You Remembered Everything Chapter Two

During Holly and Emma’s strange meeting, Irene Allison was at home sitting on a porch swing and drinking a can of PDQ Pilsner. Irene looked much younger than her twenty years because she was neither quite five feet tall nor a hundred pounds. It was a pretty night, maybe sixty, and not humid as it usually gets during summer in the Pacific Northwest.

Irene’s house stood at the crest of T-Hill, directly across the street from New Town Cemetery. Despite its location, little could be seen of the cemetery from the porch due to the quick drop of the hillside. Holly and Emma were no more than a hundred yards away, but since that was mostly downhill from her, they could have been on Mars for all Irene knew.

Unlike the dilapidated rows of war time duplexes, it was a clean, albeit aging, two-bedroom, single level working class home built by Irene’s paternal great grandparents prior to the Great Depression. It resembled a hundred others in Charleston save for a veranda that ran the length of the front of the house. Irene always thought that there was something southern and To Kill a Mockingbird about the veranda. A large porch swing to the left of the front door was the veranda’s main feature; Irene sitting on it during fair weather was often the swing’s main feature.

Irene had one ear trained on the baby monitor she used to listen in on her grandmother. It was stationed on the wide rail of the veranda. Hard circumstances and bad luck made Irene responsible for the well being of another human being even though she believed that she was not particularly able to manage herself. The weight sat uneasily. Over the past five years her life had been little more than about death; everyone she loved had a lifeline as long as that of a Bronte sister. Even the cat, Sir Jack Falstaff, whom Irene had known since the dawn of her memory, was sixteen.

As a diversion, Irene, again, wondered how a can of five-year-old PDQ Pilsner could still be fresh and fizzy. It was better to think about that than dwell on another lonesome night of her youth taking the big swirl down, then upbraiding herself for her selfishness.

PDQ was the lowest of the three local budget beers (said to be brewed from the “mysterious waters of Saragun Springs”). Each can featured a picture of “Pie-Eyed Peety the PDQ Pilsner Pigeon.” Peety was a toon in a porkpie hat, who smoked a cigar and held (an apparently bottomless) can of PDQ in one wing; he had been touting the swill since the 40’s. No matter how he was positioned, Peety’s head was always surrounded by six (Irene had counted) popping bubbles that inferred (along with his “pied” eyes) a state of extreme intoxication. There were uptight snowflakes who protested an insolently drunk pigeon being PDQ’s mascot. They said it was designed to attract kids to drinking, cigarettes, premarital sex, critical thinking and all the other stuff people would rather do than take direction from uptight snowflakes. Irene believed that it was a hypocritical society that begat useless snowflakes who made more noise about cartoon beer mascots than they did about people dying in doorways that caused people of all ages to flee reality. Regardless, none of that solved the prolonged freshness mystery.

These philosophical thoughts were interrupted at 12:17:09 A.M., the precise time of Holly More’s death at the foot of the cemetery’s great maple tree. The baby monitor squawked and Irene heard a female voice say “You remembered everything, darling,” at a volume well beyond the capacity of the cheap speaker, which, like Mr. More, died that instant. This was accompanied by a bright flash of light inside the cemetery. As Irene dashed from the porch through the house, she expected to hear thunder, but it never came. She turned the light on in Gram’s room and saw nothing out of order; Gram was sound asleep courtesy of one of the many pills she was prescribed for a litany of woes, including insomnia. All Irene got for the effort was a peeved yawn from Falstaff, who was curled at the foot of the bed.

Irene turned the light off and quietly closed the door. She never felt so alone.

But that feeling vanished when she heard Lauren Thommisina Lemolo’s ancient Dodge Colt pull into the Allison’s driveway. Only official people called her Lauren, to everyone else she was “Tommy.” Although she had been distracted that night, Irene usually knew that Tommy was on her way long before she arrived. The Colt made several strange noises (audible at about a half mile) that distinguished it from all other contraptions in Irene’s knowledge. Mainly, it was a combination of the loosely geared manual transmission and heavy exhaust pushed through the ragged tailpipe that caused a singular, hiccupping whurrwhirring sound. The Colt constantly threatened suicide but never got around to it. Tommy figured that it was waiting for the worst possible moment to do so.

“Oh goody, you broke out the urine,” Tommy said, bounding onto the porch, met by Irene. She was twenty-one, a year older and a foot taller than Irene. Always athletic, Tommy moved like a dancer even though she had a prosthetic attached at the knee of her left leg.

“You see a flash of lightning about a minute ago?” Irene asked as she handed Tommy a can from a bucket near the swing. “Looked like lightning hit the graveyard, but no thunder.”

“Lightning–on a night like this? Must be the pee talking.” Tommy then held her can of PDQ high as though it were a chalice. “I’m telling you there’s a Nobel prize kind of scientific mystery here to be solved–how can a beer brewed bad not go flat. Tellin’ you there’s money in this.”

For a fleeting second something hitched in Irene’s mind. She saw Fallstaff lying on the porch swing–confused, she began to think “didn’t I just see…” but it vanished before completion. As far as Irene was now concerned he had always been on the swing.

Tommy sat on the swing and nuzzled the old boy. “How ya been fatso?” She touched his nose with her beer and won an expression that suggested he needed to sneeze but had forgotten how. Not all that long ago Tommy and Irene would watch him hunt and eat moths on the porch. He hadn’t done much of that for the last two years or so. The shit you miss.

Irene remembered the noise the baby monitor made. She picked it up and shook it. Something rattled. “Fried,” she said. “When the lightning–or whatever happened, I heard a voice over this thing–real loud–now it’s cooked.”

Tommy took it from her, also rattled it, fiddled with the volume controls. “Wow, it is spent–you can smell the wires. What did the voice say?”

Irene sat beside her, she was about to answer but the words had also vanished. “Dunno–can’t remember. I took off thinking it was Gram, but she’s out completely. Must be a blown transformer–good thing it wasn’t ours.”

Although both Irene and Tommy were too smart to buy the lame transformer theory, neither of them felt compelled to explore why there would be a transformer inside a cemetery; nor why the lights were still on; nor how a transformer blew out a wireless monitor and nothing else. It simply felt better to let it go. Natural. Besides, there were two other monitors that came with the set; by the time Irene returned from fetching one from the kitchen, the topic was completely forgotten.

“How was she tonight?” Tommy asked, already knowing, lighting two cigarettes. She gave one to Irene.

“Same–how was work?”

“No breaking news there,” Tommy said. “Made a whole nine bucks in tips–one fucker left a quarter–but we stayed open all the way to 11:45–numb-nuts about peed himself worrying about closing fifteen minutes early on a Monday night.” Tommy waitressed at WJ’s Bar and Grill; on busy weekends she easily cleared fifty, sixty bucks a night in tips, even after cutting in the bussers. “Numb-nuts” was WJ’s assistant manager–Irene thought his real name might be Andrew–something with an A. She had never met numb-nuts, and still six months shy of twenty-one, she had only seen WJ’s from the outside. But she had formed a mental picture of the place, the workers and even numb-nuts based on Tommy’s colorful descriptions.

Tommy told Irene she could get her a job at WJ’s, but that was before the State “hired” Irene as Gram’s live-in caregiver. It’s a hell of a world; children and grandchildren having to take pay for something they had been and felt obliged to do for free. Yet even though the house was paid for, expenses were fairly low and Gram had both social security and her pension, there ‘s always the property taxes and increasing prices, more money is always needed. Still, it made Irene feel like dirt; like a sponge; like one of those awful people you hear about on the news whose neglect causes bedsores and whose greed raids the accounts. This made Irene so over the top scrupulous that it might have looked suspicious if anyone cared. It also seemed to her that the State needed a patsy just in case something went wrong.

Grandpa Henry and Gram were children of the Great Depression. Even though they were literally kids back then, they had been taught to buy all you can of something when it goes on sale. That sort of thinking led to things like thirty-one flats of PDQ in the garage, upon Grandpa Henry’s death five years earlier. One summer, when it got hot enough in the garage for some of the cans to explode, Grandpa Henry installed air conditioning (since discontinued), thus negating the money saved from buying in bulk. Two years of subtle mourning passed before Irene began to drink it. At a rate of six to ten a week (even with Tommy’s help) there were still nine cases in the garage.

Of course it hadn’t always been that way. There had been boisterous times, good times, alive times. But those things vaporized when Grandpa Henry collapsed in the kitchen from a heart attack when Irene was just shy of fifteen; the following month, Tommy’s mother died unexpectedly in her sleep. The “unexpectedly” part went away when an emptied bottle of hydrocodone and a note were located on her nightstand.

Irene was with her grandfather when he died, unable to do anything more than to cry and beg him to hold on till help arrived. Gram had been at work and Irene was in her room studying when she heard a crash and a thud in the kitchen. She found him lying on the kitchen floor in a puddle of Four Freedoms vodka. Although her grandfather was no stranger to losing consciousness, he rarely passed out that early in the day.

“I’m calling 911, please please please don’t die.”

But he did die. He died without regaining consciousness, in her arms, shortly before the ambulance arrived. In the intervening years, Irene had found the good in her grandfather’s sudden death. He had been spared the torture inflicted on Gram.

Death was taking the long way to Gram. Until she turned sixty-five she’d been strong and healthy–in defiance of her own tableau of evil habits. But Elsbeth Allison suffered her first stroke not five months after Grandpa Henry died. In itself, the stroke was no big deal. But it served as an opening bell for Gram’s season in hell.

Within three years, there was very little that was not wrong with Gram. She had diabetes, gout, emphysema, kidney disease, an enlarged heart, plus a liver “Harder than a twelve year-old whore’s upbringing,” so Gram had said, because she used to say stuff like that, prior to her brain no longer getting enough oxygen to sustain a personality. She had still managed to remain a funny human being until spring. Then she went away. The situation almost caused Irene to pray to the God she did not believe in to end Gram’s suffering until she realized that if God did exist, then he was the fucker responsible for pain.

Naturally, Gram had begun to live in the past because her present was shit and the future didn’t have plans for her other than the continuation of shit until she died. And despite the B.S. Irene had heard about miracles, she knew Gram wouldn’t be getting better because there was no better for her to get back to. Her equipment was shot beyond repair.

Gram, Irene’s Gram, never bitched about the situation. But the thing in the back bedroom complained full time about everything. Whiney, petulant, dumb as a post and certainly not the sort of person Gram would have liked, the doppelganger of Elsbeth Allison lived on for no apparent good reason. Still, every now and then old Gram would resurface, but the occasions were becoming steadily infrequent. Thus Irene was in the not so unique position of mourning the passing of someone while that person (in the technical sense) still lived.

All such facts went into causing a hell of a surprise when Gram came out of the house and asked Tommy for a cigarette.

End Chapter TWO

9 thoughts on “You Remembered Everything Chapter Two

  1. A note to readers: This story takes place in the Springs’ sister realm called “Other Earth,” which is mostly like our planet except for a few changes: some people, such as “Irene” are much younger and perhaps thinner than their Earth doppleganger. Also, Other Earth has a PDQ Pilsner.

    LA

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  2. Irene

    OMG, I love this!

    All of this should be called positively Dickensian because of the: wildly likable, relatable, realistic, sympathetic, human, deep, lively characters; the clear, realistic, simple-in-a-good-way, poetic writing style; the hint/s of the supernatural that always hover around or in this world through and in the margins (JUST like in real life); the episodic nature of the publication; AND the absolutely brilliant reinvention of the cliffhanger ending.

    The cliffhanger ending was amazingly well-done here. It was a massive and complete surprise, AND it seemed “real” somehow, AND it absolutely makes the reader feel as if they NEED to return next time and find out what happens.

    This chapter is so good! For me, this is fiction writing that kicks Stephen King, John Irving, and even the late, very great Jim Harrison down into the ditch!

    These characters are so relatable, they very much remind me of my own family members on many levels.

    The cliffhanger ending is so good, it makes the reader forget that there are actually at least TWO cliffhangers, or strands of the story, that are left hanging for further development in the next chapter/s.

    For some reason this also makes me think of Flaubert and MADAME BOVARY, whether it’s the poetic realism, the measured story-telling control and intensity, the wildly alive characters, the fully imagined world surrounding the characters, or all of the above, I’m not sure.

    This is the kind of fiction that will be popular EVEN with people who don’t like fiction. The world may not have fully caught up with this yet, but it will someday for sure.

    I can’t thank you enough for this great gift to the writing and reading world! I love it at every level!

    Dale

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    • Hello Dale
      You are most gracious and it is deeply appreciated.
      This book will take a long time to get out. The first four or five chapters should be weekly, but after that I will hold any back that is not “done” to my satisfaction.
      Thanks again!
      Leila

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      • Leila

        Part of what reminded me of Flaubert is probably the great care and craft with which this is being composed.

        “LE MOT JUSTE,” only the single right word for any given situation, description, conjunction, word choice, etc., where even the use of AND or not to AND is a matter of importance. Your style “looks” easy but the FORCE of the great shaping is so THERE it’s jaw-dropping.

        Bukowski also wrote this way, very much so, especially when he wrote first-person, narrative poetry, and this was what Hunter S. Thompson prided himself on most, more than anything, even the amount of drugs and alcohol he could and did consume. (My favor piece of writing by Thompson is what he called himself, “A Road Warrior for the Lords of Karma.”)

        Also, Flaubert FELT his characters so much, he threw up when they threw up, laughed when they laughed, did other things when they did other things, and almost died when they did. Killing off his heroine almost killed him.

        Flaubert was also one of the very first (or maybe THE first) who officially said of himself, his art and craft, “This is my Religion and there is no other.” Very much a Pablo Picasso of the Word in that sense, one hundred years earlier.

        Flaubert NEVER got sloppy (in his best writing, that is; in his personal life, he was a slob, or what “THEY” call a slob, the ones who are always too busy cleaning stuff that’s already clean enough, I mean, because they can’t think of anything better to do?…).

        His moral injunction to himself was “Tell the truth,” a hundred years before Hemingway, and he knew that truth was and is internal, solitary and very, very real, another thing he had/has with you (and Jesus).

        Dale

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    • Thank you again Dale

      WP does tend to obfuscate further comments, which is a shame–but I always look and found a second from you.

      All I can say is I think it has always been a hard run for writers to get what they really want on the page, yet even harder to get people to look at it when that has been accomplished. Unless something is obviously a cynical attempt at publication I no longer make much fun of bad writers, because I know how hard it is to do. I hope they keep at it. Read and write is the only thing that works. Like diet and exercise, not fads, are the only way to lose weight.

      Thanks again!

      Leila

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  3. Older sister – There’s a condum under the veranda.
    Younger sister – What’s a veranda?
    I suspect there’s a lot of possibly disguised biography in the piece. There’s a lot that I can relate to. People and cats dying around me. My hope is to go before editor. Depression parents.
    Fly Life An Eagle and Keep On Rocking In The Free World

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  4. As you know I have always loved these characters and your rendering of them here is absolutely excellent. I love the comment about the things we miss – silly, unimportant things that we grieve for unexpectedly. I think many of us know the horrible guilt of wishing a loved one out of pain but wanting them to stay for selfish reasons. You have hit so many nails on the head with this you could be a carpeter if you weren’t such a brilliant writer. dd

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