stillness. what is your name, gray sky? who is this in me again? this present moment is a cold stream poured over stone and mud. my reflection is all distorted and for a second, I am you and you are standing under the elm tree saying something I can’t hear. just take this time and space for yourself. it’s not bullshit to feel sad.

Eric Huff

Recognition

by the time it was over the rain had started in earnest. from the window I watched as the sky broke into pieces like a shattered mirror. the violence sudden and then just a moment where we recognize these empty spaces. you saw this in me, too, I think. we both were standing in the river again, just about up to our bare knees. I told you this is the only way I know how to heal myself because I didn’t want to admit to each time I’ve leaned over the guardrails just hoping to catch myself in the movement of that breath, one and then another. you were a shade tree, the name of which you didn’t know, didn’t need to know. you called spirit into that room. you held my breath as your dog pulled against its leash. with wide eyes you saw me. you saw me standing there waiting for the torrents of rain to stop, for it to ease up some.

Eric Huff

(image is of the poet)

Two Poems by Eric Huff: The western motel on the river road; Rivulets

(Nore–Today is the first day of three featuring the poetry of Eric Huff. He will appear today, tomorrow and Monday. We feel the readers will like his stuff as much as we do–The Eds.)

I want you to call me by whatever name you want. call me the river road. call me the western motel on the river road. listen to me tell you about my scrap metal dreams, about my literal scrap metal dreams and berry bramble night terrors. you have a sleeper in your eye again. start unfolding each of these paper cranes so I can get a better look at the printed patterns. more than half of these are just black and white photocopies of my face but with one or two subtle differences. look at this one, my eyes are closed. and here, the part in my hair is mirrored. the record of this day is being played back in reverse and it’s only now that I can hear your voice – like a cactus bloom at 1am this is something I have waited for. please say something lovely. say something right. breathe in all this moonshine.

Eric Huff

Rivulets

my dream? bluestem moves in rivulets.

winter cress, wild ginger, the cattail –

when I die, I want you to open all the

windows and drink cold water right from the sink.

Eric Huff

(Image is of the poet)

Hair like David Sylvian by Paul Kimm

A jumbled mosaic of magazine cuttings, pull-out posters, sliced up singles covers, newspaper spreads, stretched across Paul’s wall. All the bands were there: The Human League, Flock of Seagulls, Spandau Ballet, Duran Duran, and, of course, Japan. Taking pride of place in the approximate centre of the sprawl was David Sylvian, Japan’s lead singer. David Sylvian holding a guitar, lent back, with swirls of street smoke swirling behind him. Wearing a double-breasted suit, with silver buttons, lipstick, eye shadow, foundation, and looking into the distance on his right. His hair, a huge wave of side-parted, blonde, combed floss, molded into a mass that lifts from all sides, covering his ears, cascading in a thick, purposeful fringe down to his eyebrows, slightly covering his right eye. David Sylvian was the best-looking man in the world and Paul wanted hair just like his.

Paul peeled a smaller photo clipping of Japan’s lead singer, a headshot with the same abundance of hair, from the wall. He rubbed the tiny blobs of BluTack off the back, rolled them into a single piece, pressed it on the wall in the small, empty square where the picture had been. He then slid the precious photo into his pocket and went downstairs.

‘Mum, can I have that four quid?’

‘I’ll have to give you a fiver, so bring me the change. What time is your appointment?’

‘It’s now, in ten minutes.’

‘Well, you’ll have to go in your uniform then. You’ve no time to change.’

At the moment Paul reached to take the five-pound note from his mother, his father walked into the kitchen.

‘What’s he got a fiver for?’

‘He’s off for a haircut. Round at Sandra’s.’

‘Ooh, off for a haircut, eh? Do you want to take a bowl with you for her to cut round?’

‘No. I’m getting it cut like David Sylvian.’

‘Who the bloody hell is David Sylvian?’

Paul retrieved the fragile picture from his pocket and held it out.

‘He’s the lead singer of Japan. He was voted the best-looking man in the world.’

His dad rested his left palm on the countertop, his right hand on his hip, and bent over double, almost touching the floor with his forehead, letting out a room rumbling laugh.

‘Man alive! He was what? Voted best-looking man on Earth? Oh my days! That’s bloody brilliant that is!’

‘Give me the photo back, dad. I have to go.’

‘Voted best-looking man in the world, was he? Bloody hell! If you held a competition for best-looking man in your bedroom, and you were the only voter, you still wouldn’t flaming win it! Classic. Absolutely bloody classic.’

His dad straightened up again and returned the magazine cutting. Paul took it and bolted out of the back door and all the way to Sandra’s Salon.

The door jangled when he entered the hairdressers. Only Sandra was there. She turned to look at him.

‘Come in, pet. You’re Paul, are you? Your mum booked you in I think.’

As Paul walked to the chair Sandra indicated he regained his breath and got the David Sylvian photo ready to show her.

‘How do you want it then, pet?’

‘Can you do it like this please?’

‘Aw, sweetheart, I’m not sure you’ve the volume for that style. Shall I just give you a trim?’

‘Can you try and make it look like the photo please?’

‘The thing is that you don’t have that type of hair. Yours is much thinner, pet.’

Paul didn’t respond. Sandra eyes met his, but neither of them spoke for a moment.

‘Alright, look, I’ll give you a trim and then see what we can do with a bit of gel and a hair dryer. Is that ok, sweetheart?’

‘Yes please.’

For the next thirty minutes Sandra worked at Paul’s hair, lifting up strands, snipping millimetres off the ends which then sprinkled on to Paul’s face, holding up his fringe and sighing, ruffling his scalp, flicking the hair dryer on and off to disperse the fallen hairs from his shoulders, standing back and viewing his head from different angles, and finally placing the scissors and comb on shelf in front of the mirror.

‘I’ll try some gel then. It might lift it a bit, but it’s not going to look like this fella in the photo. It’s just not, pet. Sorry.’

Sandra massaged the blue gunk into his hair, took a round brush, twisted Paul’s hair, and blow-dried sections, lifting, pulling, let out long breaths, moving the strands forward, backwards, side to side, sighed again, and stopped.

‘I’m sorry. That’s the best I can do for you. You just don’t have the same type of hair. Everyone has different hair. That’s just how it is sweetheart.’

Paul managed to mumble thanks Sandra, give the five-pound note, wait for the one-pound change, and wander home.

The next morning Steady and Pete were waiting for him at their usual meeting point to walk the remaining ten minutes to school.

‘Did you get your hair done then?’

‘Yes, at Sandra’s Salon.’

‘Like David Sylvian?’

‘Yes, I took a photo and she did it. It’s fallen out a bit now though. It’s flatter than when she did it.’

‘I’ll say it is! Sorry, Paul, but it looks absolutely nothing like him.’

They didn’t speak again until they entered class for register. When the teacher got to Paul’s name, both Pete and Steady interrupted.

‘Mr. Walson. Sorry, Mr. Walson. Can you move Paul down to ‘S’? His name is David Sylvian now.’

‘What are you pair on about? Stop being daft.’

‘But, sir, he had his hair done like David Sylvian yesterday. We need to change his name.’

‘That’s enough from you two. Shut up now.’

Going from register on the ground floor to Computer Studies on the third, Paul already started getting Japan lyrics sung to him in the corridors. When he walked in the whole room erupted into a clamour of tuneless Japan’s lyrics, cries of ‘here’s the best-looking man in the world,’ and peals of laughter. Paul sloped to the usual computer he shared with Pete and switched it on.

‘Quiet down! Quiet down!’

‘Miss! Miss! We’ve got a famous person in class today. David Sylvian is here!’

Most of the class pointed to Paul as they chorused the first line of Ghosts, their hit song. The commotion bellowed from the room, down the corridors, and into other classrooms.

After dinner break it was time for double Art. On the board was a large poster of Japan, slanted to the right, it’s four corners stuck with sellotape, David Sylvian’s face speckled with blue biro zits, his eyeballs shaded to make him cross-eyed, and finished off with a dribble coming from the side of his mouth. On the blackboard an arrow pointed to him with Paul’s full name in capital letters and the words ‘Japan’s new lead singer. Voted ugliest man in the world.’

Paul went to a seat at the back, using his sweaty palm to press down his hair all around his head, pushing firmer to iron his fringe to his forehead, forcing it toward his eyes as much as he could. During the two hours of double Art he didn’t look up once.

After the four o’clock bell Steady and Pete weren’t at the meeting point. A crowd of about thirty kids from different school years began following Paul home singing, laughing, poking, back-pushing, hair-tousling, and chanting ‘David Sylvian, David Sylvian’. The nearer to home he got the smaller the bunch of followers became, the last one crossing the road in silence as Paul reached his front gate. He went round the back of the house, stepped into the kitchen, dropped his school bag to the floor, and slumped against the closed door behind him. His mum was peeling potatoes at the sink.

‘You alright, love?’

‘Does my hair look okay, mum? Can you see anything different?’

‘Your hair looks fine. It is a little bit different I suppose’

‘Do I look anything like David Sylvian, mum?’

‘Aw, come here, love.’

Paul’s mum put her arms around him, her right palm on the back of his new haircut, his new fringe resting on her left shoulder.

‘Do I mum? Does my hair look like David Sylvian’s?’

‘No, love, I have to be honest, it doesn’t look anything like him. But listen to me, why would you want to look like the second best-looking man in the world anyway?’

Paul went upstairs, chose a cassette to listen to, put it in the slot, closed it, and pressed play. He got his stack of magazines from the top of the chest of drawers next to his stereo, opened the top draw, and took out a pair of scissors.

Paul Kimm

(image is of the esteemed author)

Originally published by Mono in October 2022