-1-
Tess nagged me into visiting our father’s grave. She said it was the sort of thing that daughters should do. While she arranged a handmade wreath composed of daisies, bluebells, buttercups and dandelions on his tombstone, I stood there and felt stupid–thus more inclined to be a pain in the ass than acting the part of a dutiful daughter. Naturally, I had to get on her case about the inclusion of dandelions:
“Those are weeds, molecule.”
“So? People don’t grow the other stuff on purpose, either, Sar-duh.”
He died when I was two, shortly after Tess’s birth, thus destined to be just another smiling ghost in the family album and little more than the source of our surname. It never occurred to us to visit his grave, or even ask where it lay. But that changed on the first day of the 1971-72 school year, when at ages eleven and nine, we finally learned how he’d filled his grave. Suicide. One of Tess’s subnormal classmates had teased her about not having a dad. Said ours shot himself in the head in order to keep from knowing us–Tess especially.
“Tell me, fucker, or else,” I informed that kid, after school, in the playground, my arm locked around his neck, my knee in the small of his back, his face inexorably inching closer and closer to a mound of freshy squeezed dogshit. He told me he’d overheard his parents talking about it. I believed him because people are uncommonly truthful when faced with a high-end or else. Still, he got a bit anyway for making Tess cry–and for being stupid enough to think she wouldn’t tell me and that nothing bad would happen if she did.
Our mother was a word class liar, once in a lifetime. She capitalized on the specious notion that true sounding things are brief. “He had an accident” was her go to fiction about our father’s death on the very few occasions we brought it out. Nary a syllable more. Though characteristically terse, it depended more on a look in her eyes that told us not to fuck with it than brevity to get over. Quizzing our only other living relative, a pill head “aunt” from his side, would have been useless because Anna-Lou knew better than to cross Mom; and Mom’s best friend Nora would have just blown us off and reported our curiosity. Although it appeared to be common knowledge in some circles, Tess and I vowed to keep that we knew a secret. For me it was something I could use to fuck with it at leisure; my sister’s reasoning is harder to explain.
Tess had a secret word for the beauty she saw flashing in ugliness, like panning for gold in shit creek. I don’t recall the first time I heard her say Dreampurple, but it must have been around 1969 or ‘70–certainly no later than that time in ‘71. So, it made sense that she’d see the Dreampurple in self murder. Mom was big on labeling the things she didn’t understand about Tess us “phases.” If Mom had known about the wreath laying business she would have attributed it to yet another of Tess’s passing fancies with the same certainty she had that I’d wind up in Hell via the Washington State Women’s Corrections Center at Purdy.
At the time Tess was going through a Jesus phase. But it burned off like summer fog because you have to seek the Lord, whereas brutal reality never stops until it has killed you. It took me a long time before I realized that there was a difference between Tess’s phases and that which she held in Dreampurple esteem; Mom never got it, though sharp, for her it all added up the same. She didn’t know that the phases were temporary while the Dreampurple was for keeps. Naturally, I figured that Tess had nagged me into going to New Town Cemetery due to a newly found infatuation with Heaven. I went along because sometimes it was the only way to get her to shut up about a Big Idea.
I still wonder why flowers look natural on graves. You’d think that the two items are so far apart as concepts that they would clash in the mind. Conditioning, I suppose; the result of long term exposure to a tradition that’s formed a mental link in the species. Tess had arranged the wreath so it made a circle around the words etched on his small, rectangular cement tombstone:
DELROY DEAN SPAHR
1935 1962
I almost felt something when I looked at his shitty little poorman’s grave–a tiny cement square, not even made from natural stone, already cracking, certain to give away his name only after a few winters had leaned on it. It seemed to me that a life should add up to more than a name and two dates–all that time being a someone marked only by a small empty space between cold numbers. And the missing dash between the years you normally see on tombstones bothered me. It felt as though he’d been slighted in a way that I took personally.
This thinking didn’t go well with my baseless fear of the long shadows of late September afternoons. There’s something about September that’s death already; something that the shadows uncover rather than conceal. Ever since winter I’d been experiencing shocking, sudden mood drops; these had no triggers and are best described as an instantaneous switch from my familiar tone of thoughts to a cold, certainty that the universe and everything in it, like our parents and us, was already dead, and had been for a long time, if not always.
For the first few years of my Endless Now, I found that I could talk my way from it–even shake it off and pretend it hadn’t happened.
“I don’t want to be here,” I said. “If you’re gonna say a prayer, say it so we can go.”
“Don’t think so,” Tess said in a voice that weighed more than a nine-year-old kid should have to carry. She’d only say “Don’t think so” when something was over. Don’t think so items hadn’t passed the Dreampurple test.
Jesus might have walked on water, but he’d sunk for Tess. Christianity assayed fool’s Dreampurple. Nothing ever got a second chance at the test.
End Chapter One. Chapter Two on Monday
thrilled to be meeting these people again Thank you. dd
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Thank you Diane!
Yes, this is the stuff from before placed into a longer narrative with new parts making the connection.
Leila
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Leila
You are a master of both the third person narrative voice in a multi-layered world that includes living humans and spirits, and, as shown here, you are a master of the first person “I” narrator as well. Among many other things about your work, this shows a HIGHLY unusual, even uncanny, mastery of the art of fiction.
This narrator, if there can be such a thing, and there can be such a thing because here it is, is like a female Huckleberry Finn. This voice is as pitch-perfect as Shirley Jackson’s narrator in We Have Always Lived in the Castle.
And the dreampurple light and the endless now are as profoundly haunting and uncanny as something Emily Dickinson herself might have come up with, wandering over the hills alone with her dog Carlo.
AND it’s amazing how HUMAN these characters are, as in all your fiction! Mr. Good Will Shakespeare himself would’ve been impressed with this aspect of your writing (and probably is, somewhere), and so are Don Quixote and Sancho Panza.
Thank you for this, you consistently prove that the art of fiction is not dead in America, even though there were days before I discovered you that I truly believed it was dead in America!
Sincerely,
Dale
PS,
It’s an absolute pleasure at every level to be able to offer feedback/commentary on this kind of work…There’s nothing I’d rather be doing right now.
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…..the image is chillingly good, the colors, the composition, and the cross…..because we all get crucified in our own ways….something I started to really REALIZE in a very intense way while hanging out with my mother during her last days (on Planet Earth)…..
….William Blake claimed he saw his brother’s spirit rising fast through the ceiling after his body died, “clapping its hands”….a haunting image if there ever was one.
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Thank you Dale
I truly am moved by your remarks and honesty.
These three books, the next being Music are roughly six chapters and 15-k words apiece. Chapter two runs Monday, every other day. I look forward to you bringing luck to tge 13th with a Friday poem that’s scheduled.
Thanks again!
Leila
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15-k is the perfect length for a small, perfect book! Luv the titles, too!
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….Regarding yesterday’s image, I’ve noticed that animals seem to let you get quite close to them, and don’t freak out too much….kinda reminds me of Saint Francis…..
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Thank you!
I have always got on well with animals. People, well, that’s pretty hit or miss. Even the worst Dog is better than most humans!
Leila
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For some reason Bucephalus, Bandie and The Colonel seem to agree with you !!!
They say, “woof!” “wuff!” and “wolf!”
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Oops, forgot…that church used to be a large tavern called Ray’s. Forty years or so ago someone attached a steeple to it. Non unitarians used it, I think it is Methodist now. Located smack dab in the middle of the Charelston District.
Leila
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I can relate to a tavern turned into a church, especially since my church used to be taverns! God bless!
Ray’s is a good name for a tavern in the Northwest, wonder if Carver was ever there…
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Hi Dale
He very well could have. I think it quit being Ray’s in ’83. It used to have an actual fireplace in it. First opened sometime after WWI. Like the church, the location is strange, no immediate neighbors and stands in a small industrial park close to a U-Haul operation and tow truck service/wrecking yard.
Leila
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Hi Leila
There is a haunting tone in this story that I really like.
The two characters who discover a family secret are compelling.
Religious overtones and new flowers on a forgotten father’s grave. The small fading gravestone makes him seem poor and punished for committing suicide.
Tess and Sarah seem like real people. Great story!
Christopher
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Thank you Christopher
I appreciate your taking the time to drop by!
Leila
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Leila – Yes, Editor and I have heard lots of those things that were hushed in our families. Suicides, births shortly after marriage. All of my previous generation is gone, and some of the collateral. Vincent Price was in a movie called “The Conqueror Worm”. I thought it was about a monster, but it was the ones that you feed while you are underground. I have a draft of Grammar and Mystery, now onto cats and other things.
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Hi Doug
Moving a tad slow this week. Retirement week marred by a return of the plague, but I will live. Thank you for commenting. And I look forward to your week later this month.
Leila
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