The Solemn Rules by Christopher Ananias

(Image provided by Christopher Ananias)

(Editor’s note: Today and tomorrow and Wednesday we welcome Christopher Ananias, who is a first rate writer and photographer. Christopher takes a good look at the world and returns with honest first rate prose. His biography appears at the bottom of this post.–LA)

And the words, like a kind of conjuring, brought the ladies from the sheets of rain. Like they all rode together in the same car or dark cloud. One held the door for the other three, as they hurried inside, fine heels clacking, and the door shut. Their perfume and rain drops mingled together, and it was strong and pleasant, but it made Vanda dizzy, thinking of death. A death lay before her.

Vanda stood over Randall and the other three young women gave her a moment. She wore the dark shawl of a mourner. Her companions watched and observed the silent ritual, then they chatted. The conversation became louder, and for a raucous moment, it seemed they had forgotten the solemn rules.

Vanda imagined wearing a black veil. A veil that is reserved for widows, and not young ladies who fall into traps with older married men. She touched the glossy black casket. Her long white fingers looked starkly bright in contrast. The casket felt as though it had sat in a cold basement, instead of a carpeted funeral home with a furnace huffing in its bowels.

She looked at Randall. He looked very attractive to her, and the urge came on strong, and she wanted to climb on top of him. Make necrophiliac love. A moan slipped from her. Did her shopping companions, and confidants, who even accompanied her to the funeral of her adulterous lover, hear that lustful moan? I’m way out of line, thought Vanda. What right do I have to be here? And to think these sick thoughts!

What shoes did he wear? Were they his slick brown office shoes, doubling for—forever shoes? Her fingers pulled at the lower lid and it creaked. She glimpsed his bare white toes and dropped it with a thump! The jarring acrid taste of fear turned in her stomach. What am I doing?

Vanda looked over at the window and the water streamed down in cold beads. She could see the drab cars on the street. They were in a certain order, except for one. Her flashy red sports car, which they crowded into. It looked impossibly bright, and beautiful, somewhat like her own flashing beguiles of full lips, white teeth, and shapely aerodynamic curves. And wrong. It looked too fast, drop your pants without underwear fast, too ritzy, among the subdued and stoic Nissans and Toyota Camrys.

She could feel the fear of being outed, out of decency, out of my mind, you’re out-of-order, Miss! She watched the rain bead down the window, and in the gray light, her body became as still as the corpse in the casket. Who died, in a sudden cardiac arrest, riding a stationary bicycle with a blown heart to eternity. She thought again, what am I doing here?

Vanda had lived for two years in the shallow grave of discovery. Randall claimed his wife went on sniff and fluid patrols and dug through his clothes, and scanned his phone looking for traces of the other woman. Her.

Randall, the handsome sandy-haired accountant with designer glasses had the exact answers to the balance sheet of adultery. He would stand in his underwear, his flat 41-year-old workout stomach with a hint of a six-pack on view. Vanda watched his rituals still nude from her fluffy and deeply comfortable bed. He rolled the lint remover over his office clothes. “Look Vanda, that’s a long one.” He showed her the roller. A long blond hair, matted against the sticky surface, doing two laps. “Penny would go apeshit if she found that one! She’s got her Dad’s old Walther Pistol too…”

Sometimes as they lay in the afternoon sun. His phone would chime, sending ice sickles up Vanda’s spine. WIFEY lit up in red letters on the large iPhone screen. It was an invasion of her inner sanctum. Her sanctum of them. She watched his cool fingers typing with the energy of a man that has his cake and has just got done with it too, and might have another piece.

Randall had a second phone for their relationship. A cheap burner like he was a drug dealer clocking out by the concrete blocks on South Street. The relationship revolved solely around his time schedule. Vanda knew her friends thought she was a fool, as she dialed each one after some broken plan.

The Colts game became one that got seared into her primal cortex. Vanda saw Randall and his family on TV in the stands! Randall’s arm is around his dark-shiny-haired wife, wearing a blue Colts jersey on her buxom chest. She looked strong and beautiful and Vanda was afraid of her. Afraid of her righteousness, and that gun. Randy Jr. sat basking in the light of his loving parents that was as real as her own misery. She got all of this from one little eye-popping pan of the TV camera that landed on Randall.

Randall’s little boy whom she heard about a million times, added a dark layer of guilt to this adulterous cake. Vanda felt like she was committing attempted murder against the fable of his happy family.

She looked out the window again in the foggy gloom ever so fitting for a funeral. The widow and little Randy Jr. came up the sidewalk, and Vanda slipped out a side door, where several shiny caskets waited on biers like boats for the river Styx. Her three friends got a group text. “Meet me outside.”

And the words conjured them into a downpour and into the red sports car with a cat emblem on the hood. Packed to the ceiling, with four beautiful babes, cascades of shiny wet hair, sleek young arms dripping on the door panels, and shiny shaved legs in skirts cocked up into the dash and bald knees pushed into the back of the seats. Their voices were full of exclamations and laughter like they came from the sunshine of good times instead of a rainy funeral parlor.

#

Later that evening Vanda laid on her sumptuous bed in her Randall-less boudoir, and dialed Randall’s widow, WIFEY. Unbeknownst to each other they were at that very moment each, smelling one of Randall’s dress shirts. The phone rang three times. Vanda thought, What am I doing? I don’t have any right to call her. I’m way out of line. Something rekindled inside her like the excitement of the affair.

“Hello,” WIFEY sounded perfect to Vanda. Like a strong, complete woman.

Vanda raised up, dropping the shirt on her naked waist, covered in Randall’s scent, and said, “I-I.”

“Who is this?”

“I found your dog, the uh, black Yorkie.” Vanda felt like she was reading a line from a terrible play, which she mostly forgot.

“We don’t have a dog.”

“I found little Randall’s dog. The black Yorkie. His name is…uh,” Vanda glanced around the room landing on the blank TV screen. “His name is Sanyo.”

“I told you we don’t have a dog.” Then the phone went silent. “Did you say my son’s name?”

“He’s a good little dog, Randall Junior will miss him.”

“It’s you isn’t it? The whore.”

“Sanyo wants to come home. Please let me bring him to you and Randall Junior.”

“I saw your little red sports car outside the funeral home.” Her voice rose. “How dare you? You have no boundaries. You filthy whore!”

“Sanyo loves little Randall, very-very much. Please.”

“Look I’m going to say this so you can understand. If you come near my house or Randall Junior. I will blow your fucking head off. I might anyway.” WIFEY dropped the phone and jammed Randall’s shirt into a trash sack lumped with his other clothes.

“But what about the reward?” said Vanda into the dead air. Then she masturbated.

THE END

Christopher J. Ananias enjoys wildlife photography. He likes to walk along the railroad tracks, dodging the trains. His work has appeared in Flash Fiction Magazine, Grim and Gilded, Dead Mule of Southern Literature, Literally Stories UK and others.

11 thoughts on “The Solemn Rules by Christopher Ananias

  1. Christopher

    The image of the tracks goes with this for some reason, so that’s why I chose it.

    Wonderful little lines in the story “fine heels…” “shallow grave of discovery”…

    And you are able to piece it together, what happens via the little hints. Extremely well done. Vanda lives on a strange edge.

    Leila

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  2. chrisja70778e85b8abd's avatar chrisja70778e85b8abd says:

    Hi Leila

    We take pictures of the railroad tracks stopping the car in the middle. Like some kind of suicide pact. Cars are always on us. Places start to look the same. My ex-wife says, “We’ve been here before, huh?”

    “Right-right,” I say.

    Thanks

    Christopher

    Liked by 1 person

  3. Ananias

    WOW! This thing is another masterpiece. Your characters seem like they’re ALIVE and this piece is made up of such twisted poetry (twisted in the very best sense of the word) that literally every single sentence is a knock-out.

    The way the individual sentences all work in this piece, separately and together, is something that an entire long essay could be written on if each sentence were explored to the levels that it deserves. The sentence constructions are unbelievably well-done, original, and on target at all times.

    The opening is an absolute knock-out and the twisted intensity continues to spiral forward through the whole thing, riveting.

    This tale is such a human exploration of grief and morality that it’s almost hard to describe the feelings of the protagonist. The authorial voice or the writer’s stance toward his material is awesome because the writer seems “invisible” and you bring us unbelievably close to the main character’s thoughts and emotions, her desperate love and her desperate grief.

    And because she is the “other woman” the Chekhovian “amorality” of this tale is one of the most MORAL things there could possibly be, as the main character is never JUDGED, but only shown, dramatized, presented, in all her desperation, grief, and love.

    I’ve got more to say on this but it’s a busy day because of errands with kids today, etc., but wow is this a great short story!

    Dale

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  4. CJA

    The photograph is an awesome piece of Americana, resonant, evocative, and full of mood. AND it reminds me of Hemingway’s great short story “The Battler” very much, as well as other of his tales of Northern Michigan, where the characters are often riding the rails.

    Great work, you are a visual artist as well as a true artist of the word!

    The D

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    • chrisja70778e85b8abd's avatar chrisja70778e85b8abd says:

      Dale

      Thanks! We take these shots often when we are out in the car on safari with cameras. We call them “The track shots.” Extending the lens way out so it all blurs.

      I may have read “The Battler.” I’ll have to check that out. I like Hemingway a lot! Those Northern Michigan tales are full of the wilderness. I read the , “Big Two-Hearted River,” a little while ago, and it was amazing! Michigan from a natural perspective is a great state!

      Christopher

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  5. chrisja70778e85b8abd's avatar chrisja70778e85b8abd says:

    Hi Dale

    Thanks for your comments! Glad you liked it!

    I wasn’t quite sure about submitting this tale. I had some positive feedback on it from an editor a few years ago, so I rewrote the ending and tweaked a few things. I think that’s one of the things I like about writing. The rewriting. But also when a story comes together in the first place.

    I hadn’t thought of the MC in a “Chekhovian amorality,” but that sounds very apt. I’ll have to keep my eye out for this in A.C.’s stories. I remember reading the “Nervous Breakdown,” by C. about this young law student visiting Moscow’s red-light district. Sort of a rude awakening–how these women were being used 500 times by different men, and so on and on, until they were nothing but shells… A bite of reality from long ago about the sex worker industry. Chekhov is great!

    From the Springs

    Christopher

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    • CJA

      Yes, rewriting and revision can be so much fun, like sculpting in many cases, but with words!

      Can’t say enough about the sentences in this piece, the way they move, the way they stand up on their own, and the way they connect to each other, too. This is, truly, taking the English language to another level. Extremely CREATIVE writing, almost scarily so.

      One of my favorite Chekhov stories is “The Lady with the Little Dog.”

      Your authorial sympathy AND authorial distance from your character are, truly, Chekhovian. You bring her really close to the reader while staying way in the background, a great uncanny storytelling effect. Awesome! And the minor characters are just as alive as the protagonist; and they all inhabit a fully developed, fully imagined world that mirrors the real world but is also it’s own thing in a kind of Raymond Carver realism-fable-like effect.

      Gotta run for now, great work!…

      The D

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      • chrisja70778e85b8abd's avatar chrisja70778e85b8abd says:

        Hi Dale

        Wow! Those are some great comments! Thank you!

        I sort of wondered if the sentences would sound like myself. I wrote this a few years back.

        Sometimes I find myself drifting between simple straight short sentences then a poetic or maybe lyrical impulse takes over. I like both of these ways of constructing sentences.

        Yes I think this is one of his more famous stories, “The Lady with the Little Dog.” I was really taken in by “The Student.” on your recommendation. I like “A Dead Body.” There are so many.

        That’s a really high level comment about bring her close to the reader while staying back, and great hear! Glad my characters come across as developed. When I first started writing fiction characters it was hard to find them and show them as being alive and autonomous beings.

        Thanks again!
        Christopher

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  6. After the set up, I wondered how it would end. The end seems wholly believable, but it could have gone several different ways. I think that “wifey” got it wrong. Randall was at fault. I don’t know what the “missing dog” part was about other than dealing with grief in an odd way.

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  7. chrisja70778e85b8abd's avatar chrisja70778e85b8abd says:

    Randall definitely played his part, but it takes at least two to commit adultery. I think Vanda had been living on the edge for a long time, and started to go over it. The dog popped up like a kind of symptom of her lying and risk taking. I think she was trying to force a confrontation with, Wifey. Maybe out of fear or guilt. She may have even wanted to commiserate with the widow. That’s my take, anyways…

    Thanks for your comments.

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