(Note–Bob Dylan’s 85th (!) is tomorrow. A Great many words have been written about him, but I feel that this essay by Dale, which first appeared in Literally Stories UK, is as fine as anything you will find in print!-Leila)

Bob Dylan is a bard of the old school, and also of the school that never gets old. Long after every single Hollywood movie ever made will be penned by androids, computers, zombies, vampires, and “AI,” scattered humans everywhere will still be searching out the work of Bob Dylan, whether to read or listen to it. When Dylan released “Murder Most Foul,” his longest song, in the middle of the Covid Pandemic, he proved every critic who’d ever said he didn’t deserve the Nobel Prize in Literature wrong.

With a terrifying title from Shakespeare, this long song and short fiction is a mini-novel about the Kennedy assassination. And all assassinations, and all murders ever committed, now and in the future. Almost as if to prove that he’s a poet and story-teller more than a musician, Dylan doesn’t even sing this song. He speaks it. He tells the tale like an ancient bard, maybe even going as far back as Homer.

Dylan is often compared to Shakespeare, and for good reason. It could be that a more apt comparison is with the older writer. Homer, like Bob, spent his life traveling from town to town and speak-singing his story-songs to the accompaniment of a stringed instrument. This image of Homer has been accepted for so long that it’s become a fact of fiction that tells the truth, as real as any other Greek mythology, from Zeus to Athena.

Dylan has always cited literary writers as some of his most important, if not his most important, influences. He claimed that “Blood on the Tracks” was inspired by Anton Chekhov’s short stories. He listed his two favorite writers as Emily Dickinson and Arthur Rimbaud. He read T.S. Eliot and James Joyce in high school. He resurrected Charles Baudelaire in “Idiot Wind.” He said that all writers and artists should read John Keats and Herman Melville.

He acknowledged Walt Whitman’s genius. He went to the grave of Jack Kerouac and read Kerouac’s poetry aloud with Allen Ginsberg. He wrote his songs on a typewriter. He created an absurdist book of prose poems, and he composed a memoir that isn’t his best work but is highly readable, filled with signs of the times, then and now.

Someone once compared Bob Dylan to Ernest Hemingway, another writer for whom Dylan has expressed his approval. Both writers diagnosed their times, and fought the wars of their times. While Hemingway went to Italy as an ambulance driver, Dylan went to Mississippi as a liberal Jew who stood out in an open field and sang Civil Rights protest anthems, surely as dangerous as Hemingway heading to the front as a non-combatant who wanted to help injured soldiers.

Dylan has already entered the canon of great American authors. When we look back at history, we see that there are many authors who did not deserve the Nobel Prize, and many authors who did deserve it who didn’t receive it (James Joyce, Leo Tolstoy, and Jorge Luis Borges are a famous three of these). A hundred years from now, Dylan will be seen as a writer who deserved this prize, and then some. His humanity, and his ways of expressing it in English story-language, will last a very, very long time, even, or especially, as the rest of the mainstream world continues to become more and more robotic, tyrannical and inhuman.

The forewarned Bonus Material

Happy Birthday Bob D a Prose Poem

I believe that the first two dorky looking guys to make being dorky looking guys cool were you and Buddy Holly. Can’t imagine Steve Reeves singing Peggy Sue on AM or Dash Riprock getting all Positively Fourth Street on the weird radio. Thank Zimmerman you have traveling angels on your side. Seems an obscenity that all that time flew by. But if I could play God and select people to have it all to do again, far off, in distant years, to clean up the future, amongst such I’d have you and Buddy headlining a cold winter night concert in Clearlake, Iowa. And I would replace the airstrip with a seven star hotel, a temporary home til just spring, inhabited by goatfooted balloonmen and bellboys, fey and wee.