The Drifter

The Girl in the Dark Glasses by The Drifter

“So shall I live, supposing thou art true…” – William Shakespeare

Himself (or he) and a few of his drunken writer friends left the bars and ventured out in the daytime, over to the sprawling apartment complex on the edge of town known as The Woodpile.

It was known as The Woodpile because it looked like a gigantic, sprawling, castle-sized, small-medieval-city-sized pile of wood with corridors, stairs, doorways, windows, alleyways everywhere and it housed a wide assortment of souls, from the folks who used to be known as Welfare Mothers to poor struggling students from the university to Welfare Mothers who were poor struggling students at the university to shady guys who sold many kinds of drugs, including ganja, aka weed, which was the reason himself and his few drunken writer friends had decided to venture over there and visit The Woodpile. Later they would branch out into more hardcore pharmaceuticals which is also part of this story but at this point they limited themselves to marijuana and the ever-present cigarettes and alcohol, which were always and forever the main attraction. The drugs were always a side avenue, a mode of further exploration, but never the center of the rodeo, at least back then. None of it was ever about escaping, and all of it was always about seeking; or, it was only about escaping if the escape entailed seeking. If you were only going to leave him a single thing out on the trail it would’ve been the cigarettes he would’ve chosen (and coffee) because of the way he believed they affected the writing mind, that is, enhanced it. Eventually he would quit because he didn’t want to go out gasping for breath if he could help it and he got sick and tired of emptying ashtrays and chasing down the supply – but that day would be a long time in coming and nothing in this world is ever permanent.

The Woodpile also had a pool and she was there at the pool and one of his friends knew her because she was the girlfriend of another friend. They found themselves then at the pool and she laid there all calm in her chair in her bikini with her sunglasses on, her toenails and fingernails painted bright red, and looked up at all four of the men.

The other three were standing there trying to talk to her but it was him, the only one of the group who was ignoring her, that she focused on. He could tell she was staring at him from behind her sunglasses. At one point, she silenced the rest of them with a wave of her hand with the cigarette in her fingers and her drink in the other hand, and said, “What, doesn’t he have anything to say?”

He didn’t, and they got their weed and left The Woodpile and he didn’t see her again until a few weeks later at a Vietnamese restaurant. It was the same group of drunken-writer-friend people with a few new folks thrown in and she was there with her boyfriend, sitting right beside her boyfriend at the large table, and ignoring her boyfriend and focusing on him (the main character of this story) again. This time, she was also wearing her sunglasses, even though they were inside the low-light restaurant. And she wore her sunglasses throughout the entire meal which also included (of course, of course) a ton of drinking, unto the point of sloppiness, spillage, and even someone/s falling down.

And then the third time he saw her was a few weeks later on the steps of the university library. Once again she had the sunglasses on, but this time it was just the two of them.

“Do you have anything to say for yourself now?” she asked him.

He didn’t but he gave her a look that told her he was interested in who she was and right after he gave her that confirming look he realized she already knew he was interested, and then he realized that he’d already known she knew it a long time ago.

He was a graduate student in the creative writing program, twenty-seven years old, but he didn’t really see himself as an official student in the program (even though he was one); instead he saw himself more as someone who was there to overturn, and/or upset, everyone’s apple cart (if he could). (And because he didn’t know where else to go perhaps.)

She was a twenty-two-year-old graduate student in psychology who would later tell him that her main goal was to sell out, write a book, and make it onto the Oprah show. And he never knew whether she’d been joking about that or whether she’d been serious. Probably both, which is why I don’t ask her, it often occurred to him, although he was never sure about that as he was never sure about many, many myriads of things with her.

The year was 1997 which means, among other things, that it was a time when people still went to bars to talk to each other and swap stories, not just scroll on the phone and stare at generic, advertising-laden, too-colorful, corporate sports being loudly broadcast on massive screens covering every single wall in the place.

He was at that point in his young marriage where he knew it was over and his wife knew it was over and it was SO over that he wasn’t even sure his wife wasn’t cheating on him, and some of him didn’t even care too much. In the not-so-distant future he would discover that she was indeed cheating on him but by that time it didn’t matter quite so much either since he, by that time, was now cheating on her as well.

The fourth time he “ran into” the girl in the sunglasses (he always thought of her as a girl somehow, even though he knew very well she was a woman too) was at the bar called Harry’s Uptown which was a place where university drunks hung out, along with other assorted riffraff and ne’er-do-wells of the I-love-the-booze-too-much-and-I-love-it-more-than-a-comfortable-homelife-with-the-wife-and-kids-or-husband-and-kids variety.

He had become restless lately, very restless, and he spent most of his time at night driving around shady areas of the town and out into the Great Plains that surrounded the town drinking and driving.

He did most of his drinking in that fashion lately, and it was rare for him to go into a bar in the last few weeks, very rare. Then he walked into the dark bar and she was sitting there at the bar, by herself, wearing the sunglasses.

As he walked in, she looked up at him and stared straight at him with the sunglasses on, even though it was past ten o’clock at night, and even though the bar was a dark one.

Despite himself, he was terrified, which is not to say freaked out, and his impulse was to turn around, walk out, run for his car and get the hell away.

But his stronger impulse was not to leave and he walked in, went around to the opposite side of the bar, sat down, ordered a beer and a shot, and lit up a cig’, pulling the ashtray over toward himself.

She was sitting directly across from him on the other side of the bar, a half-empty beer and an all-the-way empty shot glass in front of her, a burning cigarette between her fingers. And she was wearing the sunglasses and she was staring at him.

Then she gathered her things together, and with a burning cigarette and a half-full beer bottle in one hand and her purse and some other items in her other hand, she came around the side of the bar and sat down right next to him.

She smelled so good he almost fell off his bar stool. The combination of whatever it was that made her smell so good swept over him like something only a powerful goddess could conjure. And he thought of her as some sort of powerful goddess starting right then.

That was the exact moment when she took off the sunglasses.

Her eyes amazed him even more than her powerful, positive odor like a wind from across foreign seas.

Deeply dark and brown, and almost black, with long lashes, and myriad lights and shades in them, he suddenly saw that she was a seer, she was a seer who could read the souls of humans in the sense that it would be very hard to pull the wool over her eyes in any kind of meaningful way, at least for most people, that is.

Her hair was long, dark brown, sometimes black.

Her skin was an odd combination of olive-colored and exceedingly pale. It was like her skin color was two colors at once, light olive-colored and pale, deeply pale, so pale that you wondered why it was so pale while also feeling as if it bowled you over in its smooth, perfect olive paleness.

She had a way of holding the burning cigarette between her fingers that was unlike the way he’d ever seen anyone else do it. And she never stopped smoking, not even while in the shower. There was an ashtray on the bathroom sink next to the shower.

Looking at her eyes from behind the shades for the first time, there was an utterly uncanny Already-Know-You feeling that he’d never felt with anyone before, although he would feel it a few times again with other people in the future he didn’t know about yet.

Before very long, it became necessary for them to hide from the world, for a very wide assortment of reasons.

One of them was his wife, whose boyfriend was also looking for them so he could tell his girlfriend (the main character’s wife) that he’d seen them together.

Another reason was her boyfriend, who she wanted to cut it off with and had mostly done so except she hadn’t quite been able to bring him the news yet in a way that was fully convincing for him and so we better avoid it at all costs.

Another reason was a famous writer who was a visiting lecturer at the university this semester and who’d seen the two of them together, and also gotten drunk together with the two of them and several other writers more than once. This famous writer was a slime ball con artist who wanted her and he (the main character of this story) did not trust him one iota and was able to imagine all kinds of horrible things he might do.

A fourth reason was the girlfriend of one of the drunken-writer friends who knew he (the main character) was married and who also had a crush on him. In a drunken phone call one night when his wife was out again and with Bob Dylan’s Desire on the tape deck in the background, she threatened to tell his wife the whole story (and his wife did not know the whole story, at least not yet and, it would turn out in the long run, ever. The main character remains as wily as Huck Finn – because he has had to).

Another reason was the entire Psychology Department and the entire English Department at the university. It was a big small town or a small big town and a lot of people knew people who knew other people who knew people who said things about things that had absolutely nothing to do with them at all. Both of them, meaning him and her, were paranoid to begin with and this situation that had gotten completely out of control made both of them super-uneasy. It had gotten out of control because they’d fallen in love, genuinely, deeply, and for real.

And so it became necessary to hide out in a shady motel on the edge of town much of the time.

The year, as stated previously, was 1997 so shady motels were affordable, as were diner restaurants, cigarettes, and alcohol, four key, and indeed essential (at the time) items.

The shadiness of hiding out in a shady motel somehow led directly to other forms of shadiness, the shadiest of all being Sigmund Freud’s favorite drug of all time (except nicotine): COCAINE. (At one point SF almost believed it could almost be a cure-all for everything; and he took it for many years as a cure-all for all of his own things.)

One of their all-time favorite pastimes together in the shady motel was to read the works of Sigmund Freud out loud to each other and then discuss (while smoking and drinking, of course). Later they graduated to Carl Jung. And sometimes threw in philosophers like Nietzsche (Zarathustra) and Kierkegaard (Fear and Trembling). And sometimes pulled out the Gideon Bible from the nightstand. They did not consider cocaine and the Bible to be mutually exclusive. Rather they were seen as sublime enhancers of one another. The coke made the book glow and the book gave everything a reason. And this synchronicity matched their exalted relationship.

She knew a guy and so it was always her who went and got the coke. Also, that was the way things often got done in his world, he told himself. He was a helpless passive observer and it took other people of more competence and perspicuity to do the things he couldn’t manage on his own. He barely knew what a bank account was and he didn’t remember where the coke dealer lived. He handed her a handful of money, took a hit of his cig’ and she took care of it while taking a hit off her own.

So she was the coke-getting person. But one night, after she went out to get more, she didn’t come back.

He’d saved a few snorts wrapped in a little piece of paper and he had the typed pages of a story he was working on to hang out with so he wasn’t jonesing much but after an hour had passed and she still hadn’t returned, he started to get nervous, folded up the pages of the story, and put them away. He always had a pen in his pocket, shirt or pants.

The year was 1997 and so, of course, ordinary people did not carry phones upon their persons at all times.

Back then, when someone disappeared, they disappeared plain and simple, and then they either resurfaced of their own accord (the usual mode) or they did not.

And after two hours now, she had not.

He walked out into the parking lot of the motel and then across a vast ditch in the night. The smell of the night air was so fresh all it did was remind him of her. The motel was literally on the edge of the town and he walked up a rise in the dark night and over a small hill and then he stopped on top of another hill and looked out over the utterly vast, oceanic spaces of the Great Plains in one direction and the Flint Hills in the other as they plunged on under the black sun forever or as long as the Planet lasts. At one point this place was a gigantic sea with sharks as large as whales chilling their bones. Now there were antelope, deer, hawks, golden eagles, rattlesnakes, coyotes, cattle out there in abundance and he felt almost as if he could feel the spirits of the animals everywhere flowing through him. The town only existed in the robust form it did because of Boeing Aircraft and oil and Wyatt Earp had once been the sheriff here, before he switched sides and became a gangster again. If she didn’t come back soon he didn’t know what he would do but he was starting to feel very, very, very, very, very desperate, and uneasy, now. He had continued to wear his wedding ring through this whole thing and while she never said a word about it, he sometimes caught her glaring in that direction.

She came back about an hour later. She was so wasted, so high and drunk, and wearing the sunglasses, that he was at a total loss, especially when it turned out she didn’t have the drugs, either, and couldn’t exactly explain why, despite all her trying. She was literally mumbling-incoherent now and before too long her babbling about nothing turned into less than nothing and she passed out in the motel bed, so crashed out that he kept checking her breathing just to make sure. She was breathing all right. And he could also smell it on her. If she hadn’t had sex with someone else while she was gone, he wasn’t standing in a motel room with her right now staring down at her sleeping while chugging another beer and opening his fourth pack of Marlboro Lights for that day (they always bought them by the carton on the Indian reservation before they hit the motel).

But in the morning with her smiling at him, he wasn’t so sure about the sex-and-cheating thing. And he kept telling himself that it wasn’t really cheating when you weren’t even officially together anyway. And he kept rehearsing Percy Bysshe Shelley’s two-hundred-year-old ideas about Free Love within his own mind. Even if she’d been with someone else, what did he really care? But he did care. He didn’t want to care, but despite himself, or his self, he very much did care. Yet: don’t be such a square, he lectured himself, borrowing the worn-out terminology.

Seven or so years later he met up with their old drunken-writer friend Von Achenbach on Halsted Street in Greektown, Chicago in order to catch up, swap tales, relive old times, drink beers (and whisky) and chain down cigarettes.

Von had always known her pretty well and he now claimed with confidence that he had known the coke dealer too.

And he said that he had inside information. Which he was only imparting because he cared about the truth.

Because, Von said, she had been having an affair, or “a thing,” with the coke dealer both before and during, and also after, the thing she and he (the main character of this story) had had between them.

By that time he (the main character of this story) lived in Chicago and she (the girl in the dark glasses) lived in Miami. He was a poverty-stricken, “unknown” writer struggling to get by and she was already the acting director of the psych department at a well-known hospital down there, even though she herself was at least half crazy much of the time, like anyone in this civilization who is sane. And we must know that these few sane ones are few but do endure among us, even if we never see them.

He never asked her what the truth was and he never decided whether he really did or did not want to know the truth.

The Drifter (Images by The Drifter)

The Drifter: Morticia at Twenty-three (Plus a Word From the Non-Drifter Editor Marking The Drifter’s Anniversary)

“They sat together in the park / As the evening sky grew dark…”

– Bob Dylan

…When they met for the first time in a bar in Chicago she pulled out a switchblade knife, flicked it open, and rammed the tip of the blade down into the wooden table between them, right down between his fingers that were resting on the table, just like they do in the movies.

He stared into her eyes and she stared into his eyes and he realized at that moment that she hadn’t completely missed with the knife as he looked down and saw the bright red blood puddling on the wood before he felt the liquid warmth oozing around his drunk fingers.

But that was okay, he was just recently turned thirty years old and she was twenty-three, and such things would never have stopped either of them back in those days. Stopped them from drinking and staying out all night, that is. He grabbed a bunch of tissue from the bathroom and wrapped it around the nicked finger and they kept on drinking and talking in the bars until the bars shut down and then they went to the lakeshore where they huddled in their coats under a tree on a bench sharing a pint of Jack and another pack of cigarettes and watching the sun come up over the gigantic, steaming water. I didn’t know (and I also knew) I was looking for her and now I’ve gone and found my soul mate, he thought. Things will never be the same.

She looked like Morticia Addams (from the television show) at twenty-three. Her long, black, dark, smooth, silky, wavy, beautiful, gorgeous, stunning, amazing, curling, sweet-smelling, living, breathing, shining, flowing, glowing hair fell well below her shoulders and down her back and her big, bright, wild, long-lashed, unusual green eyes were so big and green they almost looked unnatural somehow, like some ancient visionary witch who could see through walls and around corners and into the innards of the workings of trees and people and so forth. Her green eyes made him feel like life itself is simply supernatural. She was a goth girl in 1999, pierced and tattooed (and shaved, he would later find out) in all the right places but not too much, either. Not too much, and not too little.

She spent most of that first night telling him about all the crimes she’d been involved in. Date rapes and gang rapes (most of those had happened to her, but not all), thefts, drug deals, assaults on authority, insults to authority, pranks and law-breaking practical jokes of all sorts. Whether she was displaying herself as the victim or showing herself to be the creator of victims (who deserved it, she said), the tales she told him about herself that first night were both totally outlandish and utterly convincing. He knew instinctively that there was something fishy going on with all of this but it was only a few months later that he would suddenly realize that 99% of this stuff was what Hemingway called “total bullshit.” She knew that he was more than a bit of a criminal at heart himself and she knew that he’d feel sorry for her about the gang rapes and the date rapes, so it never occurred to her that she should stop herself and confine herself to the straight facts, he later realized. She was busy creating a character for him, that first night; she might as well have been on stage (but a very intimate stage, like the most intense closet drama ever invented, where much of the talking was done in inimitable whispers in the hidden corners of dark bars, just the two of us), and just like an audience member is highly unlikely to jump up onto the stage and interrupt the performance of an actress, no matter how convincing or unconvincing her performance is, he was unlikely to call any of her wild tales into question that first night. Although he did say things like, “No shit?” and “You’re kidding me,” and “That is hard to believe” over and over again.

When he showed a little bit of doubt, all it did was spur her on to fresh versions of new crazy tales meant to convince him that she was not the person she really was, or rather that she was a person who enjoyed breaking the rules much more than she had ever actually enjoyed breaking the rules or would in the future.

And so they fell in love and spent every single minute together (almost, or it felt like it) for about three weeks in between Thanksgiving and Christmas, 1999.

The end came, or rather the end of the first stage in their relationship came, one night a few days before Christmas when they were in an Irish Bar in Lincoln Park right across from the park and the lake. Snow was falling outside and when he came back from the bathroom she was sitting right next to (too close to, much too close to) a gigantic goon who she’d earlier told him was a former boyfriend. The guy was probably twenty-five years old, built like a heavyweight boxer and with a very mean look in his eye whenever anyone else got near her. The alcohol took over for everyone and the three of them started drinking together, knocking back shots of Jack one after another as if it were some sort of contest, and even though she was much smaller physically than both of the men, she kept up with them for a while until she suddenly disappeared, into the bathroom it turned out. When she returned, she was pale, very pale, even paler than usual, as in ghostly white, and even deathly white, and she had a small, apologetic smile on her lips (and almost like she already knew what was going to happen soon). Then it was his turn to disappear into the bathroom although he wasn’t throwing up because he almost never did no matter how much he drank. When he turned around, there was a guy he’d never seen before standing there holding her switchblade knife out at him, the exact same knife or at least the same kind of knife with the blade pointed right at his lower stomach about three or four feet away from him.

This stranger then informed him that she was with the other guy again now, that they had gotten back together now and the best thing for him (the main character in this story) to do now would be to get the hell out of here as fast as he could before six or seven of them ganged up on him, dragged him into the back alley, and all used their switchblades on him at once.

The main character of this story went back out into the bar looking for her but she was gone and he soon realized that the guy with the knife in the bathroom hadn’t been joking, or not much. There were at least three or four other gang members ranged around the bar and they were all quietly drinking and waiting for the signal to do the deed, and the deed was this: drag him into the alley and go to work on him with their knives, four or five against one, just like he’d been warned was the case. He could tell, he could very much feel, by their presence who these people were and that none of this was a joke, at all; they were gang members in a gang town that had been a gang town since day one and still was. (See the End Note at the end of this very true story.) If he didn’t leave, and leave now, he would get himself killed or at the very least sent straight to the hospital, left for dead or half-dead in a Lincoln Park alley near the dumpsters behind a dive bar.

Later that night, or earlier that day, anyway it was around six in the morning, as he was lying in his tiny apartment on the futon finally about to drift off to sleep after a very tormented and drunken few hours lying there thinking about her, his telephone rang. It was in the days of the fabled answering machine. He refused to answer the phone; but he did listen to what she said into the answering machine.

She accused him of abandoning her and she informed him that she had become the victim of an unwanted act of sodomy which had been perpetrated upon her in her apartment by the ex-boyfriend who she’d disappeared with and taken back to her apartment. There was something about the way she said it all that told him that this time she wasn’t lying about any of it. And she told him it was his fault and he realized that she was right, as absurd as it all sounded, she was definitely correct: it was his fault. It was his fault! It was all his fault. And this was like The Wall of Pink Floyd.

She said, “It’s all your fault because…because…because you disappointed me.”

End Note: Of Chicago’s 200-plus neighborhoods, 100 of them (or more) are run by gangs; the rest are run gang-style by people who wear conventional business suits and parade around as if they aren’t in a gang. Because there are many ways to stab someone in the back, and not all of them involve knives. Someone is doing it to you this very second, you can be sure (if you are good) (one way or another).

The Drifter and All Images by The Drifter

And…

Hail to the Drifter

Last year, during the run of normal conversation about the upcoming opening of this site, it was decided that the Drifter should hold court every Sunday. He has quickly become a tradition to the degree that I was gobsmacked catatonic to learn that he has been shaking the dust off his boots for an entire year. 

In the world of writing, getting creative things done in an orderly manner is as likely as the Wildebeest outwitting the Lionesses. Some things cannot happen because they run contrary to the governing Will of the universe. In the U.S.A. this was compared to the likelihood of the Chicago Cubs winning a World Series, but when that happened ten years ago, those who turned to St. Jude for succor gained an extra kick in their steps and shone less sadness in their smiles. But since it has been ten years, some of the old lachrymose expressions have slowly returned to faces that look more natural that way. But such a fate will never befall the Drifter (said to be of or near Chicago), who, frankly, tells it like it is and does not need a well pitched game or left handed hitting to get himself across.

Hail to the Drifter, may he find solace on the long and dusty road as another year begins.

Leila 

The Drifter Presents: Lucky Day

“The prettiest girl / in all the world / is in a little Spanish town / but I left her / for a Bonnie lass / and I told her / I’d see her around / but that Bonnie lass / and her heart of glass / could not hold a candle / to bumming around…”

– Tom Waits

…His eyes popped open and his brain popped awake and he realized she wasn’t in the bed beside him which was the reason his eyes had popped open. He knew what time it was even though he didn’t know how he knew that but when he looked at the digital clock on her bedside table he saw he was correct: 4:37 AM. And we went to bed past 1:30 AM. His impulse now was to gather his things together as quickly as possible and leave as fast as possible, out the window if necessary.

But he hauled himself out of bed and walked around the corner into the small kitchen of her studio apartment where he knew she was. He looked out the window at the brown rooftops of Chicago where they spread outward to the blue lake stretching away into the distance in the growing light and then he noticed that she had Sherwood Anderson’s short story collection Winesburg, Ohio beside her on the table. She’d already told him more than once the book was disturbing to her and now here she was reading it again.

When he asked her what was wrong, she said, “I can’t stop thinking about those things you told me.”

He knew what things she meant, but he also knew the things he’d said had now been completely twisted around in her mind so that they no longer bore any resemblance to the things he’d actually told her.

The tension in the room was now so high he felt like the ice he was walking on might break through at any second and he was just trying to keep his balance as best he could so the ice wouldn’t break.

As he walked back into the other room she followed him and asked him what he thought about it all.

He was five feet eleven inches tall and weighed one hundred and ninety pounds, most of it muscle. In the worst of circumstances, Mike Tyson himself would not have scared him at all (think about David and Goliath) and he knew his own hands were lethal weapons if he wasn’t careful, which was one reason he was always watching himself.

She was five feet two inches tall and weighed a hundred and ten pounds. But she had a right hook on her that could take down a heavyweight prize fighter when aimed right, and especially when it was a sucker punch like the one she reached up and gave him right now.

He realized she’d hit him in the ear when the lights popped on again with his ear ringing like a dinner bell and he found himself staring down at her who then reached up again and grabbed him by the long brown hair on both sides of his head.

She then yanked back with all her might and sent both of them flying across the small room toward the couch, her flying beneath him while yanking his hair and him flying above her trying to not fall down on top of her but somehow they made it to the couch via flying through the air, she fell into the cushions and pulled him down on top of her by the hair like she wanted him to kiss her, which she did. Instead, she spit in his face, but not full on, only more like a gesture.

And in that moment her face was as beautiful, fresh, youthful (they were both forty-six but right now she looked sixteen) and lively as he’d ever seen it before (except one time) and even though her eyes were also truly murderous right now and he knew that she would really have killed him in that instant if she’d somehow been able to. He sometimes wondered whether she’d ever actually murdered anyone back in the dark depths of her mysterious past and he was never absolutely sure that the answer was no. It would be like her to do it and to get away with it, too.

He wanted to throttle her, that is, choke her to death – but only for an instant.

Before he knew what hit him he had his clothes on and he was down in the street heading on two feet for his automobile at high speed with the key in his hand like the pacifist he was. She was hanging out the window shouting at him, “And don’t come back this time either you son of a bitch!”

When he turned around and looked at her hanging half-way out of the window with her beautiful long red hair dangling down like a grown-up Rapunzel confined to her tower, she looked at him, their eyes met, she relented, and then she smiled at him sadly, then waved goodbye at him sadly before she turned away inside (heartbreakingly) and closed the window.

The Drifter

(Images also by The Drifter)

The Drifter: Divorce; or, The Immature Adult in America

“Now Lord God let my poor voice be heard.” – Bob Dylan

You get burned, or nailed down, when you’re being good.

Jesus on the cross has many messages for the human race and that is one of them.

There are many people among us who once had the ability to see things differently (more truly) but now, through repetition and conditioning, that ability they once had has been destroyed.

And they are unhappy, very unhappy, because of their false belief in a false dream. (The American Dream.) (I speak here of America only and I think I don’t know if this has yet become a globally universal condition. I critique the American Dream and offer my opinions upon it because I love America. America made me (for good and ill, sometimes very ill) and to hate it would be to hate myself (which sometimes happens). The American Dream is either dead or dying depending upon who you ask these days but probably not to the majority. Whether it can be resuscitated in a more realistic and positive fashion in the future by new generations remains to be seen. S/he who abandons all hope becomes dead inside, and often a selfish raving dark-hearted half-lunatic as well.)

It was a dream they swallowed, so to speak (to revitalize the fishing metaphor in a new context), hook, line, and sinker.

There are many here among us who have forgotten their youth.

And having forgotten their own youth/s, they see nothing but horribleness when they look at the youth of those around them – everyone here who is now young.

The generation gap is a human problem which AI, instant communication, the selfie, and listing your pronouns has done nothing to solve.

Too many people among us think there will still come a day when everything will be perfectly perfect, and that makes them wonder (very much) why the present moment isn’t already perfect.

(Because according to “The Dream,” it’s supposed to be perfect. Reference: all the melodrama in television, movies, books, articles, advertising, and other mediums which reinforce this notion daily, hourly, and sometimes minutely or every-single-second-ly.)

This tension, between the expectation and the reality, creates the so-called bitter taste in the mouth (another reinvented metaphor because of the context and the awareness that I’m using what you’ve heard before; Shakespeare and Dylan do this stuff all the time so who can blame me? I can’t think of anything else that says it better and I’m not gonna spend all day trying).

Sarcasm and passive aggression often become the norm when someone feels that their (false) dreams have been dumped on (defecated upon, in other words).

(And sometimes the passive aggression lurches into just plain aggression without warning.)

No amount of mowing the lawn, scrubbing the floors, cleaning the windows, dusting the doodads, having a date night, ordering from Amazon, or going on vacation can fix this. (“Fulfillment Centers,” indeed.)

There are too many expectations but there should be no expectations, kind of like in the Stones’ great song “No Expectations:” because there is nothing to expect.

If something good happens something else bad will happen to weigh it in the balance and when the bad comes, brighter days are ahead, almost for sure, IF you can hang on that long. Hang on, hang on!

Rumi was born in what was once the Persian Empire (present-day Afghanistan) 818 years ago.

He said, “Goodbyes are only for those who love with their eyes. Because for those who love with their heart and soul, there is no such thing as separation.”

And that’s how you can love someone you’ve never met.

And once you can believe that, everything else becomes golden.

(Separately, there is the problem of physical pain, for which the “grin-and-bear-it” method is the best medicine. Marcus Aurelius said that even if you’re being torn to pieces by a wild animal you should keep your composure, because it will inevitably be over soon, among other reasons; don’t sweat it! (or try not to). Prayer also helps; and cursing God or asking why is talking to God which makes it prayer (see the Book of Job including THE WHIRLWIND) and He has a sense of humor (I’m sure of it) and understands; just remember to say you’re sorry afterward; when we finally see his face we ain’t gonna be able to believe it!)

HAPPY BIRTHDAY WALT WHITMAN!

Walt Whitman is a brother, and even a twin, to Rumi if anyone ever was.

Old Walt was born 207 years ago today in a little village on Long Island, USA.

This essay into the unknown is in honor of him, since much of what it says was taught to me (The Drifter) by him (and the other American Transcendentalists).

“Old father, old artificer, hold me now and ever in good stead,” as Stephen Dedalus said.

The Drifter

The Drifter Presents: Happy Birthday Bob Dylan

“I is another.” – Rimbaud

“Say one more stupid thing to me before the last nail is driven in.”

– Bob Dylan

“Your best friends are my worst enemies – Angelina.” – Bob Dylan

Happy Birthday, Bob!

May you live as long as Willie Nelson is now and on and beyond (and same to you too, Willie; you two are kindred spirits).

But when Bob Dylan ever does pass on (not die), I will instantaneously think of what Bob himself said about himself after Elvis moved on: “After Elvis died, I didn’t talk for a week.”

I will not (probably) be silent that long, but my heart will break (in a certain way). And I will know (deep down) that times have changed.

I’ve seen Bob play live an uncountable number of times across five decades: in the ’80s, the ’90s, the ‘00s, the ’10s, the ‘20s.

I’ve seen him drunk (I mean me, although it was obvious that he was too at least a few times), I’ve seen him sober, I’ve seen him on drugs, I’ve seen him not on drugs, and I’ve seen him with my (now ex-) wife when she was preggo with the twins.

After the show she said: “It looked like you were studying him the whole time.”

That’s because I was studying him the whole time.

I’ve been studying the man (on and off) since I was thirteen years old.

I’ve seen him in Iowa, I’ve seen him in Missouri, I’ve seen him in Wisconsin, I’ve seen him in Kansas, and I’ve seen him in Illinois, many times, both in Chicago and at other locations.

(Side note: many folks don’t know that Iowa is our (the USA’s) Number One Agricultural State, which is true; it isn’t California. Reminder: Robert Zimmerman was born and bred in Minnesota.)

I’ve seen him with Tom Petty, I’ve seen him with the Grateful Dead, I’ve seen him with his own bands, I’ve seen him at the first Farm Aid in 1985, and I’ve seen him (and heard him) in my mind all the time, especially when all you beautiful ladies said goodbye.

(I never say “hi” and I never say “bye” to the beautiful ladies. They say hi and they say bye when the time comes: I’m still here; just don’t get too close any more; I don’t know why!)

(True beauty emanates from the inside outward and resides mostly in the eyes. Plastic beauty can be beautiful on the outside, but when you peer into the dead or predatory eyes, it chills the effect more than a little.)

The last time I saw Bob live he was with Willie and Mellencamp on the Outlaw tour, here in Illinois, two years ago.

He hid behind his piano wearing a hoodie the whole time and really pissed off a lot of the audience because he’d turned all his well-known songs into some sort of seemingly incoherent (but only seemingly) jazz.

Boos even started to go up here and there in the crowd.

I almost went over and told one guy to shut his fucking mouth.

I was ready to tear his head off if he didn’t listen to me.

But I restrained myself.

It was like some puny little fool in a football jersey standing there hurling rotten eggs at Mount Rushmore (even tho’ the dude was six feet three).

Because that’s what Dylan is: he’s as big as Mount Rushmore.

And maybe bigger. (Even tho’ he’s only five feet seven – or less.)

They say that when Dylan and Cash used to hang out together, they didn’t even talk.

As the great American fiction writer Barry Hannah (RIP Barry; your two greatest works are the short story “Water Liars” and the short novel Ray) once said: “I don’t need to meet Bob Dyan. He’s already shaken my hand.”

END NOTE:

For an answer to a full-scale nuclear war (which is becoming more likely by the hour, however unlikely that sounds), listen to “Let Me Die in My Footsteps” by Dylan, 1962. (And read the Bible and the Tao Te Ching.)

(Faulkner rightly said: “All it can do is kill us.”)

ONGOING NOTE: For a great song about public heroes dying, see and hear Waylon and Willie’s song “Heroes” (2:46) off their 1982 album WWII. Not to be confused with “My Heroes Have Always Been Cowboys” – which is also true.

(All images provided–brilliantly–by DWB)

Why I Heart Eminem by The Drifter

(Images by The Drifter)

“But don’t you place the blame on me / As you pour yourself another drink, yeah.”

– Eminem

I heart Ems because he talks about, explores, and explains what it’s like to be from Michigan, which means, of course, what it’s like to be from the American Midwest: “flyover country.”

It’s kind of like America’s greatest rock critic (by far), Lester Bangs, who always loved to wear his “Detroit Sucks” T-shirt while living in, and loving living in, the Detroit area, which is known as both Motown and Rock City among other monikers. I can’t believe he was only three miles down the road co-creating Creem Magazine while I was living there as a rebellious little kid. And yet, such is (weirdly for me as a person) true.

There is a simple four-part formula for understanding the essence of Eminem as an American artist, I say!

I speak here of his best, most mature, and most fully developed work, not every single thing he’s ever done. He is a very profuse, honest, sometimes dark, and prolific artist, and if I wanted to slam him, I could choose lots of things to slam. He’s also a very self-aware and self-critical artist – anything anyone can say about him, he’s already said about himself a million times before (much like the poet Charles Bukowski).

The four-part formula goes like this.

One: What it’s like to be from the state of Michigan.

Two: What it’s like to be from the American Midwest (“flyover country”).

Three: What it’s like to be an OUTSIDER.

Four: How the figure of The Outsider, in his work, becomes a symbol of the modern Human in general, plain and simple, and also not simple at all.

Someone once asked him if he believes in God; he said, “I don’t go to church, but I do pray.”

Such an answer shows how he is a kind of modern-day Everyman who modern-day Everywomen can also relate to.

Every place in America, and I mean every place in America, has great heroes and heroines who lived there in the past or are living there right now. By “heroine” and “hero,” I simply mean someone who can be looked up to in some kind of way; someone who proves that humans are, somehow, worth it; and can act as a representative figure somehow (which is also much more of a burden than it might sound like at first blush).

Because if we don’t question the fact of human nobility sometimes, we are blind and mad. And if we don’t ultimately believe that humans have that noble strain within them, we become someone like the current president of the USA, who believes that everything, and that means everything, comes down to nothing more than a monetary transaction, one way or another. Think well of other people – without being blind – and eventually you start to think well of yourself, too.

Eminem’s gated KMart mansion is fifteen miles away from where I lived for the first ten years of my life.

My parents were young and our neighborhood was modest and I often find myself back there in my dreams or in the smell of rain or snow or grass or in the warmth of the sunshine, all of which I learned there first.

We lived in the area where Eminem’s film 8 Mile is set.

Five of Eminem’s greatest songs are from his 2013 album The Marshall Mathers LP 2.

When this album came out, I was separated from my wife and broken up with my truly-beloved, soul-mate girlfriend (who I took up with only after my wife kicked me out and I also kicked myself out even more, which she tended to forget (about the girlfriend) a little too often, since we never lost regular contact while taking care of the kids, in front of whom we always retained a friendly family demeanor in between the poison barbs we regularly aimed at each other; see the quote from Eminem himself at the top of this essay for an example). Two people I deeply love were battling cancer (they got over it, but I didn’t know if they would, at the time; and one of them was her). And my mother had recently passed on. And I was losing my job, a process that took, on and off, two years. Unlike the cancer/s, I knew how this one would pan out from the start, but I never stopped fighting (even though lost in a fog-of-war confusion most of the time, at the time) until it was over (when I immediately plunged into a periodic three-year depression that almost killed me lots of different and exciting ways).

The Marshall Mathers LP 2, and especially the five songs I’m about to list, provided me with great, deep consolation, comfort, and inspiration at the time. For some reason, the album cover has one of my favorite numbers hidden in plain sight upon it: 946.

My two kids, who are forty years younger than me almost to the day, also love/d these songs, then and now, as do most of their friends.

This album was/is one of the rare times when great art and the American mainstream actually come together these days. Lana Del Rey, at her best, is another example of this; as is Taylor Swift (at her best); as is Lady Gaga – at her best.

“The Monster” (co-vocals by Rihanna). ALSO SEE THE MUSIC VIDEO WHERE RIHANNA WEARS BLACK LIPSTICK AND EXTRA-LONG FINGERNAILS!

“Legacy” (co-vocals by Polina).

“Headlights” (co-vocals by Nate Ruess).

“Stronger Than I Was.”

“Bad Guy” (the sequel to Ems’ great song “Stan”).

Remember the spirit of the 1960s (even if you weren’t alive at the time) and play it loud!

These songs are not really rap or hip hop per se; they are more like rap rock, like when he sampled Black Sabbath or Nick Cave on earlier songs; and even more like something one-of-a-kind in a genre of their own, a genre of Eminem’s own invention. Like all great art (including all great essays), these songs don’t really fit into any pre-conceived categories: at all.

But these five songs are so great, they can, very rightly, be compared to the best of The Beatles; Bob Dylan; Nina Simone; The Clash (London Calling); Nirvana. Yes, it’s true: Eminem, at his best, is that good.

Another thing many folks don’t know about Eminem: he took better care of his little brother than their parents did; and he took better care of his three daughters than their mother/s did (two are adopted, from his ex-wife with another man and from his ex-sister-in-law).

Unlike everyone else, he stuck around.

Exciting End Note/s:

I can also recommend Eminem’s powerful 2010 album RECOVERY.

Especially these songs: “Cold Wind Blows,” “Love the Way You Lie,” “Not Afraid,” “Going Through Changes” (one of the songs where he samples Black Sabbath, brilliantly), “Space Bound.”

This essay was written in a single burst while sitting in the car outside Frank Lloyd Wright’s Home and Studio in Oak Park, Illinois, USA, on May 12, 2026, which is right around the corner from Ernest Hemingway’s boyhood home. I do not use, and have never used, and will never use either grammar or spell check, believing my brain should be the one to do the work instead of any sort of a computer for a multitude of reasons some of which I can’t even explain. I believe that any typos or mistakes (if there are any) are deliberately made by something else. Therefore I let them stand if I catch them after a certain point (after my brain says “Finished”).

SEE THE QUILLEMENDER OF MY CO-EDITOR LEILA ALLISON!

(Borges rightly says that the real writer is never afraid to write a bad page.)

I saw seven GIGANTIC wild rabbits in Wright’s yard while writing this!

They were running around chasing each other because they know that it’s SPRING.

The Heaven of Beauty by The Drifter

“For when words cease to cling close to things, kingdoms fall, empires wane and diminish.” – Ezra Pound

This week The Drifter offers a twenty-three-line poem because that’s what occurred – or arrived. In the unlikely event that anyone out there wants more “Drifter” today, I advise perusing this pome (not a typo) a multitude of times. This is not an article from The New York Daily Bullshit with a tag on it saying, “2 min read.” Reading this piece very, very, very, very, very, very, very slowly (aloud, or inside) is the recommended method – a form of medicine. I here predict (and if I’m wrong, I won’t know it, or care) that this one will be around for a while.

In the title, “Beauty” is a name, as in the old French legend, “Beauty and the Beast.”

This piece contains the past and the present, and has eyes on the future, in a writing where hundreds of things are deliberately hidden within every line.

And: age, does it not sneak up on us like a thief in the night?

With sincerity,

The Drifter

April 30, 2026 AD, 11:33 AM

The Heaven of Beauty

When I thought of your long red silver hair

and how many years it’s been that I haven’t seen it

blowing in the wind,

I was surprised, and almost shocked,

and I couldn’t believe that it was almost May again.

May,

month of dying

purple lilac petals in Berwyn,

another chance, a thawing of the heart, a re-resolution,

despite all.

May,

a sinking of the heart, a re-realization,

a too-real realization, and a knowing, that nothing,

like us, does not last forever.

And May,

telling me

there will be

another summer

of a different kind

Somewhere Else

somewhere down the line

one of these

lifetimes.

The Drifter

The “Mad” Woman by The Drifter

(All images by The Drifter)

“So you may say, / Greek flower; Greek ecstasy / reclaims forever /

one who died / following intricate song’s / lost measure.” – H.D.

Today’s discussion of medical issues is from a layman’s point of view since I am a Doctor of Philosophy and not a medical doctor. But the medical facts have been garnered and gathered from folks who are medical doctors – in person, not just through reading. So this column offers the best of both worlds: the medical facts filtered through a philosophical perspective, with a touch of Edgar Allan Poe and Franz Kafka, except that THIS IS REALITY.

…

The “Mad” Woman

You walk back into your tiny apartment after another trip around the block. The second you enter your one main room, you realize that something is amiss. Someone has been in here again during your 30-minute absence. Not only have they been in here again, they have rearranged some of your items. The difference in placement is very subtle. A hair brush you thought had been over here is now over there. Your coffee cup has been moved three inches away from the place you left it. And the television remote control device is now sitting on the opposite end of the end table from the one you left it upon when you left your apartment thirty minutes ago. Because the people, or beings, who enter your apartment and rearrange your stuff when you are gone are very subtle, very secretive, and very sly. You do not know why they are targeting you and rearranging your stuff; but “they” have been doing this for years. You slowly move around the apartment putting everything back in its right place. Then you notice that the dart board on your wall has also been rearranged. It has been moved exactly three inches to the left. You suddenly realize that the dart board is not a dart board: it is an eye. It is a GIGANTIC EYE through which THEY are watching you. THEY also follow you around on the streets sometimes. You have been incarcerated more than once for accosting these spies on the street. You approach them unannounced and unawares, demanding to know why they are following you, whose orders they are following, and why they don’t feel guilty about being spies. The authorities sometimes show up when you take these interrogation tactics too far. Sometimes that’s when the straight jackets come out and the incarceration thing happens again. You are aware that all of this seems “crazy” to them. But you are being followed, tracked, and surveilled within your apartment. Not just the dartboard but also the bathroom mirror is an EYE watching you. Watching you and reporting your activities to THEM. That’s why sometimes you don’t move for hours. You just sit there alone in your chair in your apartment utterly unmoving, not even daring to get up and go to the bathroom. Some day you will figure out who is doing all of this, why they are doing it, and what the universal ramifications are. You’re pretty sure that most of the spies are human. Others are definitely demons who look like humans. A few are humans you’ve been long familiar with, like your sneaky and wily landlord. That landlord of yours who always acts so friendly on the surface then turns around when you’re not looking and reports all of your activities to the authorities. The ultimate authorities are not human. They are not God, either. Rather they are some kind of currently unknown (to humans) creatures who live on a Planet called the North Star that is not in our galaxy and not even in our universe. One day you will know the reason for all of this, and it will elevate you. In the meantime, you can’t get a job because your life is constantly taken up with dealing with them, fleeing from them, thinking about them, analyzing them, dreaming about them, hiding under the covers from them in the tiny bedroom. (Under the covers is the only place they can’t see you, although they can still sometimes say things to you, like, “You stupid fucking bitch” over and over again.) Maybe some of them are friendly though (you are hoping this is true). Maybe everyone and everything in the world is not your enemy. Maybe. Maybe. Maybe! If you weren’t on medication, things would really start to get bad. You remember that you haven’t taken your medication in a few days, not since the last time you saw your therapist. You go to the medicine cabinet. To retrieve your medication. It should come as no surprise that your medication has disappeared because THEY have stolen it. Later you will locate the medication bottles in a different area of your apartment and realize that the jerks who are following you around and messing with you have moved your medication again. You dump all the many multicolored pills all over the floor and slowly and methodically begin to count them again, over and over and over again…counting the pills in this way also keeps the voices in your head quiet as night comes on, at least for the most part…

…

Welcome to the wonderful world of full-blown schizophrenia. The low moods and crazy highs of bipolar disorder look like a cake walk compared to this. Bipolar disorder is an episodic disorder where the patient is rarely, if ever, psychotic, i.e. totally out of touch with reality. There are a few medications that work really well in helping to control the occasional, extreme moods of bipolar disorder along with all of its daily intensities, mini-nervous-breakdowns, hilariously dangerous outbreaks, and sometimes-constant hyper-irritability. There are no medications that are great, or even very, very good, at controlling schizophrenia, although some med’s can help control the delusions and hallucinations a little. There is not much chance that any of this will change, at least not in the next couple of centuries…

…

The Native Americans, like the ancient Greeks, believed that “crazy” people were in touch with the gods in a special way that made them special people. They weren’t just sad, pointless cases with no reason, no goals, no ambitions, no purpose. Instead, their unusual condition was seen as a thing that was bringing messages to the rest of us. Not clear messages, ambiguous messages. But messages nevertheless. In the modern, secular, capitalistic, warlike, atheistic (or fundamentalist religionist), consumerist, commercialized, monetized, advertised, atomized, and alienated world, your value is the price tag on your head. Special people are not special, they are worthless, pointless junk to be discarded if possible. The medical professionals who do more than anyone else to try and help these people also often do more than anyone else to stigmatize, traumatize, and stereotype these people. There are literally millions of severely mentally ill people in the USA alone, and that doesn’t count the rest of the world. It’s a known fact that schizophrenics in the USA and UK, for instance, usually hear voices that are harshly criticizing them; while schizophrenics in places like Africa or India usually report (instead) hearing the voice of God.

These people really are messengers. It’s us who are not listening.

The next time you see someone standing on the street corner yelling at and kicking a telephone pole as if it were alive, or staring into the sky with a terrified look on their face as if an angry Martian were gazing down at them and scolding them, see if you can get inside their head before you pass on.

The Drifter

Doing It Anyway by the Drifter

(All Images by The Drifter)

“It is difficult / to get the news from poems / yet men die miserably every day / for lack / of what is found there.”

– William Carlos Williams

“Look at / what passes for the new. / You will not find it there but in /

despised poems.” – William Carlos Williams

The above lines appear so simple that any literate child could have written them in her or his off moments.

At the same time, it took me twenty years of periodically re-reading and returning to these lines before I was able to understand them in their deeper levels, or in what Ralph Ellison called “the higher frequencies.”

I always knew there was something there, but just what it was always seemed to elude me.

It was this mystery, this enigma, this most simple yet deepest of riddles, which kept me returning to these lines, as with so many other great lines of poetry.

When you know what it is but also know you don’t really know what it is (and Socrates said the most important thing to know is what you don’t know), the mind-heart-body-spirit must engage with the work in a way that is beyond mere mental exercise, but also is mental exercise of the highest kind.

By the word “high,” I mean that it makes you feel high.

The word “kind” in another guise is another thing poetry is, even when it’s savagely satirical.

The honest and plain truth is that poetry says what nothing else can say, whether that something else be politics, science, philosophy, or even religion, which is why poetry is a religion to many.

It is a religion to an uncountable, indefinable, and scattered multitude, now and always.

It is what made us human (“in the beginning was the Word”) and it will be the last thing to go when and if we ever become no longer human.

There is nothing to believe; but somehow poetry makes you believe it anyway.

Key Notation: A novel like MOBY DICK or JANE EYRE or a Nathaniel Hawthorne or Carson McCullers short story are also, very much so, “poetry.” Wallace Stevens said that we should go around collecting poetry from the epiphanic moments in our lives and put those moments into words only afterwards; and so on one level, there is no greater argument for the holiness of poetry in and of itself than this.

The Drifter

Report from a Battlefield by The Drifter

…Then the Drifter said:

The Drifter is phoning it in this weekend, or at least shooting from the hip, because the kids (the twins) have pneumonia. And he himself feels like he might be coming down with pneumonia. Or it might be the effects of a lifelong insomnia problem. I remember wandering around exploring our little house in the Detroit suburb of Madison Heights alone in the middle of the night before my brother was born. I was four when he was born. I remember, like it was yesterday, the day they brought him home from the hospital. Like it was yesterday with a large gray veil thrown over it, that is. Sometimes I wonder what are all the things I don’t remember. I know what I remember. What I don’t know is what I forgot. Meanwhile, what I forgot doesn’t mean it hasn’t affected me. It might have been a traumatic thing that has affected my whole life more deeply than anything else that I do remember. I also know that memory has a way of casting a beautiful sheen over some things they could not possibly have had to that full of an extent while they were happening. This hectic week has also reminded me that you need a zen-like control of the mind in order to do any good writing at all, except maybe fragments you can save for later.

Regarding the pneumonia, the effort of providing (or trying to provide) constant emotional support while also talking everyone down and also talking them up all the time (“it will be okay, you can get through this,” etcetera), while simultaneously dealing with crowded doctors’ waiting rooms, harried medical staff, looming insurance debacles, half-assed pharmacy escapades, endless traffic jams, social anxiety disorder caused by bipolar disorder, and near-migraine headaches can be a thing that will lead to nervous breakdowns, just like it has done in the past. My well-medicated brain that has a dead patch in it from having a stroke can handle a lot but it too has its breaking point. The first sign is usually emotional, followed by physical, collapse. Lest it sound like I’m complaining I admit that all of the above is a journey too and these are also some of the most meaningful events in life. Watching your children suffer and panic and cough up blood up close teaches you something, even if you don’t know what it is at the time, and even when they are otherwise healthy kids who you know are probably gonna be okay.

The kids’ mother, my ex-wife, teaches sixth grade math fulltime at a public elementary school. Nearly half of her seventy or so students either have no father at all (that they know of or know) or have a father who’s in prison. It doesn’t make for the most controlled eleven- and twelve-year-old male behavior imaginable. The job has too many students and too many hoops to jump through almost constantly but teaching jobs around here aren’t easy to come by even under the horrible conditions. She takes over with the twins after work when they’re sick and I get to fly away like a bird, but until she’s available, the job of double caregiver is all mine. What I get out of it is a great relationship with great kids. The danger is a bunch of small nervous breakdowns that can lead to a big one. But I get to look myself straight in the eye in the mirror and say, honestly, that I’ve never abandoned them. The sense of freedom this causes through a lack of guilty feelings from doing otherwise is one more freedom in a world where we all want freedom. Freedom comes from what isn’t there as much as from what is. It’s hard to concentrate on anything else when the bombs and the bullets are flying in your direction.

I had started on a column this week before the pneumonia thing began and I here append a 287-word fragment of the rough draft as evidence. I believe it is worthy of perusing or I wouldn’t append it:

This is for all unsung spiritual warriors everywhere who know whereof I speak.

Those who do not know whereof I speak are of course free to read this anyway but it’s unlikely you’d get the same kick out of it as those in the know.

Whether this happened to you yesterday or forty years ago matters not one tiny jot.

What does matter is that the reader of this understand the concept of life as a war and certain individual chapters of it as battles and battlefields.

Understanding this concept does not mean that the symbol and metaphor indicated is real, if it were real it wouldn’t be symbol and metaphor, even though symbols and metaphors are real.

Real war is a horrendous ordeal for all involved, except the ones who get off on it, and there are many who get off on it, probably far more than is generally acknowledged.

The concept of life as a spiritual war means that the strains and stresses of living it on a daily basis can take the same kind of toll that a real war can take in the long run.

On any given day living my normal life in Chicagoland all these things might happen, sometimes within the same hour.

I might be almost run over or slammed into by an errant, enraged driver who then yells at and curses me for almost getting in his or her way even though I’m following the rules of the road and she or he is not.

I might be accosted on the street by a beggar in such a horrific, bedraggled and tragic condition of decomposition and desperation that my eyes, and my heart, can barely stand it.

I might

UNFINISHED.