The Oz Exception: Part Twenty-One

Daisy has it in her contract that there be rousing, heroic music when Team GOAT arrives on the scene. So, imagine if you will, something like the Star Wars’ theme, or that of the Christopher Reeve Superman, and you will know the flavor of the duo’s entrance melody.

Although her transformation and that of Peety (who somehow rearranges his drawn image to include a mask–but he still carries the beer and quotes the same films) to Team GOAT was coincidental to both Daisy and Peety disappearing, Dogs are very good sports and will go with the flow.

Weasels, however, have an obligation to live up to their names as used when compared to humans.

“Haha!” she/he laughed, “It’s Bruce Wayne and his boy toy.”

“Interfere with the storyline again, Weasely Weasel and you will see little hoofprints everytime you need to wipe,” said Dai–the GOAT, who is not the most patient of superheroes.

“‘Roadtrip!’ Bluto, Animal House,” said PDQ Pete–it was at least the twentieth time he had said that since the linoleum was rolled out, but no one got shitty about it, except, for, you guessed it, Penrose, as the brave four entered the castle just to have the door raised behind them.

“I once read an article about the brain power of Pigeons,” said the Weasel from up high in his turret. “It was written in invisible ink.”

“Goddamnit,” I said, watching it on my Chromebook–”Oh, well, that’s what I get for letting a Weasel ad lib.”

“Silence, nonsensical Stoat,” said the GOAT. “I believe that this is where the narrator fills in the backstory of Team GOAT as we walk deeper into the castle,” she added, looking directly into the camera.

“Oh, shit,” I said. It’s a hell of a thing to blow your lines when you are writing them, but I have special talents. I turned on my microphone and began reciting what you will read tomorrow.

End Part Twenty-One

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