Studio–London, 2014 by DS Maolalai

after he gave me the key

and had shaken my hand

he had run through the way

the electricity worked, the few

kitchen fittings. apparently he’d had

another offer from a young

polish couple. this was really,

he told me, a room for a man on his own.

I closed the door, locked it

and pushed the bed into the corner.

the place it had been

was distinct on the carpet

as a barrier and an open

manhole hatch. the table was plywood

and wood-effect plastic

and smelled strongly of antiseptic dusters.

the kitchenette was more

or less clean with some frost

in the fridge. I took time

to gather filters, flaking

like pills of asbestos,

from the previous tenant’s cigarettes

which the landlord had missed.

they had crawled between the carpet

and the tile of the bathroom.

into the divots where the castors

of the bed took his weight.

DS Maolalai

(Image provided by Dale Williams Barrigar)

4 thoughts on “Studio–London, 2014 by DS Maolalai

  1. DS

    I have rented my fair share of little dives that the landlord didn’t ask for a reference and were loaded with the ghosts of other people’s cooking and perfume. This states such and more, immigrants usually get to know the local poor. Well done.

    Leila

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  2. DWB's avatar DWB says:

    DS

    The title alone creates a great effect in this poem as the reader wonders what kind of studio it is, why the character is in London (do they always live there or have they traveled there, etc), and what was going on there more than a decade ago.

    The ghost of the former tenant hovers ’round the margins of the piece in a profoundly everyday sort of way. And for me, the even more intriguing ghost in this piece is the narrator, the “I” of this poem who describes outward surroundings in a restrained way which says much about interiors of a different sort, that is, the interior of the human mind, heart and soul. A haunting poem of human loneliness in more ways than one. We’d love to see more of your work whenever it’s ready.

    Dale

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