During My Semi-Annual Visit by R. Gerry Fabian

with the Romanian gypsy woman

whose waist length black hair

and black lustered eyes

mesmerizes my attention.

I breathe backward.

She, of the white flowing blouse,

which can barely contain

her ample breast girth

and the silk black skirt

all wrinkled and

dirt ridden at the bottom,

directs me to cleanse all

all elements of envy

from my stained spirit.

As she pours the jet black tea,

her emancipated eyes sparkle.

R. Gerry Fabian

(Lovely Bird image provided by Christopher J Ananias)

Given by Jeffrey Zable

Talking with a dead friend he informed me,

“You know. . . I never thought it would happen

the way it did. All of a sudden I couldn’t shit straight

and there was nothing they could do about it.

Even so, I kept thinking that they could right up

to the end. You can’t imagine how much I suffered—

suffered like I wouldn’t wish on my worst enemy!”

“I understand!” I responded sympathetically,

wondering how it will be for me, given that

we just never know how life can turn on us

when we least expect it…

Jeffrey Zable

(Image of Ivy Green Cemetery, Charleston District, Bremerton, WA)

Lower and Lower Manhattan by William Doreski

As I cross the river on foot

a tower disgorges a cataract

of sun streaming down its windows.

This elaboration suggests hands

of a bronze clock striking noon,

but it’s only a skyscraper full

of dogged suits and ties straining

against tottering stocks and bonds

while looking forward to lunch.

I used to work on an upper floor

but grounded myself deliberately.

You stuck with the program and earned

a retirement in comforting pastels.

All day you shop for the perfect

handbag to tote the shrunken heads

of your lifetime of small enemies.

All night you listen to jazz greats

lilting saxophones into the sky.

I street-walk the city and sigh

the sighs of seismic old age while

you brush past in taxis, grinning

as they consume their fossil fuel.

I suspect from your silent pallor

that you’re thinking about the art

in museums that your patronage

props against the dissolution

that will announce itself like cymbals

striking a lone but fatal note.

William Doreski

(Image plucked from the files of The Drifter)

The Box by John Grey

no use

saying don’t

she climbs

the chair wobbles

but it is hers

the kitchen hers

the cabinet

also hers

as she reaches

for the dust-covered box –

getting down requires

all of her coordination

is a slow shake of bones

but none of my help –

on the table

she opens that box

with deliberation

reveals postcards creased letters

a photograph a medal or two –

no use saying

the past is past

it is hers not mine

and she is 83 still reaching –

and her base may tremble

but it also holds

John Grey

(Image of a future box if local slumlord gets its way)

Bukowski Blvd On The Eve Of Mid-Term Elections by Gerard Sarnat

— thanks to Joan Jobe Smith’s Moonglow Á Go-Go

Past tomorrow’s polling station and chili dog stand, this piss-poor perky protagonist, once a Sistine good girl Dorothy from next door made shitty living laboring over manual typewriters, flees her mean ex-old man who owes allegiance to Long Beach Hells Angels.

After dude broke both of my eardrums with chain-linked fists, passing stevedoreson the wharf, I wink at a Kansas sailor holding white linen crotch with humungous right hand while his other jabs an abscessed left thigh with a syringe size of Michelangelo’s javelin.

Thereafter slinking into some random transgressive but transformative titty bar named David’s, beneath banks of brilliant blacklight beacons, I try to metamorph into one belly-button sequined raw sixteen-year-old sexpot wearing soon to be beer-rotted ruby red shoes.

Gerard Sarnat

(Image is of “Puck”–a Hank fan in Bremerton, WA)

Studio–London, 2014 by DS Maolalai

after he gave me the key

and had shaken my hand

he had run through the way

the electricity worked, the few

kitchen fittings. apparently he’d had

another offer from a young

polish couple. this was really,

he told me, a room for a man on his own.

I closed the door, locked it

and pushed the bed into the corner.

the place it had been

was distinct on the carpet

as a barrier and an open

manhole hatch. the table was plywood

and wood-effect plastic

and smelled strongly of antiseptic dusters.

the kitchenette was more

or less clean with some frost

in the fridge. I took time

to gather filters, flaking

like pills of asbestos,

from the previous tenant’s cigarettes

which the landlord had missed.

they had crawled between the carpet

and the tile of the bathroom.

into the divots where the castors

of the bed took his weight.

DS Maolalai

(Image provided by Dale Williams Barrigar)

Learning About Birds by Patricia Russo

In the new textbook, it read:

The males sing more loudly,

but the songs of the females are more complex

which made the girls in the class giggle

Infuriated, the teacher

slammed his hand on the desk

silencing everyone

and embarrassing the boys

then one boy in the back

began to laugh

deliberately, mockingly

and though the teacher bellowed so loud

his eyes nearly popped out of his face

more boys started laughing

and all the girls were grinning

and maybe

that is how

things change

Patricia Russo

(Image of a Box Pigeon flock in the Charleston district of Bremerton, WA. This “team” has been intact for over fifty generations; which is a whole lot of Box Pigeons)

In That One Dream by Bruce Gunther

In That One Dream

Even pigeons could read my mind

as I walked without destination along

the sidewalk of the big city; the hot dog

vendor looked like Jack Nicholson.

The mystical canyon of skyscrapers

loomed, and Plato passed out copies

of his writings, anxious to share

his life’s work with anyone interested.

No one in their right mind wants what you’re selling,

someone said as he passed, so convinced

of man’s fallibility that nearby faith healers

and positive thinkers grew silent and anxious.

And the dark clouds hung full and heavy,

threatening to rain for the next 40 days.

A cleansing would do us all good, someone

else said as we formed a line behind Noah’s animals.

Bruce Gunther

(Image provided by Christopher J Ananias)

Class Reunion by Christopher J Ananias

(Ed note: Happy New Year to All! And although we have been up every day for several months, it is still a joy to announce our grand opening. Today we start the year with a wonder bit of work by Christopher J Ananias, who is also responsible for the header image–Leila)

from the bug eyes of isolation

put the trailer court into a paper sack

and drink it

thirty years of days, gone

classmates, like pickets

they want, (they say), to see me at the class reunion

an October affair

when the pink glories despair

I can’t recall their faces

no one to dismiss

surely they had the makings of which

hair lips teeth—smiles and such

no successful accolades

What can I give?

they don’t want to catch my limp

one more look over the yearbook

oh, heart jumping!

there’s Lori’s brown braids

and Ken’s grin

he passed the pot pipe—and more

frozen people on wooden bleachers

others marching with golden horns and blue pennants!

cheerleaders throwing stars!

teachers standing around

oh sadness!

what do they want with me?

I cannot face those faces

I’m on a suspended license

riding up in my junker with dog hairs

gray goatee and brown eyes, dodging

with a shuffling hunching

mortal coil nearly shucking

all these days of years, drinking

leaking me on the barroom’s floor

a living hole

should take a big step through yon skyward’s door

no kids’ picture to present

not even a surly seed

or his mother’s needs

just me

drinking foghorns of time

sleeping on cement slabs

bars and paper crosses

glued with mint toothpaste

Who could believe?

we were ever seventeen

bursting threads and heart seams

marching with golden horns and blue pennants!

one more look over the yearbook