Novels and pro wrestling have two things in common. Both are fiction, and in both activities there are periods where the author and wrestlers are obviously taking a breather. In wrestling, it is usually an arm bar or another hold that allows the combatants to “take ten” on the mat before getting back to the action. In writing this involves passages in which “tell” briefly takes over for “show.” Where an info dump temporarily replaces exposition and dialogue. Hey, now that I think about it, you can even look at it like a “tag team” match; if so, here is where “Tell” tags in, giving “Show” a much needed break–such a thing is evident when a metaphor starts as one thing and, with little warning, becomes another.

Agoville is Saragun Springs’ “Studio City.” It is where we “shoot” our little productions with Fictional Characters (FC’s) as actors who essay various roles. (Daisy is the major star). Agoville is composed of one short street, five long ones and has a town square that you must pass through to enter. There is no way out from behind, because it is shut snugly against the southern Nameless Hills.

The square features the previously mentioned Giant Clock Radio and various businesses, including the Agoville Studios, the Bank of Saragun Springs, a publishing house/newspaper and the Saragun Springs’ Broadcasting Company, located beside the radio. There’s also a large amphitheater, in which the previously mentioned “pushsprings” awards will be doled out soon. Oh yes, and of course, there are Sheep and bratty Lambs all over the place.

A voice in my head, playing the part of you, the reader, has just called out “Hey, what about the one short street and five long ones? What do they mean?”

Glad you asked. They put the “ago” in Agoville (aka, “Ago-a-go-go”). Each one is set in its own time era. They are based on the lifespan of the “Dubious One” (from here, D.O.) whom I am Pen to. The short lane is Fifties-Street–brief because the D.O. was born in 1959. Everything there is in black and white and is reminiscent of the film Pleasantville. Obviously, D.O. has no memory of that time, so it is highly suspect as far as reality goes.

The longer streets are of the 60’s, 70’s, 80’s, 90’s and one that is everything that has happened after 2000. (According to D.O., “the new decades have no distinct personality–they lack both sentimentality and sting.”)

These are not recreations of those decades either (save for Fifties Street); but one is actually transported into those years for the duration of our three-thousand word budget (another max setting for this Pen). (Perhaps it is worth noting that any time frame before D.O.’s birth, and the future are all shot in the Studio.) (It is unknown how many parenthetical sentences in a row I’m allowed to do, but three appears to be a safe amount.)

Hmmm, I guess it is time to tag “Show” back into the scrum of things. See you at the award show tomorrow.

End of Shameless Part Ten